Patronage In The Gilded Age
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Patronage In The Gilded Age
Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, arts patronage refers to the support that kings, popes, and the wealthy have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a regular customer, and the guardianship of saints. The word "patron" derives from the la, patronus ("patron"), one who gives benefits to his clients (see Patronage in ancient Rome). In some countries the term is used to describe political patronage or patronal politics, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the Prime Minister to appoint senators and the heads of a number of commissions and agencies; in many cases, these appointments go to people who have supported the politica ...
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Benefice
A benefice () or living is a reward received in exchange for services rendered and as a retainer for future services. The Roman Empire used the Latin term as a benefit to an individual from the Empire for services rendered. Its use was adopted by the Western Church in the Carolingian Era as a benefit bestowed by the crown or church officials. A benefice specifically from a church is called a precaria (pl. ''precariae)'', such as a stipend, and one from a monarch or nobleman is usually called a fief. A benefice is distinct from an allod, in that an allod is property owned outright, not bestowed by a higher authority. Roman Catholic Church Roman imperial origins In ancient Rome a ''benefice'' was a gift of land ( precaria) for life as a reward for services rendered, originally, to the state. The word comes from the Latin noun ''beneficium'', meaning "benefit". Carolingian Era In the 8th century, using their position as Mayor of the Palace, Charles Martel, Carloman I and P ...
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