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Palazzo Partanna, Naples
The Palazzo Partanna, also once known as Palazzo Coscia, is a monumental palace located on Piazza dei Martiri 64–66 on the western edge of the neighborhood of Chiaia in Naples, Italy. The palace faces the Piazza dei Martiri. History The palace we see today was restored by the architect Mario Gioffredo (1718–1785). In the 19th century, Antonio Niccolini also worked on its reconstruction when it became known as ''Palazzo Cocozza'', and housed the Cardinal Niccolò Coscia, the brother of Duke Baldassarre Coscia. Subsequent members of the aristocratic family ended up selling portions of the palace, until the last member left in 1812. In 1812, it became the offices of the Ministry of War and Navy. The name ''Partanna'' originated from the Duchess of Floridia, Lucia Migliaccio, widow of Benedetto Grifeo, Prince of Partanna, who became the morganatic wife of the widowed Ferdinand IV of Naples. She lived in this palace till she moved to the Palazzo San Giacomo (now City Hall) in P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Dei Martiri, Naples
Piazza dei Martiri (in Italian: ''Martyrs' Square'') is a monument-containing square in Naples, Italy, located at the junction of Via Domenico Morelli and Santa Caterina, one block north of the eastern end of the large seaside park known as the Villa Comunale. The square was originally dedicated to Santa Maria a Cappella, but took on patriotic significance when Italy was united in 1861. Monument to the Martyrs The monument in the center of this square was built around a column already standing during the Bourbon rule, when the square was called the ''Piazza della Pace''. The column was repurposed, and atop now stands a bronze statue depicting the ''Virtue of the Martyrs'', designed by Emanuele Caggiano . Four lions stand at the corners of the square base, each represent Neapolitan patriots who died during specific anti-Bourbon revolutions *Lion dying - to fallen defending the short lived Parthenopean Republic in 1799. *Lion pierced by a sword- to fallen during Carbonari revolutio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaia
Chiaia (, ) is an affluent neighbourhood on the seafront in Naples, Italy, bounded by Piazza Vittoria on the east and Mergellina on the west. Chiaia is one of the wealthiest districts in Naples, and many luxury brands have shops on its main street. It is also home to a business school and a medical school, as well as other public schools. A prominent landmark in Chiaia is the large public park known as the Villa Comunale. It was initially developed in the late 16th and early 17th centuries as the Spanish rulers of Naples opened the city to the west of its historical boundaries. The Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ... poet Laura Terracina was born and raised in Chiaia. Buildings and structures in the neighbourhood * Castel dell'Ovo * Fontana del Sebet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of Naples, province-level municipality is the third most populous Metropolitan cities of Italy, metropolitan city in Italy with a population of 2,958,410 residents, and the List of urban areas in the European Union, eighth most populous in the European Union. Naples metropolitan area, Its metropolitan area stretches beyond the boundaries of the city wall for approximately . Naples also plays a key role in international diplomacy, since it is home to NATO's Allied Joint Force Command Naples and the Parliamentary Assembly of the Mediterranean. Founded by Greeks in the 1st millennium BC, first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope () was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Gioffredo
Mario Gaetano Gioffredo, also called the ''Neapolitan Vitruvius'' (14 May 17188 March 1785), was an Italian people, Italian Neoclassicism, Neoclassical architect, engineer, and engraver. In 1783, he was named the Royal architect to the Neapolitan Court. Among his most notable buildings are Palazzo Latilla, Naples, Palazzo Latilla (1754), and Palazzo Cavalcanti (1762), the church of Spirito Santo (1774), and the monasteries of Maria Maddalena and Santa Caterina da Siena, Naples, Santa Caterina da Siena. Biography Early life and education Mario Gioffredo was born and died in Naples. He began his training in 1732 with the architect Martino Buonocore, whose style he later dismissed as ‘Gothic’. However, Buonocore had a good architectural library, in which Gioffredo studied the writings of Andrea Palladio, Palladio, Vitruvius and Vincenzo Scamozzi. During the same period he studied with the painter Francesco Solimena, believing an understanding of the human body to be an essen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Niccolini (architect)
Antonio Niccolini (21 April 1772 – 8 May 1850) was an Italian architect, scenic designer, and engraver. Biography Niccolini was born in San Miniato al Tedesco, Tuscany. He grew up in the Grand Duchy of Tuscany, where his father, who worked as a prison guard, was interested in architecture and encouraged his son when, at the age of 14, he began to make drawings of buildings in Florence and to study the treatises of Vitruvius, Leon Battista Alberti, Alberti and Andrea Palladio, Palladio. He painted frescoes of architectural views in the workshop of the painter Pasquale Cioffi and was introduced to the art of theatrical design by Francesco Fontanesi. Niccolini was greatly drawn to the culture and art of central Europe and was undoubtedly influenced also by the circle of the dramatist Vittorio Alfieri who had founded an academic theatre in the Palazzo d’Albany, Florence, for which Niccolini painted the Theatrical scenery, scenery. He was also engaged in restoring and designi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Coscia
