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Pluto (god)
In ancient Greek religion and mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In Ancient Greece
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs." Most ancient Greeks recognized the twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. The worship of these deities, and several others, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, aei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Greece
Archaic Greece was the period in Greek history lasting from circa 800 BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean and the Black Seas, as far as Marseille in the west and Trapezus (Trebizond) in the east; and by the end of the archaic period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognisable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the '' poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Abduction Of Persephone By Pluto, Amphipolis
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Culture
Leonardo da Vinci's ''Vitruvian Man''. Based on the correlations of ideal Body proportions">human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise ''De architectura''. image:Plato Pio-Clemetino Inv305.jpg, upPlato, arguably the most influential figure in all of Western philosophy and has influenced virtually all of subsequent Western and Middle Eastern philosophy and theology. Western culture, also known as Western civilization, Occidental culture, or Western society, is the Cultural heritage, heritage of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies of the Western world. The term applies beyond Europe to countries and cultures whose histories are strongly connected to Europe by immigration, colonization or influence. Western culture is most strongly influenced by Greco-Roman culture, Germanic culture, and Christian culture. The expansion of Gree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Tradition
The Western classical tradition is the reception of classical Greco-Roman antiquity by later cultures, especially the post-classical West, involving texts, imagery, objects, ideas, institutions, monuments, architecture, cultural artifacts, rituals, practices, and sayings. Philosophy, political thought, and mythology are three major examples of how classical culture survives and continues to have influence. The West is one of a number of world cultures regarded as having a classical tradition, including the Indian, Chinese, and Islamic traditions. The study of the classical tradition differs from classical philology, which seeks to recover "the meanings that ancient texts had in their original contexts." It examines both later efforts to uncover the realities of the Greco-Roman world and "creative misunderstandings" that reinterpret ancient values, ideas and aesthetic models for contemporary use. The classicist and translator Charles Martindale has defined the reception of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orcus
Orcus ( la, Orcus) was a god of the underworld, punisher of broken oaths in Etruscan and Roman mythology. As with Hades, the name of the god was also used for the underworld itself. In the later tradition, he was conflated with Dis Pater. A temple to Orcus may once have existed on the Palatine Hill in Rome. It is likely that he was transliterated from the Greek daemon Horkos, the personification of oaths and a son of Eris. Origins The origins of Orcus may have lain in Etruscan religion. The so-called “Tomb of Orcus”, an Etruscan site at Tarquinia, is a misnomer, resulting from its first discoverers mistaking a hairy, bearded giant for Orcus; it actually depicts a Cyclops. The Romans sometimes conflated Orcus with other gods such as Pluto, Hades, and Dis Pater, all gods of the underworld. The name “Orcus” seems to have been given to the malicious and punishing side of the ruler of the underworld, as the god who tormented evildoers in their afterlife. Like the nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dis Pater
Dis, DIS or variants may refer to: Arts and entertainment Music * ''Dis'' (album), by Jan Garbarek, 1976 * ''Dís'', a soundtrack album by Jóhann Jóhannsson, 2004 * "Dis", a song by The Gazette from the 2003 album '' Hankou Seimeibun'' * "dis–", music from Mika Arisaka from the anime series ''Infinite Ryvius'' Other uses in arts and entertainment * DIS (collective), a collaborative art project, and their ''DIS Magazine'' * ''Drowned in Sound'' (DiS), a British webzine * ''Dis – en historie om kjærlighet'', or ''A Story About Love'', a 1995 Norwegian film * ''Dis'', translated as ''In a Dark Wood'', a 2006 Dutch novel by Marcel Möring Businesses and organisations * The Walt Disney Company, NYSE stock symbol DIS * Daegu International School, in South Korea * Dili International School, in East Timor * Dubai International School, in the United Arab Emirates * Dominican International School, in Taipei, Taiwan Government and military * Defence Intelligence Staff, a form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interpretatio Graeca
''Interpretatio graeca'' (Latin, "Greek translation") or "interpretation by means of Greek odels is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. ''Interpretatio graeca'' may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods. ''Interpretatio romana'' is comparative discourse in reference to ancient Roman religion and myth, as in the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanization
Romanization or romanisation, in linguistics, is the conversion of text from a different writing system to the Roman (Latin) script, or a system for doing so. Methods of romanization include transliteration, for representing written text, and transcription, for representing the spoken word, and combinations of both. Transcription methods can be subdivided into '' phonemic transcription'', which records the phonemes or units of semantic meaning in speech, and more strict '' phonetic transcription'', which records speech sounds with precision. Methods There are many consistent or standardized romanization systems. They can be classified by their characteristics. A particular system’s characteristics may make it better-suited for various, sometimes contradictory applications, including document retrieval, linguistic analysis, easy readability, faithful representation of pronunciation. * Source, or donor language – A system may be tailored to romanize text from a particul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genitive
In grammar, the genitive case ( abbreviated ) is the grammatical case that marks a word, usually a noun, as modifying another word, also usually a noun—thus indicating an attributive relationship of one noun to the other noun. A genitive can also serve purposes indicating other relationships. For example, some verbs may feature arguments in the genitive case; and the genitive case may also have adverbial uses (see adverbial genitive). Genitive construction includes the genitive case, but is a broader category. Placing a modifying noun in the genitive case is one way of indicating that it is related to a head noun, in a genitive construction. However, there are other ways to indicate a genitive construction. For example, many Afroasiatic languages place the head noun (rather than the modifying noun) in the construct state. Possessive grammatical constructions, including the possessive case, may be regarded as a subset of genitive construction. For example, the genitive constr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Hero
Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, "hero" (, ) refers to the mortal offspring of a human and a god. By the historical period, however, the word came to mean specifically a ''dead'' man, venerated and propitiated at his tomb or at a designated shrine, because his fame during life or his unusual manner of death gave him power to support and protect the living. A hero was more than human but less than a god, and various kinds of supernatural figures came to be assimilated to the class of heroes; the distinction between a hero and a god was less than certain, especially in the case of Heracles, the most prominent, but atypical hero. The grand ruins and tumuli (large burial mounds) remaining from the Bronze Age gave the pre-literate Greeks of the 10th and 9th centuries BC a sense of a once grand and now vanished age; they reflected this in the oral epic tradition, which would become famous by way of works such as the ''Ili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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