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Ossos
''Ossos'' (English: "Bones") is a 1997 Portuguese film directed by Pedro Costa. The film was shot in the Fontainhas district of Lisbon (also known as "Estrela d'Africa"), where disadvantaged dwellers and immigrants from former Portuguese colonies in Africa live desperate lives. This drama film with some documentary elements made Pedro Costa acclaimed internationally. It was nominated for Golden Lion and won the best cinematography (Golden Osella) at the Venice International Film Festival in 1997. He further dealt with the now-defunct shanty district in his next two films, '' In Vanda's Room (2000)'' and ''Colossal Youth (2006).'' Plot The film focus on the interactions among four characters: Clotilde and Tina are close friends and neighbors living in the depressed Fontainhas district. Clotilde is very protective of the suicidal Tina, who has a newborn baby with an unnamed deadbeat father. Eduarda is a nurse living in a better working-class area. She met the father and the ...
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Colossal Youth (film)
''Colossal Youth'' ( pt, Juventude em Marcha, literally "Youth on the March") is a 2006 docufiction feature film directed by Portuguese director Pedro Costa. It was third feature by Costa set in Lisbon's Fontainhas neighborhood (after ''Ossos'' and '' In Vanda's Room''), and the first to feature the recurring character Ventura. ''Colossal Youth'' was shot on DV in long, static takes; it also mixes documentary and fiction storytelling. The film is a meditation on the aftermath of the Carnation Revolution and its consequences for Portugal's poverty-stricken Cape Verdean immigrants. It was part of the Official Competition at the 2006 Cannes Film Festival. Plot "''Many of the lost souls of Ossos and In Vanda’s Room return in the spectral landscape of Colossal Youth,.... What results is a form of ghost story, a tale of derelict, dispossessed people living in the past and present at the same time...''" The film opens with a shot of a doorway in a run-down neighborhood. Furniture co ...
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In Vanda's Room
''In Vanda's Room'' (Portuguese: ''No Quarto da Vanda'', 2000) is a docufiction (a subgenre of cinéma vérité) film by Portuguese director Pedro Costa. This is the second film in his Fontainhas trilogy. Overview The film follows the daily life of Vanda Duarte, a heroin addict, in the Fontainhas district, a shanty outskirt of Lisbon. The film's focus is also on the community of the district and its townscape. ''No Quarto da Vanda'' follows the drama film ''Ossos'' (1997) in which Vanda Duarte plays as an actress. The film took a year to shoot after the (initially) one-person crew settled in the location, where Vanda and the community including Cape Verdean immigrants lived depressed lives. In spite of its three-hour length, the director Pedro Costa made the film in a realist style by using fixed shots entirely. Melancholic life of the community was shot on digital video in a low-key way. Costa said about his impression of the district in a conversation with Jean-Pierre ...
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Golden Osella
The Golden Osella is the name of several awards given at the Venice Film Festival. They are awarded irregularly and in various categories such as directing, screenwriting, cinematography, and technical contributions. The name derives from the ''osella'', a medal awarded by the Doges of Venice to various persons between 1521 and 1797. Best Cinematography Best Director Best Original Music Best Screenplay Best Set Design Outstanding Technical Contribution References External links Venice Film Festival - Overview on ''IMDb''
{{Venice Film Festival Italian film awards Lists of films by award Venice Film Festival ...
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54th Venice International Film Festival
The 54th annual Venice International Film Festival was held between 27 August to 6 September 1997. Jury The following people comprised the 1997 jury: * Jane Campion (New Zealand) (head of jury) * Ronald Bass (USA) * Véra Belmont (France) * Peter Buchka (Germany) (critic) * Nana Dzhordzhadze (Georgia) * Idrissa Ouedraogo (Burkina Faso) * Charlotte Rampling (UK) * Shinya Tsukamoto (Japan) * Francesco Rosi (Italy) * Marco Bellocchio (Italy) (short films) (head of jury) * Clare Peploe (UK) (short films) * Olivier Assayas (France) (short films) Official selection In competition Autonomous sections Venice International Film Critics' Week The following feature films were selected to be screened as ''In Competition'' for this section: * ''The Fifth Season'' (''Fasl-e panjom'') by Rafi Pitts (Iran) * ''Gummo'' by Harmony Korine (United States) * '' Marie from the Bay of Angels'' (''Marie Baie des Anges'') by Manuel Pradal (France) * '' Masumiyet'' (en. ''Innocence'') by Zeki D ...
