Percy Bysshe Shelley
Percy Bysshe Shelley ( ; 4 August 1792 – 8 July 1822) was an English writer who is considered one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem." Shelley's reputation fluctuated during the 20th century, but since the 1960s he has achieved increasing critical acclaim for the sweeping momentum of his poetic imagery, his mastery of genres and verse forms, and the complex interplay of sceptical, idealist, and materialist ideas in his work. Among his bes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Julian And Maddalo
''Julian and Maddalo: A Conversation'' (1818–1819 in poetry, 19) is a poem in 617 lines of Enjambment, enjambed Heroic verse, heroic couplets by Percy Bysshe Shelley published posthumously in 1824. Background This work was penned in the autumn of 1818 at a villa called I Capuccini, in Este, Italy, Este, near Venice, which had been lent to Shelley by his friend Lord Byron, and it was given its final revision in 1819. Shelley originally intended the poem to appear in ''The Examiner (1808–86), The Examiner'', a Radicalism (historical), Radical paper edited by Leigh Hunt, but then decided instead on anonymous publication by Charles Ollier. This plan fell through, and ''Julian and Maddalo'' first appeared after Shelley's death in a volume of his works called ''Posthumous Poems'' in 1824 (see 1824 in poetry), edited by his widow Mary Shelley. It is inspired by conversations Shelley had with Byron in Venice in 1818, in which they explored their different outlooks on life. The bitte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thomas Hardy
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Literary realism, Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian era, Victorian society, especially on the declining status of rural people in Britain such as those from his native South West England. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as ''Far from the Madding Crowd'' (1874), ''The Mayor of Casterbridge'' (1886), ''Tess of the d'Urbervilles'' (1891) and ''Jude the Obscure'' (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgian Poetry, Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Au ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alastor, Or The Spirit Of Solitude
''Alastor, or The Spirit of Solitude'' is a poem by Percy Bysshe Shelley, written from 10 September to 14 December in 1815 in Bishopsgate, near Windsor Great Park and first published in 1816. The poem was without a title when Shelley passed it along to his contemporary and friend Thomas Love Peacock. The poem is 720 lines long. It is considered to be one of the first of Shelley's major poems. Peacock suggested the name Alastor, which comes from Roman mythology. Peacock has defined Alastor as "evil genius". The name does not refer to the hero or Poet of the poem, however, but instead to the spirit who divinely animates the Poet's imagination. Summary In ''Alastor'' the speaker ostensibly recounts the life of a Poet who zealously pursues the most obscure part of nature in search of "strange truths in undiscovered lands", journeying to the Caucasus Mountains ("the ethereal cliffs of Caucasus"), Persia, "Arabie", Cashmire, and "the wild Carmanian waste". The Poet rejects an "Ara ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hellas (poem)
''Hellas'' is a lyrical drama by Percy Bysshe Shelley, written in 1821 and published in 1822 by Charles and James Ollier in London. Shelley wrote it while living in Pisa, with a view to raising money for the Greek War of Independence. It was to be Shelley's last published poem during his lifetime. Dedication The dedication of the drama was: ''To Ηis Εxcellency Prince Alexander Mavrocordato late secretary for foreign affairs to the Hospodar of Wallachia the drama of Hellas is inscribed as an imperfect token of the admiration, sympathy, and friendship of the author''. Pisa, November 1, 1821. The Greek politician Alexandros Mavrokordatos met Shelley during his stay in Pisa from 1818 to 1821. Analysis The drama is written from the point of view of the Ottoman Sultan, and was inspired by Aeschylus Aeschylus (, ; ; /524 – /455 BC) was an ancient Greece, ancient Greek Greek tragedy, tragedian often described as the father of tragedy. Academic knowledge of the genre begins w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prometheus Unbound (Shelley)
''Prometheus Unbound'' is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical '' Prometheia'', a trilogy of plays attributed to Aeschylus. Shelley's play concerns Prometheus' release from captivity, but unlike Aeschylus' version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released. Shelley's play is a closet drama, meaning it was not intended to be produced on the stage. In the tradition of Romantic poetry, Shelley wrote for the imagination, intending his play's stage to reside in the imaginations of his readers. However, the play is filled with suspense, mystery and other dramatic effe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Cenci
