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Piano Concerto (Rimsky-Korsakov)
Nikolai Rimsky-Korsakov composed his Piano Concerto in C-sharp minor, Op. 30, between 1882 and 1883. It was first performed in March 1884 at one of Mily Balakirev's Free Music School concerts in St. Petersburg. Form The concerto is written in one continuous movement with three contrasting sections: #Moderato—Allegretto quasi polacca #Andante mosso #Allegro Overview After a long hiatus, Mily Balakirev reappeared on the Russian music scene in 1881, at the first Free Music School concert of the 1881-82 season. It was Balakirev who suggested that Rimsky-Korsakov write a piano concerto. Rimsky-Korsakov was not a pianist. Nevertheless, as Rimsky-Korsakov wrote, "It must be said that it sounded beautiful and proved entirely satisfactory in the sense of piano technique and style; this greatly astonished Balakirev, who found my concerto to his liking. He had by no means expected that I ... should know how to compose anything entirely pianistic."Rimsky-Korsakov, 263. Rimsky-Korsak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the '' Russian Easter Festival Overture'', and the symphonic suite '' Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Morphemes
In linguistics, a bound morpheme is a morpheme (the elementary unit of morphosyntax) that can appear only as part of a larger expression; a free morpheme (or unbound morpheme) is one that can stand alone. A bound morpheme is a type of bound form, and a free morpheme is a type of free form. Occurrence in isolation A form is a free form if it can occur in isolation as a complete utterance, e.g. ''Johnny is running'', or ''Johnny'', or ''running'' (this can occur as the answer to a question such as ''What is he doing?''). A form that cannot occur in isolation is a bound form, e.g. ''-y'', ''is'', and ''-ing'' (in ''Johnny is running''). Non-occurrence in isolation is given as the primary criterion for boundness in most linguistics textbooks. Roots and affixes Affixes are bound by definition. English language affixes are almost exclusively prefixes or suffixes: ''pre-'' in "precaution" and ''-ment'' in "shipment". Affixes may be inflectional, indicating how a certain word relates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concertos
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Nikolai Rimsky-Korsakov
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Arensky
Anton Stepanovich Arensky (russian: Анто́н Степа́нович Аре́нский; – ) was a Russian composer of Romantic classical music, a pianist and a professor of music. Biography Arensky was born into an affluent, music-loving family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, after which he studied composition at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov. After graduating from the Saint Petersburg Conservatory in 1882, Arensky became a professor at the Moscow Conservatory. Among his students there were Alexander Scriabin, Sergei Rachmaninoff, and Alexander Gretchaninov. In 1895, Arensky returned to Saint Petersburg as the director of the Imperial Choir, a post for which he had been recommended by Mily Balakirev. He retired from this position in 1901, living off a comfortable pension and spending ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Glazunov
Alexander Konstantinovich Glazunov; ger, Glasunow (, 10 August 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued as head of the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return. The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich. Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to Balakirev's nationalism, he tended more towards Borodin's epic grandeur while absorbing a number of other influences. These included Rimsky-Korsakov's orchestral virtuosity, Tchaikovsky's lyricism and Taneyev's contrapuntal skill. Younge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nationalist
Nationalism is an idea and movement that holds that the nation should be congruent with the State (polity), state. As a movement, nationalism tends to promote the interests of a particular nation (as in a in-group and out-group, group of people),Anthony D. Smith, Smith, Anthony. ''Nationalism: Theory, Ideology, History''. Polity (publisher), Polity, 2010. pp. 9, 25–30; especially with the aim of gaining and maintaining the nation's sovereignty (self-governance) over its homeland to create a nation-state. Nationalism holds that each nation should govern itself, free from outside interference (self-determination), that a nation is a natural and ideal basis for a polity, and that the nation is the only rightful source of political power. It further aims to build and maintain a single national identity, based on a combination of shared social characteristics such as culture, ethnicity, geographic location, language, politics (or the government), religion, traditions and belief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bravura
In classical music a bravura is a style of both music and its performance intended to show off the skill of a performer. John Alexander Fuller-Maitland, ''A dictionary of music and musicians (A.D. 1450-1889)'p. 271-272/ref> Commonly, it is a virtuosic passage performed as a solo, and often in a cadenza. The term implies "effect for effect's sake", therefore, while many pieces of Beethoven do require a high skill, they are not described as "bravura". Fuller-Maitland suggests the following arias as examples of bravura: "Let the bright Seraphim" from ''Samson'', " Der Hölle Rache kocht in meinem Herzen" (Act II of ''The Magic Flute'') and "Non più mesta" from ''La Cenerentola''. Musical terms "allegro di bravura" and "con bravura" indicate boldness, fire and brilliance. The term "bravura" also refers to daring performance in ballet, e.g., in reference of the ''pas de deux'' from '' Le Corsaire''. Lynn Garafola describes the Russian ballet school of Marius Petipa Marius Iv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Of The Volga Boatmen
The "Song of the Volga Boatmen" (known in Russian as Эй, ухнем! y, ukhnem!, "Yo, heave-ho!" after the refrain) is a well-known traditional Russian song collected by Mily Balakirev and published in his book of folk songs in 1866. It was sung by burlaks, or barge-haulers, on the Volga River. Balakirev published it with only one verse (the first). The other two verses were added at a later date. Ilya Repin's famous painting ''Barge Haulers on the Volga'' depicts such burlaks in Tsarist Russia toiling along the Volga. The song was popularized by Feodor Chaliapin, and has been a favorite concert piece of bass singers ever since. Bill Finegan's jazz arrangement for the Glenn Miller band took the song to #1 in the US charts in 1941. Russian composer Alexander Glazunov based one of the themes of his symphonic poem "Stenka Razin" on the song. Spanish composer Manuel De Falla wrote an arrangement of the song, which was published under the name ''Canto de los remeros del Volga (del ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Nápravník
Eduard Francevič Nápravník ( Russian: Эдуа́рд Фра́нцевич Напра́вник; 24 August 1839 – 10 November 1916) was a Czech conductor and composer. Nápravník settled in Russia and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades. In that capacity, he conducted the premieres of many operas by Russian composers, including those by Mussorgsky, Tchaikovsky and Rimsky-Korsakov. Biography Nápravník was born in Býšť, Bohemia, in 1839. His studies of music were precariously uneven as a child, being the son of a poor teacher. Orphaned in 1853 at the age of 14, he first worked as a local church organist. In 1854 he entered the Prague Organ School, where he studied under Jan Bedřich Kittl and others, eventually becoming an assistant teacher as Kittl's generosity allowed him to continue his studies. In 1861, he worked in Russia for the first time as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C-sharp Minor
C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: : : Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor.) Classical music in this key There are only two known symphonies in the 18th century written in this key. One of them is by Joseph Martin Kraus, who appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
