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Post Road (play)
''Post Road'' is a two-act, four-scene play written by Wilbur Daniel Steele and Norma Mitchell, and staged by H. C. Potter. It is a comedy, albeit with some serious overtones in its mystery plot. It has a medium-sized cast, moderate pacing, and only one setting. The action occurs in the living room of Emily Madison's rambling ancestral home on the Boston Post Road in Connecticut during October 1934. Emily Madison provides accommodations for tourists, and the plot hinges on a party of four who descend on her one week in October. There are no romantic elements in the storyline, and middle-aged characters predominate. The play was produced by H. C. Potter and George Haight. It had moderate box office success on Broadway, running for 209 performances. Its success depended heavily on the comedy of the character George Preble, played by Percy Kilbride in the original production. There doesn't seem to have been a tour by the original Broadway production, nor any major revival. The pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilbur Daniel Steele
Wilbur Daniel Steele (17 March 1886, Greensboro, North Carolina – 26 May 1970, Stamford, Connecticut) was a U.S. author and playwright. He has been called "America's recognised master of the popular short story" between World War I and the Great Depression.Martin Bucco, 'Steele, Wilbur Daniel', in ''20th Century American Literature'', Macmillan, 1980, pp. 550–552. His short stories are set in American locations and are often highly dramatic. Collections of his stories include ''The Man Who Saw through Heaven'' (1927), ''Best Stories'' (1946), and ''Full Cargo'' (1951). He also wrote novels, including ''Taboo'' (1925), ''That Girl from Memphis'' (1945), and ''Their Town'' (1952). His second wife was actress Norma Mitchell, with whom he co-wrote the play ''The Post Road''. Works Fiction * ''Storm'', 1914 * ''Ching Ching Chinaman'', 1917 * ''Land's End and Other Stories'', 1918 * ''The Shame Dance and Other Stories'', 1923 * ''Isles of the Blest'', 1924 * ''Taboo'', 1925 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edna Holland
Edna Milton Holland (September 20, 1895 – May 4, 1982) was an American actress. Her stage, screen and television lasted from the beginning of the 20th century to 1965. Holland was the daughter of comedian Edmund Milton Holland and actress Emity Seward. Her uncle, Joseph Holland, was an actor. As a child, she played in stage productions by David Belasco. Beginning in 1915, Holland appeared in silent films, including ''Always in the Way'', ''The Feud Girl'', ''Mary Moreland'' and ''The Masked Rider''. She was often seen as "The Other Woman" to actresses such as Mary Miles Minter. After an absence of nearly 20 years and numerous stage roles, Holland resumed making films in the late 1930s. Middle-aged, she often portrayed "professional women such as teachers, nurses or secretaries" in supporting roles or minor parts. She played her last role on television in ''The Andy Griffith Show'' in 1966. Holland died from a ruptured aneurysm in 1982, aged 86. Selected filmography *''Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambassador Theatre (New York City)
The Ambassador Theatre is a Broadway theater at 219 West 49th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Ambassador Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,125 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark. The theater is oriented on a diagonal axis, maximizing seating capacity on its small site of . The facade is largely made of golden brick and is simple in design. The most prominent part of the facade is a curved entrance at the southeast corner, facing Broadway, where a lobby leads to the rear of the theater's orchestra level. The auditorium contains Adam-style detailing, a large balcony, and box seats with decorated arches above them. The auditorium contains a segmental proscenium arch topped by a curved sounding board. The Shuberts developed the Ambassador, along with the neighb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooks Atkinson