''The Cenci. A Tragedy, in Five Acts'' ( ; 1820) is a verse drama in five acts by Percy Bysshe Shelley written in the summer of 1819, and inspired by a real Roman family, the House of Cenci (in particular, Beatrice Cenci). Shelley composed the play in Rome and at Villa Valsovano near Livorno, from May to 5 August 1819. The work was published by Charles and James Ollier in London in 1819. The Livorno edition was printed in Livorno, Italy by Shelley himself in a run of 250 copies. Shelley told Thomas Love Peacock that he arranged for the printing himself because in Italy "it costs, with all duties and freightage, about half of what it would cost in London." Shelley sought to have the play staged, describing it as "totally different from anything you might conjecture that I should write; of a more popular kind... written for the multitude." Shelley wrote to his publisher Charles Ollier that he was confident that the play "will succeed as a publication." A second edition appeared ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Masque Of Anarchy
''The Masque of Anarchy'' (or ''The Mask of Anarchy'') is a British political poem written in 1819 by Percy Bysshe Shelley following the Peterloo Massacre of that year. In his call for freedom, it is perhaps the first modern statement of the principle of nonviolent resistance. The poem was not published during Shelley's lifetime and did not appear in print until 1832, when published by Edward Moxon in London with a preface by Leigh Hunt. Shelley had sent the manuscript in 1819 for publication in '' The Examiner''. Hunt withheld it from publication because he "thought that the public at large had not become sufficiently discerning to do justice to the sincerity and kind-heartedness of the spirit that walked in this flaming robe of verse". The epigraph on the cover of the first edition is from Shelley's '' The Revolt of Islam'' (1818): "Hope is strong; Justice and Truth their winged child have found." The poem’s use of ''masque'' and ''mask'' has been discussed by Morton Pal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thomas Jefferson Hogg
Thomas Jefferson Hogg (24 May 1792 – 27 August 1862) was a British barrister and writer best known for his friendship with the Romantic poet Percy Bysshe Shelley. Hogg was raised in County Durham, but spent most of his life in London. He and Shelley became friends while studying at University College, Oxford, and remained close until Shelley's death. During their time at Oxford they collaborated on several literary projects, culminating in their joint expulsion following the publication of an essay titled " The Necessity of Atheism". They remained good friends, but their relationship was sometimes strained because of Hogg's attraction to the women who were romantically involved with Shelley. Hogg became a barrister and met Jane Williams, who had become a close friend of Percy Shelley's shortly before the poet's death. Jane became Hogg's common-law wife and they had two children together. The family settled in London, although Hogg's legal career meant that he often ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Necessity Of Atheism
"The Necessity of Atheism" is an essay on atheism by the English poet Percy Bysshe Shelley, printed in 1811 by Charles and William Phillips in Worthing while Shelley was a student at University College, Oxford. A signed copy was sent to all the heads of Oxford colleges at the University. At that time most lecturers at Oxford were ordained by the Church of England (not till later in the century would this change) and were acquainted with the concept of blasphemy. While England did not consider Atheism itself to be illegal at the time, promotion of the idea of Atheism was. The content provided ample grounds for authorities to effect his being rusticated for contumacy along with his refusing to deny authorship, together with his friend and fellow student, Thomas Jefferson Hogg. A revised and expanded version of the text was included as one of the notes to Shelley's poem '' Queen Mab'' in 1813, and some reprints with the title ''The Necessity of Atheism'' are based on this rat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adonais
''Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc.'' () is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works."Percy Shelley: Adonais", ''John Keats'' (12 February 2004) Retrieved 30 June 2005. The poem, which is in 495 lines in 55 s, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats's death (seven weeks earlier). It is a pastoral elegy, in the English tradition of [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ode To The West Wind
"Ode to the West Wind" is an ode, written by Percy Bysshe Shelley in 1819 in arno wood near Florence, Italy. It was originally Publishing, published in 1820 by Charles Ollier in London as part of the collection ''Prometheus Unbound (Shelley), Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems''. Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope (literature), trope for spreading the word of change through the poet-prophet figure. Some also believe that the poem was written in response to the loss of his son, William (born to Mary Shelley) in 1819. The ensuing pain influenced Shelley. The poem allegorises the role of the poet as the voice of change and revolution. At the time of composing this poem, Shelley without doubt had the Peterloo Massacre of August 1819 in mind. His other poems written at the same time—"The Masque of Anarchy", ''Prometheus Unbound'', and "England in 1819"—take up t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |