|
Popping (dance)
Popping is a street dance adapted out of the earlier Boogaloo (funk dance), boogaloo cultural movement in Oakland, California. As boogaloo spread, it would be referred to as "robottin'" in Richmond, California; strutting movements in San Francisco, California, San Francisco and San Jose, California, San Jose; and the Strikin' dances of the Oak Park, Sacramento, California, Oak Park community in Sacramento, California, Sacramento, which were popular through the mid-1960s to the 1970s.Guzman-Sanchez, T. (2012) Underground Dance Masters: Final History of a Forgotten Era. Praeger. Popping would be eventually adapted from earlier boogaloo (freestyle dance) movements in Fresno, California, in the late 1970s by way of California high school gatherings of track and meet events: the West Coast Relays. The dance is rooted in the rhythms of live Funk, funk music, and is based on the technique of boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk, or can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Dance
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, Locking (dance), locking, house dance, waacking, voguing, etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social dance, social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. History Street dance evolved during the 1970s outside dance studios in any available open space. This includes streets, dance parties, block parties, parks, school yards, raves, and nightclubs. This is partly because African Americans who created the style were generally not accepted into dance studios because of their race. A significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-hop Dance
Hip hop dance is a range of street dance styles primarily performed to hip-hop, hip hop music or that have evolved as part of hip-hop culture, hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show ''Soul Train'' and the 1980s films ''Breakin''', ''Beat Street'', and ''Wild Style'' showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces. The commercialization of hip-hop dance continued into the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yellow Magic Orchestra
Yellow Magic Orchestra (abbreviated to YMO) was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals, occasional keyboards) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with influencing the development of various electronic genres, including synth-pop, city pop, dance, electro, hip-hop, J-pop and techno. They also explored subversive socio-political themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, ) is a Germany, German Electronic music, electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk was among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn (album), Autobahn'' (1974), ''Trans-Europe Express (album), Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Music
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of that emerged in the early 1980s. It is defined by the prominent use of the drum machine, and draws direct influence from early and |
Cameo (band)
Cameo is an American funk band that formed in 1974. Cameo was initially a 14-member group known as the New York City Players; this name was later changed to Cameo. As of the first half of 2009, some of the original members continued to perform together. Two other original members were hired by the hip hop group Outkast. In 2015, Cameo announced a new residency show at the Westgate Las Vegas Resort & Casino, opening in March 2016. On February 20, 2019, Larry Blackmon of Cameo announced "El Passo", the first new single from the band in 19 years. Career 1974–1979: Formation and early years Formed by Larry Blackmon in 1974 as the New York City Players the band was signed by Casablanca Records to its Chocolate City imprint in 1975 as the Players. However, according to original band member Nathan Leftenant, the group soon changed its name after the threat of legal action by Mercury Records due to the name "the Players" being too similar to Ohio Players, who recorded for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dazz Band
Dazz Band is an American R&B/funk band most popular in the early 1980s. Emerging from Cleveland, Ohio, the group's biggest hit songs include " Let It Whip" (1982), " Joystick" (1983), and "Let It All Blow" (1984). The name of the band is a portmanteau of the description "danceable jazz". History Dazz Band formed in Cleveland, Ohio, in 1976, stemming from the jazz fusion band Bell Telefunk. Founded by Bobby Harris, Dazz Band has performed since 1976 and continues to perform today. Original Kinsman Dazz/ Dazz Band members included Bobby Harris (saxophonist, vocalist), Kenny Pettus (lead vocalist, percussions), Isaac "Ike" Wiley, Jr. (drums), his brother Michael Wiley (bassist), and Michael Calhoun (songwriter/guitarist). The group was originally named Kinsman Dazz at the suggestion of Ray Calabrese, who later became its manager along with Sonny Jones, owner of The Kinsman Grill, located near the street Harris grew up on, and where the band worked as a house band. Kinsman Dazz w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dayton (band)
Dayton was a post-disco funk band, formed in Dayton, Ohio by Chris Jones (trumpet, keyboards, vocals) from the band Sun and Shawn Sandridge (guitar, vocals) from Over Night Low. Derrick Armstrong (vocals), Kevin Hurt (drums, percussion), Jenny Douglas (vocals) and Rachel Beavers (vocals) completed the line up. Former Sun member Dean Hummons played the keyboards on the first two Dayton albums. Biography The group signed to Liberty Records in 1980 and released their self-titled debut album which included the track "Eyes on You". Dayton toured with Ashford & Simpson, Quincy Jones and Stephanie Mills. They recorded a second Liberty album, ''Cutie Pie'', in 1981. Guest musicians included James "Diamond" Williams, Keith Harrison, Clarence "Chet" Willis, Billy Beck, Wes Boatman and Vincent Andrews. The group switched to Capitol Records in 1982 and delivered the successful album ''Hot Fun''. This record included "Krackity-Krack" with a guest appearance by Bootsy Collins and their hit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zapp (band)
Zapp (also known as the Zapp Band, Zapp & Roger) is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the Electro (music), electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger Troutman, Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton (funk musician), George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979. Zapp released its Zapp (album), eponymous debut album in 1980, and achieved mainstream recognition with the single "More Bounce to the Ounce". The group's 1982 follow-up ''Zapp II'' sold well and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Integrated Styles And Techniques
Integration may refer to: Biology *Multisensory integration *Path integration * Pre-integration complex, viral genetic material used to insert a viral genome into a host genome *DNA integration, by means of site-specific recombinase technology, performed by a specific class of recombinase enzymes ("integrases") Economics and law *Economic integration, trade unification between different states *Horizontal integration and vertical integration, in microeconomics and strategic management, styles of ownership and control *Regional integration, in which states cooperate through regional institutions and rules *Integration clause, a declaration that a contract is the final and complete understanding of the parties *A step in the process of money laundering *Integrated farming, a farm management system *Integration (tax), a feature of corporate and personal income tax in some countries * Territorial integration of independent or dependent territories into a state Engineering *Data ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
