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Piano Trio No. 1 (Brahms)
The Piano Trio No. 1 in B major, Op. 8, by Johannes Brahms was completed in January 1854, when the composer was only twenty years old, published in November 1854 and premiered on 13 October 1855 in Danzig. It has often been mistakenly claimed that the first performance had taken place in the United States. Brahms produced a revised version of the work in summer 1889 that shows significant alterations so that it may even be regarded as a distinct (fourth) piano trio. This "New Edition" (''Neue Ausgabe''), as he called it, was premiered on 10 January 1890 in Budapest and published in February 1891. The trio is scored for piano, violin and cello, and it is the only work of Brahms to exist today in two published versions, although it is almost always the revised version that is performed today. The work is homotonal, with two movements in the key of B major and two in B minor. It is also among the few multimovement works to begin in a major key and end in the tonic minor (anothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the " Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Joachim
Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century. Joachim studied violin early, beginning in Buda at age five, then in Vienna and Leipzig. He made his debut in London in 1844, playing Beethoven's Violin Concerto (Beethoven), Violin Concerto, with Felix Mendelssohn, Mendelssohn conducting. He returned to London many times throughout life. After years of teaching at the Leipzig Conservatory and playing as principal violinist of the Gewandhausorchester, he moved to Weimar in 1848, where Franz Liszt established cultural life. From 1852, Joachim served at the court of Hanover, playing principal violin in the opera and conducting concerts, with months of free time in summer for concert tours. In 1853, he was invited by Robert Schumann to the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trios By Johannes Brahms
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claremont Trio
Claremont Trio is a New York-based piano trio including Juilliard School alumnae Emily Bruskin (violin) and Julia Bruskin (cello), and Yale School of Music alumna Sophiko Simsive (piano). The group was founded at Juilliard in 1999, and made its performance debut at the 92nd Street Y, on the Upper East Side in 2001 after winning the Young Concert Artists International Auditions that same year. In 2003, the trio also won the Kalichstein-Laredo-Robinson International Trio Award. They have performed at the Kennedy Center, Isabella Stewart Gardner Museum, Joe's Pub and the Mostly Mozart and Bard Music festivals. Discography * 2004 ''Mendelssohn Trios Op. 49 & 66''. Arabesque * 2006 '' Shostakovich & Arensky Trios''. Tria * 2008 ''American Trios'', trios by Zwilich, Kirchner, Bates, and Schoenfield. Tria * 2009 ''Jonathan Cohler & Claremont Trio'' with Jonathan Cohler (clarinet), trios of Beethoven and Brahms, and sextet by Dohnanyi. Ongaku * 2010 ''Beethoven & Ravel''. Tria * 2012 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Star-Spangled Banner
"The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", a poem written on September 14, 1814, by 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Outer Baltimore Harbor in the Patapsco River during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory. The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. This setting, renamed "The Star-Spangled Banner", soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasie In C (Schumann)
The ''Fantasie in C'', Op. 17, was written by Robert Schumann in 1836. It was revised prior to publication in 1839, when it was dedicated to Franz Liszt. It is generally described as one of Schumann's greatest works for solo piano, and is one of the central works of the early Romantic period. It is often called by the Italian version, ''Fantasia''; the word "Fantasie" is the German spelling. Structure The Fantasie is in loose sonata form. Its three movements are headed: The first movement is rhapsodic and passionate; the middle movement is a grandiose rondo based on a majestic march, with episodes that recall the emotion of the first movement; and the finale is slow and meditative. Genesis The piece has its origin in early 1836, when Schumann composed a piece entitled ''Ruines'' expressing his distress at being parted from his beloved Clara Wieck (later to become his wife). This later became the first movement of the Fantasy. Later that year, he wrote two more movements to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Die Ferne Geliebte
' (''To the distant beloved''), Op. 98, is a composition by Ludwig van Beethoven written in April 1816, setting poetry by Alois Jeitteles. Beethoven's ' Beethoven's only song cycle was the precursor of a series of followers, including those of Franz Schubert, Robert Schumann and Carl Loewe. The setting is for a man's voice (usually tenor) with piano. The title page of the original edition (S. A. Steiner, Vienna) bore a dedication with permission to Fürst Joseph Franz von Lobkowitz, Duke of Raudnitz, a leading Austrian musical patron, in whose palace the Eroica Symphony was first performed in 1804; Beethoven also dedicated the six string quartets, Op. 18, the Eroica Symphony, Op. 55, the Triple Concerto, Op. 56, the C minor Symphony, Op. 67, the Pastoral Symphony, Op. 68, and the String Quartet, Op. 74 to him. The text was written by a physician named Alois Isidor Jeitteles, probably at Beethoven's request. Jeitteles had published several short verses, economic in style, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwanengesang
''Schwanengesang ( Swan Song)'', 957, is a collection of 14 songs written by Franz Schubert at the end of his life and published posthumously: # Liebesbotschaft (text: Ludwig Rellstab) # Kriegers Ahnung (Rellstab) # Frühlingssehnsucht (Rellstab) # Ständchen (Rellstab) # Aufenthalt (Rellstab) # In der Ferne (Rellstab) # Abschied (Rellstab) # Der Atlas ( Heinrich Heine) # Ihr Bild (Heine) # Das Fischermädchen (Heine) # Die Stadt (Heine) # Am Meer (Heine) # Der Doppelgänger (Heine) # Die Taubenpost (alternative: D 965a) (Johann Gabriel Seidl) Background Named by its first publisher, Tobias Haslinger, who presumably wished to present it as Schubert's last testament, ''Schwanengesang'' differs from the earlier ''Die schöne Müllerin'' and ''Winterreise'' song-cycles by including settings of more than one poet. Seven texts by Ludwig Rellstab (1799–1860) are followed by six by Heinrich Heine (1797–1856); inclusion of the last song, to words by Johann Gabriel Seidl (1804– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include " Erlkönig" (D. 328), the Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the "Great" Symphony No. 9 in C major, D. 944, the String Quintet (D. 956), the three last piano sonatas (D. 958–960), the opera ''Fierrabras'' (D. 796), the incidental music to the play ''Rosamunde'' (D. 797), and the song cycles ''Die schöne Müllerin'' (D. 795) and ''Winterreise'' (D. 911). Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picardy Third
A Picardy third, (; french: tierce picarde) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic at the end of a musical section that is either modal or in a minor key. This is achieved by raising the third of the expected minor triad by a semitone to create a major triad, as a form of resolution. For example, instead of a cadence ending on an A minor chord containing the notes A, C, and E, a Picardy third ending would consist of an A major chord containing the notes A, C, and E. The minor third between the A and C of the A minor chord has become a major third in the Picardy third chord. Philosopher Peter Kivy writes: According to Deryck Cooke, "Western composers, expressing the 'rightness' of happiness by means of a major third, expressed the 'wrongness' of grief by means of the minor third, and for centuries, pieces in a minor key had to have a 'happy ending' – a final major chord (the 'tierce de Picardie') or a bare fifth." As a harmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio (music)
In music, a trio (from the Italian) is any of the following: * a composition for three performers or three musical parts * in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments) * an ensemble of three instruments or voices performing trio compositions. Composition A trio is a composition for three performers or musical parts. Works include Baroque trio sonatas, choral works for three parts, and works for three instruments such as string trios. In the 17th and early 18th century, musical genre trio sonata two melodic instruments are accompanied by a basso continuo, making three parts in all. Because the basso continuo is usually played by two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord), performances of trio sonatas typically involve more musicians. Howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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