Justin Brooks Atkinson (November 28, 1894 – January 14, 1984) was an American theatre critic. He worked for ''The New York Times'' from 1922 to 1960. In his obituary, the ''Times'' called him "the theater's most influential reviewer of his time." Atkinson became a ''Times'' theater critic in the 1920s and his reviews became very influential. He insisted on leaving the drama desk during World War II to report on the war; he received the Pulitzer Prize in 1947 for his work as the Moscow correspondent for the ''Times''. He returned to the theater beat in the late 1940s, until his retirement in 1960. Biography Atkinson was born in Melrose, Massachusetts to Jonathan H. Atkinson, a salesman statistician, and Garafelia Taylor. As a boy, he printed his own newspaper (using movable type), and planned a career in journalism. He attended Harvard University, where he began writing for the ''Boston Herald.''"Atkinson, (Justin) Brooks." The Scribner Encyclopedia of American Lives. Ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burns Mantle
Robert Burns Mantle (December 23, 1873February 9, 1948) was an American theater critic. He founded the ''Best Plays'' annual publication in 1920.Chansky, Dorothy (2011)"Burns Mantle and the American Theatregoing Public" in ''Theatre History Studies'' (via Google Books). Vol. 31. Biography Mantle was born in Watertown, New York, on December 23, 1873, to Robert Burns Mantle and Susan Lawrence. As a child he moved to Denver, Colorado. By 1892, he was working as a linotype machine operator in California and then became a reporter. By the late 1890s, Mantle was working as a drama critic for the '' Denver Times''. He later moved to Chicago, Illinois, and then New York City, New York, in 1911. He was at the ''New York Evening Mail'' until 1922, and then the '' Daily News'' until his retirement in 1943. Mantle was succeeded as the drama critic at the ''Daily News'' by his assistant John Arthur Chapman.Staff (August 16, 1943)Burns Mantle Quits as Drama Reviewer" Associated Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Daily Eagle
:''This article covers both the historical newspaper (1841–1955, 1960–1963), as well as an unrelated new Brooklyn Daily Eagle starting 1996 published currently'' The ''Brooklyn Eagle'' (originally joint name ''The Brooklyn Eagle'' and ''Kings County Democrat'', later ''The Brooklyn Daily Eagle'' before shortening title further to ''Brooklyn Eagle'') was an afternoon daily newspaper published in the city and later borough of Brooklyn, in New York City, for 114 years from 1841 to 1955. At one point, it was the afternoon paper with the largest daily circulation in the United States. Walt Whitman, the 19th-century poet, was its editor for two years. Other notable editors of the ''Eagle'' included Democratic Party political figure Thomas Kinsella, seminal folklorist Charles Montgomery Skinner, St. Clair McKelway (editor-in-chief from 1894 to 1915 and a great-uncle of the ''New Yorker'' journalist), Arthur M. Howe (a prominent Canadian American who served as editor-in-chief from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Times-Union
The ''Brooklyn Times-Union'' was an American newspaper published from 1848 to 1937. Launched in 1848 as the ''Williamsburgh Daily Times'', the publication became the ''Brooklyn Daily Times'' when the cities of Brooklyn and Williamsburg were unified in 1855. The newspaper supported the then-progressive Republican Party, and the Abolition movement. Walt Whitman was one of their reporters, and was later the managing editor after he left the ''Brooklyn Daily Eagle''. The paper was published both daily and on Sunday, and had a peak circulation that included all of Kings County, and large segments of Nassau and Suffolk Counties. As the ''Brooklyn Daily Times'', the paper was published in various editions, including the Long Island, Wall Street, and Noon editions. The ''Daily Times'' was renamed the ''Brooklyn Times-Union'' after it bought out the ''Brooklyn Standard Union'' in 1932, and was itself bought out by the ''Brooklyn Eagle'' in 1937. Brooklyn's Times Plaza at the intersecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Citizen
The ''Brooklyn Citizen'' was a newspaper serving Brooklyn in New York City from 1887 to 1947. It became influential under editor Andrew McLean (1848-1922), a Scottish immigrant from Renton, West Dunbartonshire. Its offices were located at Fulton and Adams Streets near Borough Hall in Downtown Brooklyn, in a section of buildings later demolished for the construction of Cadman Plaza. Distribution By 1912, ninety percent of the Citizen's distribution went to Brooklyn homes. In 1942/1943, daily circulation totaled 31,000. Union conflicts Staff were involved in a major strike in 1894, alongside staff from ''The Brooklyn Ties'' and ''The Brooklyn Standard Union The ''Brooklyn Times-Union'' was an American newspaper published from 1848 to 1937. Launched in 1848 as the ''Williamsburgh Daily Times'', the publication became the ''Brooklyn Daily Times'' when the cities of Brooklyn and Williamsburg were uni ...'' who were all members of the Brooklyn Typographical Union No. 98; almos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmon Ryan
