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Palazzo Tadini
The Accademia Tadini is a museum and art gallery, as well as an academy of both visual arts and music in Lovere, Province of Bergamo, Italy. It is located on Via Tadini #40, facing the shores of Lago d'Iseo. History The Tadini Academy of Fine Arts has its roots in the interest and collections of Count Luigi Tadini of Verona (1745-1829). At the turn of the 18th-century, the count envisioned housing his collections in a proper setting. The family residence in Palazzo Barboglio facing the present Piazza Garibaldi proved too small; thus adjacent to this site, on the road linking Lovere and Bergamo, along the lake, he had his grandson, Sebastiano Salimbeni, a self-trained architect design the present palace. Work began in 1820 with the chapel, built to house the ''Stele Tadini'' (1819-1821), a work of Antonio Canova, and dedicated to his former friend, Faustino Tadini, son of the count who had died in 1799 at the age of 25. Faustino had published a book on the early work of Canova in 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovere Accademia Tadini
Lovere (Bergamasque: ) is a town and ''comune'' in the province of Bergamo, in Lombardy, northern Italy, at the northwest end of Lake Iseo. The houses in the city have overhanging wooden roofs, typical of Switzerland, combined with the heavy stone arcades of Italy. It lies on a lake and is flanked by a semicircle of mountains. Lovere takes part in The most beautiful villages in Italy competition run by an association which monitors small Italian towns with artistic and historical interest. In 2018, Lovere was the only Lombardy town to finish in the top 20 of Italy's most beautiful towns.Il Borgho dei Borghi' 2018 Italy's Most Beautiful Town competition History The first known settlement in the Lovere area dates to the 5th and 4th century BC, being of Celtic origin. Later it was conquered by the Romans, attracted by its strategic position location between the Val Camonica and the Val Cavallina, as well as for its transport potential on the Lake Iseo. After the fall of the W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Bordon
Paris Bordone (Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerist complexity and provincial vigor. Biography Bordone was born in Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. Bordone's works of the 1520s include the ''Holy Family'' in Florence, ''Sacra Conversazione with Donor'' (Glasgow), and ''Holy Family with St. Catherine'' (Hermitage Museum). The ''St. Ambrose and a Donor'' (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a ''Madonna with St. Christopher and St George'' (now in the Palazzo Tadini collection at Lovere). A second altarpiece, ''Pentecost'', is also in the Pinacoteca di Brera. In 1534–35, he painted his large-scale masterpiece for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Campi
Bernadino Campi (1522–1591) was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the teachers of Sofonisba Anguissola and of Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and prominent painters locally. Influences on Bernardino include local Cremonese such as Camillo Boccaccino and artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano. He made a number of sets of copies of the ''Eleven Caesars'' by Titian, then in the Gonzaga collection, adding one of Domitian, which he based on a work by Giulio Romano. Titian's originals were all lost in an 18th-century fire in Madrid. Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists including Pietro Martire Pesenti in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Francesco Nuvolone
Carlo Francesco Nuvolone (1608 or 1609 in Milan – 1661 or 1662 in Milan)The entry on Carlo Francesco Nuvolon, in: ''Dizionario Biografico degli Italiani - Volume 79'' (2013) places his birth in 1608 or 1609 and gives his death date as 1 August 1661 was an Italian painter of religious subjects and portraits who was active mainly in Lombardy. He became the leading painter in Lombardy in the mid-17th century, producing works on canvas as well as frescoes.Francesco Frangi. "Nuvolone." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Brusasorci
