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Palazzo Colonna
The Palazzo Colonna () is a palatial block of buildings in central Rome, Italy, at the base of the Quirinal Hill, and adjacent to the church of Santi Apostoli. It is built in part over the ruins of an old Roman serapeum, and it has belonged to the prominent Colonna family for over twenty generations. History The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante during his visit to Rome. The first documentary mention notes that the property hosted Cardinals Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Pope Martin V in 1417. With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of Pope Julius II. The Colonna family's alliance to the Habsburg power ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assembl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Marucelli
Paolo Marucelli or Marucelli (15941649) was an Italian architect, most notable for the facade of the Palazzo Madama in Rome, begun to his designs in 1642 by L. Cardi. He also designed the sacristies of Santa Maria in Vallicella (1629) and Santa Maria dell'Anima (1635) and the convents of San Ignazio and Sant' Andrea della Valle. External links * * Architects from Rome 17th-century Italian architects 1594 births 1649 deaths {{Italy-architect-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, '' Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures alwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco De' Rossi (Il Salviati)
Francesco de' Rossi (1510–11 November 1563) was an Italian Mannerist painter who lived and worked in Florence, with periods in Bologna and Venice, ending with a long period in Rome, where he died. He is known by various names, usually the adopted one of Francesco Salviati or Il Salviati, after an early patron, but also Francesco Rossi and Cecchino del Salviati. He worked in fresco and oils, on ambitious history paintings, but also painted many portraits, and designed tapestries for the Medici. Biography Salviati was born in Florence. He apprenticed under Giuliano Bugiardini, Baccio Bandinelli, Raffaele Brescianino, and finally Andrea del Sarto in 1529–30. In 1531 he traveled to Rome, where he met another Bandinelli pupil, Giorgio Vasari, and helped to complete the frescoes on the ''Life of John the Baptist'' in the Palazzo Salviati for the Cardinal Giovanni Salviati. It is from his attachment to this household that he took on the surname. He frescoed an ''Annunciatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma The Elder
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.Toman, Rolf Life and works Early years Ghirlandaio was born Domenico di Tommaso di Cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Onofrio Colonna
Lorenzo Onofrio Colonna (1637–1689) was an Italian nobleman of the Colonna family. He was the 8th Duke and Prince of Paliano and hereditary Grand Constable of the Kingdom of Naples. He was also a Knight of the Golden Fleece. Biography Colonna was born in Rome, the son of Marcantonio V Colonna, Prince of Paliano and Isabella Gioeni Cardona, Princess of Castiglione. He was the nephew of Anna Colonna who married Taddeo Barberini, Prince of Palestrina. He was inducted into the ''Order of the Golden Fleece'' in the same year as his cousin, Maffeo Barberini. In 1661 he married Maria Mancini, a niece of Cardinal Mazarin. She was the first love of Louis XIV whose desire to marry her caused his mother, Anne of Austria, and Maria's uncle intense concern. The relationship between Maria and Louis was an idealistic one, and remained unconsummated. Colonna remarked after their wedding night that he was surprised to find her still a virgin, famously stating that had not expected t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Colonna
Girolamo Colonna (23 March 1604 – 4 September 1666) was an Italian Cardinal of the Roman Catholic Church and member of the noble Colonna family. Biography Colonna was born at Orsogna into the Colonna family and his extended family included members of various 17th-century Italian royal and noble houses. His father was Filippo I Colonna, Prince of Paliano and his mother was Lucrezia Tomacelli. His sister, Anna Colonna, married Taddeo Barberini, brother of cardinals Francesco Barberini and Antonio Barberini (Antonio the Younger). Colonna was uncle to the children of his sister and brother-in-law, Maffeo Barberini, Cardinal [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Di Palazzo Colonna, 02
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Paolo Posi
Paolo Posi (1708 - 1776) was an Italian architect of the late-Baroque period. Among the cities in which he was active were Rome, Narni, and Viterbo. Among the other works, he designed mausoleums for Cardinal Inico Caracciolo in Aversa, Cardinal Giuseppe Renato Imperiali in the church of Sant'Agostino in Rome, for cardinal Carafa in Sant'Andrea delle Fratte (1759), and for princess Maria Flaminia Chigi-Odescalchi (1771) in the church of Santa Maria del Popolo. Works Posi was born in Siena. In 1734-1742 he helped in the restoration of the Cathedral of Naples. From 1751 onwards he was the family architect of the Colonna family. Posi helped with the ephemeral obsequies held in Santi Apostoli (a church near their residence) in Rome, after the death of James Stuart, the pretender to the crown of England, as well as supervising firework displays for the Colonna. In 1767, Lorenzo Colonna commissioned Posi to design the ephemeral celebratory ''machine de artifizio'' with fireworks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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