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Palazzo Torrigiani Del Nero
The Palazzo Torrigiani Del Nero is a Renaissance-style palace located at Piazza de' Mozzi 5, down the street where the Ponte alle Grazie enters the Oltrarno in Florence, Tuscany Tuscany ( ; it, Toscana ) is a Regions of Italy, region in central Italy with an area of about and a population of about 3.8 million inhabitants. The regional capital is Florence (''Firenze''). Tuscany is known for its landscapes, history, art ..., Italy. Another Palazzo Torrigiani stands alongside, the smaller Palazzo Nasi. Both palaces also once belonged to the Nasi. The general area prior to the mid 14th-century, belonged to the Bardi, Benci, Banchi, and Nasi. The latter between 1460 and 1469 consolidated their holdings into one palace. Giorgio Vasari indicated that the palace was begun under the direction of the architect Baccio d'Agnolo, and completed by his son, Domenico. Older prints of the palace note that the upper floors were part of an open loggia overlooking the River. In 1552, t ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pilasters and lintels, as well as the use of semici ...
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Ponte Alle Grazie
Ponte alle Grazie is a bridge, reconstructed after 1945, over the Arno River in Florence, region of Tuscany, Italy. History The original bridge was called Ponte di Rubaconte after the name of the podestà Rubaconte da Mandello who had commissioned construction in 1227, making it older than the Ponte Vecchio. It was rebuilt in 1345 with nine arches, making it the longest in Florence. Giorgio Vasari attributed the design to an architect by the name of Lapo Tedesco, the architect of the Bargello. In 1346, two of the arches in the Oltrarno neighborhood were filled up to extend the bank, leaving the seven arch structure seen in a 17th-century print on this page. This landfill widened the street of Piazza dei Mozzi, which leads to the Palazzo Mozzi. On the city side was a small oratory with an icon of the ''Madonna Alle Grazie'', which also gave the bridge its name. Structures were erected at each of the pylons, and remained there till a widening of the road, to make way for railwa ...
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Oltrarno
The Oltrarno (''beyond the Arno'') is a quarter of Florence, Italy. It is located south of the River Arno. It contains part of the historic centre of Florence and many notable sites such as the church Santo Spirito di Firenze, Palazzo Pitti, Belvedere, and Piazzale Michelangelo. Gentrification and resistance During recent years, Oltrarno has undergone massive changes due to the arrival of richer social classes - often short term residents - but especially due to the tourist and entertainment industry, which also seeks customers from other areas of Florence. In November 2011, the urban restoration office of the Municipality of Florence set up a project, not yet put into practice, to turn the former Gasometer - just a few hundred feet from the Oltrarno - into a major private health and beauty spa and restaurant centre, a magnet for the whole city and for tourists. A few months later, the shopkeepers association Confesercenti launched an initiative called Progetto Oltrarno, in or ...
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Tuscany
it, Toscano (man) it, Toscana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Citizenship , demographics1_footnotes = , demographics1_title1 = Italian , demographics1_info1 = 90% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-52 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €118 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €31,500 (2018) , blank2_name_sec1 = HDI (2019) , blank2_info_sec1 = 0.907 • 6th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 ...
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Palazzo Nasi, Florence
The Palazzo Nasi, also known as the Palazzo Torrigiani or Palazzo Scarlatti, is a palace located at Piazza de' Mozzi 4, down the street where the Ponte alle Grazie enters the Oltrarno, in Florence, Tuscany, Italy. Another Palazzo Torrigiani Del Nero, with a Mannerist or late-Renaissance architecture, Renaissance-style facade stands closer to the river. Both palaces also once belonged to the Nasi. The palace is a few steps from the Palazzo Mozzi. History The general area, prior to the mid 14th-century, belonged to the Bardi, Benci, Banchi, and Nasi. The latter between 1460 and 1469 consolidated their holdings into one palace. Giorgio Vasari indicated that the palace was begun under the direction of the architect Baccio d'Agnolo, and completed by his son, Domenico. In 1552, the palace was sold to the Del Nero family. This small palace underwent further refurbishment by Filippo Baglioni. The Del Nero family was prominent in 15th-century Florence. Bernardo Del Nero had been Gonfaloni ...
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Piazza De' Mozzi 5 Angolo Lungarno Torrigiani 1, Palazzo Torrigiani Del Nero, 00
A town square (or square, plaza, public square, city square, urban square, or ''piazza'') is an open public space, commonly found in the heart of a traditional town but not necessarily a true geometric square, used for community gatherings. Related concepts are the civic center, the market square and the village green. Most squares are hardscapes suitable for open markets, concerts, political rallies, and other events that require firm ground. Being centrally located, town squares are usually surrounded by small shops such as bakeries, meat markets, cheese stores, and clothing stores. At their center is often a well, monument, statue or other feature. Those with fountains are sometimes called fountain squares. By country Australia The city centre of Adelaide and the adjacent suburb of North Adelaide, in South Australia, were planned by Colonel William Light in 1837. The city streets were laid out in a grid plan, with the city centre including a central public square, Vict ...
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Giuseppe Zocchi, Lungarno E Ponte Alle Grazie 1744
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Gi ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term '' Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tus ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ...
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Palaces In Florence
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ...
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