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Pasquin
Pasquino or Pasquin (Latin: ''Pasquillus'') is the name used by Romans since the early modern period to describe a battered Hellenistic-style statue perhaps dating to the third century BC, which was unearthed in the Parione district of Rome in the fifteenth century. It is located in a piazza of the same name on the northwest corner of the Palazzo Braschi (Museo di Roma); near the site where it was unearthed. The statue is known as the first of the talking statues of Rome, because of the tradition of attaching anonymous criticisms to its base. The satirical literary form pasquinade (or "pasquil") takes its name from this tradition. The actual subject of the sculpture is ''Menelaus supporting the body of Patroclus'', and the subject, or the composition applied to other figures as in the Sperlonga sculptures, occurs a number of times in classical sculpture, where it is now known as a "Pasquino group". The actual identification of the sculptural subject was made in the eighteent ...
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Pasquino 02
Pasquino or Pasquin (Latin: ''Pasquillus'') is the name used by Romans since the early modern period to describe a battered Hellenistic-style statue perhaps dating to the third century BC, which was unearthed in the Parione district of Rome in the fifteenth century. It is located in a piazza of the same name on the northwest corner of the Palazzo Braschi (Museo di Roma); near the site where it was unearthed. The statue is known as the first of the talking statues of Rome, because of the tradition of attaching anonymous criticisms to its base. The satirical literary form pasquinade (or "pasquil") takes its name from this tradition. The actual subject of the sculpture is '' Menelaus supporting the body of Patroclus'', and the subject, or the composition applied to other figures as in the Sperlonga sculptures, occurs a number of times in classical sculpture, where it is now known as a "Pasquino group". The actual identification of the sculptural subject was made in the eighteen ...
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Menelaus Supporting The Body Of Patroclus
''The Pasquino Group'' (also known as ''Menelaus Carrying the Body of Patroclus'' or ''Ajax Carrying the Body of Achilles'') is a group of marble sculptures that copy a Hellenistic bronze original, dating to ca. 200–150 BCE. At least fifteen Roman marble copies of this sculpture are known. Many of these marble copies have complex artistic and social histories that illustrate the degree to which improvisatory "restorations" were made to fragments of ancient Roman sculpture during the 16th and 17th centuries, in which contemporary Italian sculptors made original and often arbitrary and destructive additions in an effort to replace lost fragments of the ancient sculptures. One of the most famous versions of the composition, though so dismembered and battered that the relationship is scarcely recognizable at first glance, is the so-called ''Pasquin'', one of the talking statues of Rome. It was set up on a pedestal in 1501 and remains unrestored. A version of the group, probably int ...
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Pasquino Group
''The Pasquino Group'' (also known as ''Menelaus Carrying the Body of Patroclus'' or ''Ajax Carrying the Body of Achilles'') is a group of marble sculptures that copy a Hellenistic bronze original, dating to ca. 200–150 BCE. At least fifteen Roman marble copies of this sculpture are known. Many of these marble copies have complex artistic and social histories that illustrate the degree to which improvisatory "restorations" were made to fragments of ancient Roman sculpture during the 16th and 17th centuries, in which contemporary Italian sculptors made original and often arbitrary and destructive additions in an effort to replace lost fragments of the ancient sculptures. One of the most famous versions of the composition, though so dismembered and battered that the relationship is scarcely recognizable at first glance, is the so-called ''Pasquin'', one of the talking statues of Rome. It was set up on a pedestal in 1501 and remains unrestored. A version of the group, probably in ...
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Pasquinade
A pasquinade or pasquil is a form of satire, usually an anonymous brief lampoon in verse or prose, and can also be seen as a form of literary caricature. The genre became popular in early modern Europe, in the 16th century, though the term had been used at least as early as the 4th century, as seen in City of God by Augustine of Hippo. Pasquinades can take a number of literary forms, including song, epigram, and satire. Compared with other kinds of satire, the pasquinade tends to be less didactic and more aggressive, and is more often critical of specific persons or groups. The name "pasquinade" comes from '' Pasquino'', the nickname of a Hellenistic statue, the remains of a type now known as a ''Pasquino Group'', found in the River Tiber in Rome in 1501 – the first of a number of "talking statues of Rome" which have been used since the 16th century by locals to post anonymous political commentary. The verse pasquinade has a classical source in the satirical epigrams of an ...
