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Pauline Leroux
Adèle-Louise-Pauline Leroux (19 August 1809–5 February 1891) was a French dancer and ballerina of the 19th-century Romantic ballet era and a member of the Paris Opera Ballet. Born in Paris, she was the daughter of Louis-Bénigne-Marie Leroux, Commissioner of War, and Marguerite-Suzanne (née Lecocq). Her older sister Antoinette-Désirée Leroux (1807-?) had been a dancer at the Opera from 1821 to 1827, while her sister Aminthe Delisle-Leroux (1815-1878) was an actress. On 12 July 1848 she married the actor Pierre-Chéri Lafont (1797-1873). Leroux was a pupil of Auguste Vestris and Jean-François Coulon and was a member of the Paris Opera Ballet from 1826 to 1837, then from 1840 to 1844 to replace foreign celebrities like Marie Taglioni and Fanny Elssler. She then joined full international tours. Leroux had her first success when she created the role of Marie in ''La tentation'' by Jean Coralli (1832), then in Filippo Taglioni's '' Leda, the Swiss Milkmaid'' (1832) and triump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Muette De Portici
''La muette de Portici'' (''The Mute Girl of Portici'', or ''The Dumb Girl of Portici''), also called ''Masaniello'' () in some versions, is an opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe. The work has an important place in music history as the earliest French grand opera. It is also known for its alleged role in the Belgian Revolution of 1830. Background The opera was first given at the Salle Le Peletier of the Paris Opéra on 29 February 1828. The role of Masaniello was taken by the famous tenor Adolphe Nourrit and Princess Elvire was sung by Laure Cinti-Damoreau. The dancer Lise Noblet played the mute title role, a part later taken by other dancers such as Marie Taglioni, Fanny Elssler and Pauline Leroux, also the actress Harriet Smithson (the future wife of Hector Berlioz). Alphonse was created by Alexis Dupont, who was Lise Noblet's brother-in-law. The conductor at the premiere was Henri Valentino.; ; ; . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the '' Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle '' Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules-Henri Vernoy De Saint-Georges
Jules-Henri Vernoy de Saint-Georges (7 November 1799 – 23 December 1875) was a French playwright, who was born and died in Paris. He was one of the most prolific librettists of the 19th century, often working in collaboration with others. Saint-Georges' first work, (1823), a comédie en vaudeville written in collaboration with Alexandre Tardif, was followed by a series of operas and ballets. In 1829 he became manager of the Opéra-Comique at Paris. Among Saint-Georges' more famous libretti are: the ballet ''Giselle'' (with Théophile Gautier) (1841), the opera (1835) for Halévy, the opera (with Jean-François Bayard) (1840) for Donizetti, and the opera for Georges Bizet. Virtually all his opera libretti are for opéras comiques, although (1841), for Halévy, was a grand opera. In all Saint-Georges wrote over seventy stage pieces in collaboration with Eugène Scribe and other authors. He also wrote novels, including . Saint-Georges was notably old-fashioned in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fromental Halévy
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera ''La Juive''. Early career Halévy was born in Paris, son of the cantor Élie Halfon Halévy, who was the secretary of the Jewish community of Paris and a writer and teacher of Hebrew, and a French Jewish mother. The name Fromental (meaning 'oat grass'), by which he was generally known, reflects his birth on the day dedicated to that plant: 7 Prairial in the French Revolutionary calendar, which was still operative at that time. He entered the Conservatoire de Paris at the age of nine or ten (accounts differ), in 1809, becoming a pupil and later protégé of Cherubini. After two second-place attempts, he won the Prix de Rome in 1819: his cantata subject was ''Herminie''. As he had to delay his departure to Rome because of the death of his mother, he was able to accept the first commission that brought him to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Reine De Chypre
''La reine de Chypre'' (''The Queen of Cyprus'') is an 1841 grand opera in five acts composed by Fromental Halévy to a libretto by Jules-Henri Vernoy de Saint-Georges. Performance history ''La reine de Chypre'', first performed at the Salle Le Peletier of the Paris Opéra on 22 December 1841 with Rosine Stoltz in the title role and Gilbert Duprez as Gérard, was regarded in its time as one of the composer's greatest achievements. Joseph Mazilier was the choreographer, and the ballet starred Adéle Dumilâtre, Natalie Fitzjames, and Pauline Leroux with Marius Petipa and Auguste Mabile.Pitou, pp. 1088–1090. The publisher Maurice Schlesinger was reputed to have paid the enormous sum of 30,000 francs for the rights to the opera. The opera prompted an extended eulogy from Richard Wagner, who was present at the first night, in the ''Dresden Abend-Zeitung'', for which he was a correspondent. However, since the 19th century it has been rarely revived. The libretto, or a vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise Lehzen
Johanna Clara Louise Lehzen (3 October 17849 September 1870), also known as Baroness Louise Lehzen, was the governess and later companion to Queen Victoria of the United Kingdom. Born to a Lutheran pastor, in 1819 Lehzen entered the household of the Duke of Kent, fourth son of King George III. Five years later, Lehzen was appointed governess to his only child, Princess Alexandrina Victoria. The young princess became second-in-line to the British throne in 1827. Victoria's upbringing was dominated by the controlling Kensington System, implemented by the widowed Duchess of Kent and her comptroller Sir John Conroy. Lehzen was strongly protective of Victoria, and encouraged the princess to be strong, informed, and independent from the Duchess and Conroy's influence, causing friction within the household. Attempts to remove the governess were unsuccessful, as Lehzen had the support of Victoria's royal uncles. "Dear, good Lehzen" soon came to supersede all others – including her own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sylphide
''La Sylphide'' ( en, The Sylph; da, Sylfiden) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets. Taglioni version On 12 March 1832 the first version of ''La Sylphide'' premiered at the Salle Le Peletier of the Paris Opéra with choreography by the groundbreaking Italian choreographer Filippo Taglioni and music by Jean-Madeleine Schneitzhoeffer. Taglioni designed the work as a showcase for his daughter Marie. ''La Sylphide'' was the first ballet where dancing '' en pointe'' had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. Marie was known for shortening her skirts in the performance of ''La Sylp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket, London, Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of William Shakespeare, Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musical theatre, musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation ''Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Somnambule, Ou L'arrivée D'un Nouveau Seigneur
''La somnambule'' is a ballet-pantomime composed by Ferdinand Hérold and premiered on 19 September 1827 at the Académie Royale de Musique. The scenario was by Eugène Scribe, and it was choreographed by Jean-Pierre Aumer. This ballet was produced in 1827 at the height of a fashion for stage works incorporating somnambulism. The work was quite popular in Paris and inspired many more works incorporating somnambulism, including Vincenzo Bellini's well-known Italian opera ''La sonnambula''. Although the work was unperformed for over 150 years and remains unpublished, it was rediscovered and recorded under the direction of conductor Richard Bonynge Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performanc ..., and released in 2005. External linksMelba Recordings page on the work, accessed 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
%2C_Brussels%2C_Belgium_(ca._1890-1900).jpg "Click for more on -> La Muette De Portici")
