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Penorcon
The penorcon is a plucked string instrument with nine courses of double strings, depicted in the treatise Syntagma Musicum (17th century) by Praetorius Praetorius, Prätorius, Prætorius was the name of several musicians and scholars in Germany. In 16th and 17th century Germany it became a fashion for educated people named " Schulze," "Schultheiß," or " Richter" (which means "judge"), to Latinis ....{{Cite web , last=Pittaway , first=Ian , date=2017-11-14 , title=Wired for sound: the bandora and orpharion , url=https://earlymusicmuse.com/bandora-orpharion/ , access-date=2023-05-01 , website=Early Music Muse , language=en-GB The sides of the instrument are scalloped and sometimes the resonance soundboard has no holes. In relation to the bandora, its body is a little broader, and in length, it is somewhat lesser. Its neck or fingerboard is quite wide. This instrument uses the following tuning: G′– A′ – C – D – G – c – e – a – d′. Music written for the penor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Course (music)
A course, on a stringed musical instrument, is either one string or two or more adjacent strings that are closely spaced relative to the other strings, and typically played as a single string. The strings in each multiple-string course are typically tuned in unison or an octave. Normally, the term ''course'' is used to refer to a single string only on an instrument that also has multi-string courses. For example, a nine-string baroque guitar has five courses: most are two-string courses but sometimes the lowest or the highest consists of a single string. An instrument with at least one multiple-string course is referred to as ''coursed'', while one whose strings are all played individually is ''uncoursed''. Rationale and types Multiple string courses were probably originally employed to increase the volume of instruments, in eras in which electrical amplification did not exist, and stringed instruments might be expected to accompany louder instruments (such as woodwinds or bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntagma Musicum
''Syntagma Musicum (1614-1620)'' is a musical treatise in three volumes by the German composer, organist, and music theorist Michael Praetorius. It was published in Wittenberg and Wolfenbüttel. It is one of the most commonly used research sources for seventeenth-century music theory and performance practice The second volume, ''De Organographia,'' illustrates and describes musical instruments and their use; this volume in particular became a valuable guide for research and reconstruction of early instruments in the twentieth century, and thus an integral part of the early music revival. Though never published, Praetorius intended a fourth volume on musical composition. The three extant volumes are: * I: ''Musicae Artis Analecta'' * II: ''De Organographia'' * III: ''Termini musicali'' Contents Volume One: Musicae Artis Analecta The first volume was written in Latin and divided into two parts, published separately. The first part, "on sacred or ecclesiastical music," shows Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's State Orchestra, first as organist and later (from 1604) as '' Kapellmeister'' (court music director). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandora (instrument)
The bandora or bandore is a large long-necked plucked string-instrument that can be regarded as a bass cittern though it does not have the re-entrant tuning typical of the cittern. Probably first built by John Rose in England around 1560, it remained popular for over a century. A somewhat smaller version was the orpharion. The bandora is frequently one of the two bass instruments in a broken consort as associated with the works of Thomas Morley, and it is also a solo instrument in its own right. Anthony Holborne wrote many pieces for solo bandora. The multiple lute settings of Pacoloni appear both with and without optional wire-strung instruments. Construction and type The bandora, though built like a cittern, had six or seven ''courses'' (unison pairs) of strings tuned in a more lute-like fashion, but without the high d found on a bass lute. In fact, the barring is very close to an orpharion, and closer to contemporary lute than to cittern or guitar construction. This cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
