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Partbook
A partbook is a format for printing or copying music in which each book contains the part for a single voice or instrument, especially popular during the Renaissance and Baroque. This format contrasts with the large choirbook, which included all of the voice parts and could be shared by an entire choir. The choirbook still followed the convention to notate the parts separately, but within a double page, likewise part books were arranged that they show the one extract of the composition on the same page. The production of partbooks appears to have been a cost-cutting measure, as large-scale printing was much more expensive. For example, by 1529, King's College, Cambridge King's College is a constituent college of the University of Cambridge. Formally The King's College of Our Lady and Saint Nicholas in Cambridge, the college lies beside the River Cam and faces out onto King's Parade in the centre of the cit ... had replaced almost all of its choirbooks with partbooks. The ...
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Choirbook
A choirbook is a large format manuscript used by choirs in churches or cathedrals during the Middle Ages and Renaissance. The book is large enough for the entire choir to read from one book. Choirbooks were generally put on a stand with the smaller boy sopranos in front and the men in back. As the printing of music became easier and paper replaced vellum, choirbooks fell out of favour, replaced by smaller, cheaper, and easier to handle partbooks and octavos. A choirbook was a major investment. Many of them were stark and utilitarian and show signs of heavy and constant use. At larger cathedrals, choirbooks were sometimes lavishly decorated and illuminated. Since they represent an important expense, they were rarely owned by single people, but rather by families or institutions. Major choirbooks * Eton Choirbook * Caius Choirbook * Lambeth Choirbook * Pepys Choirbook * Leiden choirbooks External linksDigitized choirbooks at Spanish National Library Die Chorbücher der BSBintroducti ...
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Drexel 4180-4185
Drexel may refer to: People * Drexel (name) Places * Drexel, Missouri * Drexel, North Carolina * Drexel, Ohio * Drexel Hill, Pennsylvania Other uses * Disappearance of Brittanee Drexel * Drexel Heritage, a furniture manufacturer * Drexel University * Drexel Burnham Lambert, a now defunct investment bank * Drexel Dragons, the athletic program of Drexel University * The Drexel Collection of books about music and musical scores donated by Joseph William Drexel to The New York Public Library in 1888 ** Drexel 4041, a 17th-century British music manuscript commonplace book ** Drexel 4257 Drexel 4257, also known by an inscription on its first page, " John Gamble, his booke, amen 1659" is a music manuscript commonplace book. It is the largest collection of English songs from the first half to the middle of the 17th century, and is ..., a 17th-century British music manuscript commonplace book See also * Drexler {{disambiguation, geo ...
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Part (music)
A part (or voice) generally refers to a single strand or melody or Accompaniment (music), harmony of music within a larger Musical ensemble, ensemble or a polyphonic musical composition. There are several senses in which the word is often used: * the physical copy of printed or written sheet music given to any individual musical instrument, instrument or voice (as opposed to the Sheet music#full score, full score which shows all parts in the same document). A musician's part usually does not contain instructions for the other players in the ensemble, only instructions for that individual. * the music played by any group of musicians who all perform in unison for a given piece; in a orchestra, symphony orchestra, a dozen or more cello players may all play "the same part" even if they each have their own physical copy of the music. This sense of "part" does not require a written copy of the music; a bass player in a rock band "plays the bass part" even if there is no written versio ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' '' contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Pal ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Ramea ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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King's College, Cambridge
King's College is a constituent college of the University of Cambridge. Formally The King's College of Our Lady and Saint Nicholas in Cambridge, the college lies beside the River Cam and faces out onto King's Parade in the centre of the city. King's was founded in 1441 by King Henry VI soon after he had founded its sister institution at Eton College. Initially, King's accepted only students from Eton College. However, the king's plans for King's College were disrupted by the Wars of the Roses and the resultant scarcity of funds, and then his eventual deposition. Little progress was made on the project until 1508, when King Henry VII began to take an interest in the college, probably as a political move to legitimise his new position. The building of the college's chapel, begun in 1446, was finished in 1544 during the reign of Henry VIII. King's College Chapel is regarded as one of the finest examples of late English Gothic architecture. It has the world's largest fan va ...
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