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Sperlonga Sculptures
The Sperlonga sculptures are a large and elaborate ensemble of ancient sculptures discovered in 1957 in the grounds of the former villa of the Emperor Tiberius at Sperlonga, on the coast between Rome and Naples. As reconstructed, the sculptures were arranged in groups around the interior of a large natural grotto facing the sea used by Tiberius for dining; many scholars believe he had the sculptures installed. The groups show incidents from the story of the Homeric hero Odysseus, and are in Hellenistic "baroque" style, "a loud, full-blown baroque",Smith, 110 but are generally thought to date to the early Imperial period. As Tacitus and Suetonius recount, the grotto collapsed in 26 AD, nearly killing Tiberius, and either then or in a later fall the sculptures were crushed into thousands of fragments, so that the modern reconstructions have many missing elements. A museum was established in 1963 at Sperlonga to display the reconstructed sculptures and other finds from the v ...
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Abbot Luigi
Abbot Luigi ( Romanesco: ''Abbate Luiggi''; it, Abate Luigi) is one of the talking statues of Rome. Like the other five "talking statues", pasquinades – irreverent satires poking fun at public figures – were posted beside ''Abate Luigi'' in the 14th and 15th centuries. The statue is a late Roman sculpture of a standing man in a toga, probably a senior magistrate. It was found during the excavations for the foundations of the Palazzo Vidoni-Caffarelli, near the Theatre of Pompey. After being moved to various locations in Rome, the statue has been situated in the piazza Vidoni since 1924, near its place of discovery, on a side wall of the Basilica di Sant'Andrea della Valle. Its head has been removed in jest several times. The original identity of the person depicted has not been determined, and it was named after a clergyman from the nearby chiesa del Sudario. An inscription on its plinth testifies to Abate Luigi's loquacity: FUI DELL’ANTICA ROMA UN CITTADINO ORA ABA ...
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Palazzo Braschi
Palazzo Braschi () is a large Neoclassical palace in Rome, Italy and is located between the Piazza Navona, the Campo de' Fiori, the Corso Vittorio Emanuele II and the Piazza di Pasquino. It presently houses the Museo di Roma, the "Museum of Rome", covering the history of the city in the period from the Middle Ages through the nineteenth century. History The palace was commissioned by the papal nephew, Duke Luigi Braschi Onesti, from the architect Cosimo Morelli. The site had been purchased in 1790 by Braschi, supported by funds from Pope Pius VI; Braschi demolished the 16th-century palace that Giuliano da Sangallo the Younger had built for Francesco Orsini in order to erect his own from the ground up.Palazzo Braschi
Construction was suspended in February 1798 during the Napoleonic occupation of the city, when the French temporarily took possessi ...
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Marphurius
Marphurius or Marforio ( it, Marforio; Medieval la, Marphurius, ) is one of the talking statues of Rome. Marforio maintained a friendly rivalry with his most prominent rival, Pasquin. As at the other five "talking statues", pasquinades—irreverent satires poking fun at public figures—were posted beside Marforio in the 16th and 17th centuries. The statue and its location Marforio is a large 1st century Roman marble sculpture of a reclining bearded river god or Oceanus, which in the past has been variously identified as a depiction of Jupiter, Neptune, or the Tiber. It was the humanist and antiquarian Andrea Fulvio who first identified it as a river god, in 1527. The ''Marfoi'' was a landmark in Rome from the late 12th century. Poggio Bracciolini wrote of it as one of the sculptures surviving from Antiquity, and in the early 16th century it was still near the Arch of Septimius Severus, where the various authors reported it. The origin of its name is a matter of some debate. It ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assembl ...
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Romanesco Dialect
Romanesco () is one of the central Italian dialects spoken in the Metropolitan City of Rome Capital, especially in the core city. It is linguistically close to Tuscan and Standard Italian, with some notable differences from these two. Rich in vivid expressions and sayings, Romanesco is used in a typical diglossic setting, mainly for informal/colloquial communication, with code-switching and translanguaging with the standard language. History The medieval Roman dialect belonged to the southern family of Italian dialects, and was thus much closer to the Neapolitan language than to the Florentine. A typical example of Romanesco of that period is ''Vita di Cola di Rienzo'' ("Life of Cola di Rienzo"), written by an anonymous Roman during the 14th century. Starting with the 16th century, the Roman dialect underwent a stronger and stronger influence from the Tuscan dialect (from which modern Italian derives) starting with the reigns of the two Medici popes (Leo X and Clement VII ...
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