Edmon Ryan Mossbarger (June 5, 1905 — August 4, 1984), known professionally as Edmon Ryan, was an American theater, film, and television actor. A native of Cecilia, Kentucky, he was the son of Isham Edward Mossbarger (1864–1936) and Pearl Shelton Mossbarger (1882–1976), He died in Louisville. Selected filmography * ''Crime Over London'' (1936) – Spider * ''Strangers on Honeymoon'' (1936) * ''Gangway'' (1937) – Red Mike * ''Non-Stop New York'' (1937) – American Prosecutor (uncredited) * ''Smash and Grab'' (1937) – Barman (uncredited) * '' Oh Boy!'' (1938) – Butch * ''Hey! Hey! USA'' (1938) – Ace Marco * ''Murder in Soho'' (1939) – Spike * '' The Nursemaid Who Disappeared'' (1939) – Paul Renseler (uncredited) * '' The Dark Eyes of London'' (1939) – Lieutenant Patrick O'Reilly * ''Battleground'' (1949) – Major (uncredited) * '' Side Street'' (1949) – Victor Backett * '' Mystery Street'' (1950) – James Joshua Harkley * '' The Breaking Point'' (1950) – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Yost
Herbert Yost (also credited as Barry O'Moore and Bertram Yost; December 8, 1879October 23, 1945) was an American actor who in a career that spanned nearly half a century performed predominantly on stage in stock companies and in numerous Broadway productions. Yost also acted in motion pictures, mostly in one-reel silent shorts released by the Biograph Company and Edison Studios between November 1908 and July 1915. By the time he began working in the film industry, Yost already had more than a decade of stage experience in hundreds of dramatic and comedic roles and was widely regarded in the theatre community "as one of the country's finest stock actors". Reportedly, to reduce the risk of tarnishing his reputation as a professional actor by being identified as a screen performer, Yost often billed himself as "Barry O'Moore" while working in films.Ramsaye, Terry"Griffith Evolves Screen Syntax" ''A Million and One Nights: A History of the Motion Picture''. New York: Simon and Schu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zamah Cunningham
Zamah Cunningham (November 29, 1892 – June 2, 1967) was an American stage, film, and television actress. She began her career appearing in uncredited bit parts for D. W. Griffith, making her film debut in his 1924 silent feature, ''America''. She later had an extensive career on Broadway, making her stage debut there in 1933's ''Give Us This Day''. Cunningham went on to appear in numerous stage plays over the following several decades, though she publicly commented that most of her plays were "flops." In her later career, she appeared in several films, including '' Dream Girl'' (1948), '' Here Come the Girls'' (1953), and ''Baby the Rain Must Fall'' (1965). Beginning in 1956, she made several guest appearances as Angelina Manciotti, neighbor of the Kramdens on the sitcom ''The Honeymooners''. Cunningham died at Roosevelt Hospital in Manhattan in June 1967, aged 74. Life and career Cunningham was born in 1892 in Portland, Oregon. At age two, she relocated with her family to Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginia Tracy
Virginia Tracy (1874–March 4, 1946) was an American adventurer, stage actress, novelist and screenwriter. In the newspaper world she wrote primarily for the ''New York Tribune''. Biography She was the daughter of Victorian actress Helen Tracy (1850–1924). and Shakespearean actor John McCullough. At 20, in 1894, she wrote one of her first professional reports after accompanying a caravan of actors led by Maurice Barrymore traveling cross country on train. In the 1920s she wrote several large scale epics for the Fox Film Corporation. Tracy's Broadway credits as an actress included ''Escape This Night'' (1938), ''Sweet Mystery of Life'' (1935), ''Post Road'' (1934), ''Jigsaw'' (1934), ''And Be My Love'', (1934), ''Lone Valley'' (1933), ''Bulls, Bears and Asses'' (1932), ''Wild Waves'' (1932), and ''Up York State'' (1901). On March 4, 1946, Tracy died in New York City. She apparently had never married. Works *''Merely Players: The Stories of Stage Life'' (1909) *''Persons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