Niccolò Coscia (1681 – 8 February 1755) was an Italian Latin Catholic cardinal. He was born at Pietradefusi, near Avellino. In 1725 he was appointed as Cardinal of Santa Maria in Domnica by Pope Benedict XIII, whose secretary he had been when the future pope was Archbishop of Benevento. Coscia held the effective government of the Papal States during Benedict's reign. He took advantage of his position to commit a long series of financial abuses, causing the ruin of the Papal treasury. According to Montesquieu, "All the money of Rome goes to Benevento... as the Beneventani direct enedict'sweakness".Rendina, p. 592 When Benedict died, Coscia fled Rome. In 1731 he was tried, excommunicated and condemned to ten years' imprisonment in Castel Sant'Angelo. However, he managed to have his sentence commuted to a fine. Restored, he took part in the conclaves of 1730 Events January–March * January 30 (January 19 O.S.) – At dawn, Emperor Peter II of Russi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Migliaccio
Lucia Migliaccio, ''suo jure'' 12th Duchess of Floridia (19 July 1770 – 26 April 1826) was the second wife of Ferdinand I of the Two Sicilies. Their marriage was morganatic marriage, morganatic and Lucia was never a queen consort.Genealogisches Handbuch des Adels, Fürstliche Häuser IV. "Bourbon". C.A. Starke Verlag, 1956, pp. 8-9. (German). On 4 April 1791, Lucia married ''Don'' Benedetto Maria Grifeo, 8th Prince of Partanna. They had seven children together. However, Benedetto died in 1812. Two years later, on 27 November 1814, Lucia married the King of the Two Sicilies, Ferdinand I of the Two Sicilies, Ferdinand I. The two had met frequently at the royal court. They had no children together, and Ferdinand died in 1825. Their marriage caused a scandal at court, and Ferdinand’s eldest son from his first marriage with Archduchess Maria Carolina of Austria, Francis I of the Two Sicilies, Francis, tried to persuade his father not to marry Lucia. Family Lucia was a daughter of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morganatic
Morganatic marriage, sometimes called a left-handed marriage, is a marriage between people of unequal social rank, which in the context of royalty or other inherited title prevents the principal's position or privileges being passed to the spouse, or any children born of the marriage. The concept is most prevalent in German-speaking territories and countries most influenced by the customs of the German-speaking realms. Generally, this is a marriage between a man of high birth (such as from a reigning, deposed or mediatised dynasty) and a woman of lesser status (such as a daughter of a low-ranked noble family or a commoner).Webster's Online Dictionary . Retrieved 2008-07-10. Diesbach, Ghislain de. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand IV Of Naples
Ferdinand I ( Italian: ''Ferdinando I''; 12 January 1751 – 4 January 1825) was King of the Two Sicilies from 1816 until his death. Before that he had been, since 1759, King of Naples as Ferdinand IV and King of Sicily as Ferdinand III. He was deposed twice from the throne of Naples: once by the revolutionary Parthenopean Republic for six months in 1799, and again by a French invasion in 1806, before being restored in 1815 at the end of the Napoleonic Wars. Ferdinand was born in Naples as the third son of King Charles VII and Queen Maria Amalia. In August 1759, Charles succeeded his half-brother Ferdinand VI of Spain as King Charles III, but treaty provisions made him ineligible to hold all three crowns. On 6 October, he abdicated his Neapolitan and Sicilian titles in favour of his third son, Ferdinand, because his eldest son Philip had been excluded from succession due to intellectual disability and his second son Charles was heir-apparent to the Spanish throne. Ferdinand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo San Giacomo, Naples
The Palazzo San Giacomo, known as the Municipio (city hall) is a Neoclassical style palace in central Naples, Italy. It stands before the fortress of the Maschio Angioino, stradling the zones of Porto and San Ferdinando. It houses the mayor and the offices of the municipality of Naples. The entire office complex spans from largo de Castello to Via Toledo, along via di San Giacomo. In 1816, King Ferdinand I of the Two Sicilies commissioned the construction of a centralized building to house the various ministries of the government. The area for this palace was chosen, and the buildings therein were either demolished or incorporated including the monastery and church of the Concezione (once known as Santa Maria Fior delle Vergini), the Hospital of San Giacomo, and the offices of the Bank of San Giacomo. The church of San Giacomo degli Spagnoli was incorporated into the palace. The architects were Vincenzo Buonocore, Antonio De Simone, and Stefano Gasse. Work was only complet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sarnelli
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language, it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
