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Pascal Dusapin
Pascal Georges Dusapin (born 29 May 1955) is a French composer. His music is marked by its microtonality, tension, and energy. A pupil of Iannis Xenakis and Franco Donatoni and an admirer of Varèse, Dusapin studied at the University of Paris I and Paris VIII Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. ... during the 1970s. His music is full of "romantic constraint". Despite being a pianist, he refused to compose for the piano until 1997. His melodies have a vocal quality, even in purely instrumental works. Dusapin has composed solo, chamber, orchestral, vocal, and choral works, as well as several operas, and has been honored with numerous prizes and awards. Education and influences Dusapin, born in Nancy, France, Nancy, studied musicology, plastic arts, and art sciences a ...
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Pascal Dusapin Au Faculté De Musique UdeM
Pascal, Pascal's or PASCAL may refer to: People and fictional characters * Pascal (given name), including a list of people with the name * Pascal (surname), including a list of people and fictional characters with the name ** Blaise Pascal, French mathematician, physicist, inventor, philosopher, writer and theologian Places * Pascal (crater), a lunar crater * Pascal Island (Antarctica) * Pascal Island (Western Australia) Science and technology * Pascal (unit), the SI unit of pressure * Pascal (programming language), a programming language developed by Niklaus Wirth * PASCAL (database), a bibliographic database maintained by the Institute of Scientific and Technical Information * Pascal (microarchitecture), codename for a microarchitecture developed by Nvidia Other uses * (1895–1911) * (1931–1942) * Pascal and Maximus, fictional characters in ''Tangled'' * Pascal blanc, a French white wine grape * Pascal College, secondary education school in Zaandam, the Netherlands * Pasc ...
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Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have ...
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Seven Solos For Orchestra
''Seven Solos for Orchestra'' is an orchestral cycle written by the French composer Pascal Dusapin between 1992 and 2009. As the title suggests, it consists of seven pieces that can be played independently, although they were from the start conceived as a whole.Musicweb-International Review
Hubert Culot
Grammophone CD Review
Some of these pieces have been championed by major conductors and orchestras like
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Olivier Cadiot
Olivier Cadiot (born 1956) is a French writer, poet, dramatist and translator. Cadiot was born in Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma .... His first book of poems, ''L'Art poetic,'' in which he used the cut-up technique, was published in 1988. In 1993, Cadiot published ''Futur, ancient, fugitive'', and in 1997 he published ''Le Colonel des zouaves''. In these books he proposed novels as poems. In 1995 and 1996 he coedited the ''Revue de Littérature générale'' with Pierre Alféri. Works * ''L'art poétic'', POL, Paris, 1988 * ''Roméo & Juliette'', POL, Paris, 1989 * ''Futur, ancien, fugitif'', POL, Paris, 1993 * ''Le Colonel Des Zouaves'', POL, Paris, 1997 See also * References * Dictionnaire de la littérature française C0090 External links *Author ...
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Niobe
In Greek mythology, Niobe (; grc-gre, Νιόβη ) was a daughter of Tantalus and of either Dione, the most frequently cited, or of Eurythemista or Euryanassa, the wife of Amphion and the sister of Pelops and Broteas. Her father was the ruler of a city located near Manisa in today's Aegean Turkey that was called "Tantalis" or "the city of Tantalus", or "Sipylus". The city was located at the foot of Mount Sipylus and its ruins were reported to be still visible at the beginning of the 1st century AD, although few traces remain today. Pliny reports that Tantalis was destroyed by an earthquake and the city of Sipylus ( Magnesia ad Sipylum) was built in its place. Niobe's father is referred to as " Phrygian" and sometimes even as "King of Phrygia", although his city was located in the western extremity of Anatolia where Lydia was to emerge as a state before the beginning of the first millennium BC, and not in the traditional heartland of Phrygia, situated more inland. There ...
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Spotify
Spotify (; ) is a proprietary Swedish audio streaming and media services provider founded on 23 April 2006 by Daniel Ek and Martin Lorentzon. It is one of the largest music streaming service providers, with over 456 million monthly active users, including 195 million paying subscribers, as of September 2022. Spotify is listed (through a Luxembourg City-domiciled holding company, Spotify Technology S.A.) on the New York Stock Exchange in the form of American depositary receipts. Spotify offers digital copyright restricted recorded music and podcasts, including more than 82 million songs, from record labels and media companies. As a freemium service, basic features are free with advertisements and limited control, while additional features, such as offline listening and commercial-free listening, are offered via paid subscriptions. Users can search for music based on artist, album, or genre, and can create, edit, and share playlists. Spotify is available in most of Euro ...