Felice Riccio (1542–1605) was an Italian painter of the late-Renaissance period, born and mainly active in Verona. He is also known as ''il Brusasorci'' or ''Brusasorzi'' or ''Felice Brusasorci''. He was the son of the painter Domenico Riccio. He painted a ''Deposition'' for the church of Tombazosana in the town of Ronco all'Adige. He painted a canvas for the Sanctuary-Basilica of ''Santa Maria della Pace'' in Verona. Among his pupils were Alessandro Turchi, Pasquale Ottini, Santo Creara, and Marcantonio Bassetti Marco Antonio Bassetti (1586–1630) was an Italian painter. Life He was born in Verona, and was a pupil of Felice Ricci. He then went to Venice where he was particularly influenced by the works of Tintoretto, Veronese and Jacopo Bassano. He is .... A number of Riccio's pupils died during the Plague of 1630, including Girolamo Vernigo (dei Paesi), Bartolommeo Farfusola, Ottavo delle Comare, Girolamo Maccacaro, Paolo Zuccaro, Michelangelo Bozzoletta, and Zeno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Brusasorci
Domenico Riccio (also known as commonly known as Domenico Brusasorci; 1516–1567) was an Italian painter in a Mannerist style from Verona, best known for frescos. He first apprenticed with his father. Later, he has been reported to have trained with Giovanni Francesco Caroto and Niccolò Giolfino. He was a near contemporary of Antonio Badile. By 1551, he completed the fresco decorations of the ''Municipio'' in Trento. In 1556, he painted a decoration in Palazzo Vescovile at Verona. He depicted the ceremonial ''Cavalcade of Charles V and Clement VII'' in the Palazzo Ridolfi-Dalisca. He painted a ''Madonna in glory and two saints'' for San Pietro Martire in Verona in 1566. A notable work of his is the dramatic fresco of Phaeton on the ceiling of the Palazzo Chiericati. His pupils were his son Felice, Giovanni Battista Zelotti, Bernardino India Bernardino India (1528–1590) was an Italian painter of the late Renaissance, born and mainly active in Verona. He is said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Della Vecchia
Pietro della Vecchia, Pietro della Vècchia or Pietro Vècchia, formerly incorrectly called Pietro MuttoniBernard Aikema. "Vecchia, Pietro della."Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2018 (Vicenza, 1603 – Venice, 8 September 1678) was a versatile Italian painter who worked in many genres and created altarpieces, portraits, genre scenes and grotesques. He also created pastiches of the work of leading Italian painters of the 16th century. He designed cartoons for mosaics and worked as an art restorer. Della Vecchia was also sought after as an art expert and did expert valuations of artworks. He worked most of his life in Venice and its environs except for a brief stay in Rome.Bernard Aikema, ''Pietro Della Vecchia'' in: Dizionario Biogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Il Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Bellini
Jacopo Bellini (c. 1400 – c. 1470) was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters. Few of Bellini's paintings still exist, but his surviving sketch-books (one in the British Museum and one in the Louvre) show an interest in landscape and elaborate architectural design and are his most important legacy. His surviving works show how he accommodated linear perspective to the decorative patterns and rich colors of Venetian painting. Biography Born in Venice, Jacopo had probably been a pupil of Gentile da Fabriano, who was then in Venice. In 1411–1412 he was in Foligno, where with Gentile he worked at the Palazzo Trinci frescoes. In 1423 Bellini was in Florence, where he knew the new works by Brunelleschi, Donatello, Masolino da Panicale and Masaccio. In 1424 he opened a workshop in Venice, which he ran right up until his death, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadini Madonna
The Tadini Madonna is a tempera painting of the Madonna and Child of about 1450 by Jacopo Bellini, now in the Accademia Tadini in Lovere, Italy. It was originally on a panel painting, panel support but was transferred to a canvas support in 1900 by Luigi Cavenaghi. It is thought to have originally been in Santa Maria degli Angeli, an Augustinian monastery in Murano. References Bibliography * A. Di Lorenzo, in ''Le muse e il principe. Arte di corte nel Rinascimento padano'', catalogo della mostra, a cura di A. Di Lorenzo et al., Modena, Franco Cosimo Panini 1991, pp. 294-297, n. 75 * A. Mazzotta, M. Albertario e R. Grazioli, in ''Restituzioni 2018. Tesori d’arte restaurati'', catalogo della mostra, a cura di C. Bertelli, G. Bonsanti, Venezia, Marsilio, 2018, pp. 298-306, n. 30 * p External links * * {{cite web, url=http://restituzioni.marsilioeditori.it/2018, title=Restoration Paintings by Jacopo Bellini category:1450 paintings category:Paintings in the Province of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