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Armand Angster
Armand Angster (born 20 January 1947) is a French clarinetist. With Françoise Kubler (soprano), he is the founder of the ensemble "Accroche Note", research and creative formation in contemporary music. Career Born in Strasbourg, Angster's mastery of the different clarinets ( soprano, bass clarinet and metal doublebass) allows him to be the dedicatee of works by contemporary composers ( Brian Ferneyhough, ''Ansioso quasi con gioia'' (2015) by Stefano Gervasoni, ''La mesure des choses I. La mesure de l'air'' (1992) by Joël-François Durand,) as well as their interpreter (''Aleph'' (1985) by Philippe Manoury, ''Dikha'' by Christophe Bertrand, ''By the Way'' by Pascal Dusapin, ''Assonance III'' (1989) by Michael Jarrell). In 1981, he created in Strasbourg with Françoise Kubler the Accroche Note ensemble offering programmes combining music from yesterday and today; this ensemble is supported in particular by the Ministry of Culture and the City of Strasbourg. He is soloist i ...
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Ian Pace
Ian Geoffrey Pace (born 1968) is a British pianist. Pace studied at Chetham's School of Music, The Queen's College, Oxford and the Juilliard School in New York. His main teacher was the Hungarian pianist György Sándor. Repertoire Born in Hartlepool, Pace is particularly well known for playing music of the 20th and 21st centuries, especially contemporary British, French, German and Italian music. Premieres he has given include works by Richard Barrett, Luc Brewaeys, Aaron Cassidy, James Clarke, Raymond Deane, James Dillon, Gordon Downie, Pascal Dusapin, Richard Emsley, James Erber, Brian Ferneyhough, Michael Finnissy, Christopher Fox, Volker Heyn, Wieland Hoban, Evan Johnson, Hilda Paredes, Horațiu Rădulescu, Frederic Rzewski, Howard Skempton, Gerhard Stäbler, Serge Verstockt, Jay Alan Yim and Walter Zimmermann. His huge repertoire also includes more established works by Pierre Boulez, Karlheinz Stockhausen, Jean Barraqué, Iannis Xenakis, György Ligeti, Lu ...
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Diatonicism
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in ...
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Paul Griffiths (writer)
Paul Anthony Griffiths (born 1947) is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the libretti for two 20th century operas, Tan Dun's ''Marco Polo'' and Elliott Carter's '' What Next?''. Career Paul Griffiths was born on 24 November 1947 in the Welsh town of Bridgend to Fred and Jeanne Griffiths. He received his BA and MSc in biochemistry from University of Oxford, and from 1971 worked as a freelance music critic. He joined the editorial staff of ''The New Grove Dictionary of Music and Musicians'' in 1973 and in 1982 became the chief music critic for ''The Times'', a post which he held for ten years. From 1992 to 1996, he was a music critic for ''The New Yorker'', and from 1997 to 2005, for ''The New York Times''. A collection of his musical criticism for these and other periodicals was published in 2005 as ''The substance of things heard: writings about music'', Volume 31 of ''Ea ...
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Multiphonic
A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called multiphonics, for lack of better terminology and scarcity of research. Multiphonics on wind instruments are primarily a 20th-century technique, though the brass technique of singing while playing has been known since the 18th century and used by composers such as Carl Maria von Weber. Commonly, no more than four notes will be produced at once, though for some chords on some instruments it is possible to get several more. Technique Woodwind instruments On woodwind instruments—e.g., saxophone, clarinet, oboe, bassoon, flute, and recorder—multiphonics can be produced either with new fingerings, by using different embouchures, or voicing ...
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Trill (music)
The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trillTaylor, Eric. ''The AB Guide to Music Theory: Part I'', p. 92. (compare mordent and tremolo). It is sometimes referred to by the German Triller, the Italian trillo, the French trille or the Spanish trino. A cadential trill is a trill associated with each cadence. A trill provides rhythmic interest, melodic interest, and—through dissonance—harmonic interest. Sometimes it is expected that the trill will end with a turn (by sounding the note below rather than the note above the principal note, immediately before the last sounding of the principal note), or some other variation. Such variations are often marked with a few appoggiaturas following the note bearing the trill indication. Notation In most modern musical notat ...
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