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Pedro Costa
Pedro Costa (born 30 December 1958) is a Portuguese film director. He is best known for his sequence of films set in Lisbon, which focuses on the lives of the impoverished residents of a slum in the Fontainhas neighbourhood. Biography After completing a degree in History from the University of Lisbon, Costa worked as an assistant for Jorge Silva Melo, Vítor Gonçalves and João Botelho. He released his debut film O Sangue at the age of 30. Costa's films would receive acclaim from critics consistently throughout his career. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes Film Festival for directing '' In Vanda's Room''. '' Colossal Youth'' was selected for the 2006 Cannes Film Festival and earned the Independent/Experimental prize (Los Angeles Film Critics Association) in 2008. Horse Money was awarded the Leopard for Best Director in 2014, while his Vitalina Varela was awarded the Gold Leopard for Best Film in 2019. Style and influences ...
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Isabel Ruth
Isabel Ruth (born 6 April 1940) is a Portuguese actress. She has appeared in more than 50 films since 1963. She starred in '' River of Gold'', which was screened in the Un Certain Regard section at the 1998 Cannes Film Festival. Selected filmography * ''Os Verdes Anos'' (1963) * '' Domingo À Tarde'' (1966) * '' Mudar de Vida'' (1966) * '' Agosto'' (1987) * '' Hard Times'' (1988) * '' Ossos'' (1997) * '' Voyage to the Beginning of the World'' (1997) * '' River of Gold'' (1998) * ''The Mutants'' (1998) * ''Anxiety'' (1998) * '' I'm Going Home'' (2001) * '' The Uncertainty Principle'' (2002) * '' Daqui P'rá Frente'' (2007) * ''The Strange Case of Angelica ''The Strange Case of Angelica'' ( pt, O Estranho Caso de Angélica) is a 2010 Portuguese drama film directed by Manoel de Oliveira. It was entered into the Un Certain Regard section of the 2010 Cannes Film Festival. De Oliveira conceived the ...'' (2010) * '' Journey to Portugal'' (2011) * ''Versailles'' (2013) References ...
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Paulo Branco
Paulo Branco (born 3 June 1950) is a Portuguese film producer. Life and career Paulo Branco was born in Lisbon, and attended the undergraduate program in chemical engineering at the Instituto Superior Técnico but he did not graduate. He started to work at the Olympic Cinema, in Paris, with Frédéric Mitterrand, in 1974, for two years, and started his career as a producer in 1979 between Paris and Lisbon. So far, he has produced over 300 films and has worked with film directors such as David Cronenberg, Jerzy Skolimowski, Wim Wenders, Chantal Akerman, Alain Tanner, Werner Schroeter, André Téchiné, Andrzej Zulawski, Christophe Honoré, Olivier Assayas, Sharunas Bartas, Cédric Kahn, Lucas Belvaux, Valéria Bruni-Tedeschi, João César Monteiro, Paul Auster, Philippe Garrel, Mathieu Amalric… among many others. His career has particularly been branded with an intense collaboration, during more than 20 years, with Raúl Ruiz ('' Time Regained'', ''Three Lives and ...
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Ethnofiction
Ethnofiction refers to a subfield of ethnography which produces works that introduces art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology. It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters ( natives) play their own roles as members of an ethnic or social group. Jean Rouch is considered to be the father of ethnofiction. An ethnologist, he discovered that a filmmaker interferes with the event he registers. His camera is never a ''candid camera''. The behavior of the portrayed individuals, the natives, will be affected by its presence. Contrary to the principles of Marcel Griaule ...
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Lisbon
Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Lisbon's urban area extends beyond the city's administrative limits with a population of around 2.7 million people, being the 11th-most populous urban area in the European Union.Demographia: World Urban Areas
- demographia.com, 06.2021
About 3 million people live in the Lisbon metropolitan area, making it the third largest metropolitan area in the , after



List Of Docufiction Films
{{Short description, none This is a list of docufiction feature-length films ordered chronologically. Please search for references inside each article: *1926: '' Moana'' by Robert Flaherty, USA *1930: '' Maria do Mar'' by Leitão de Barros, Portugal *1931: '' Tabu'' by Robert Flaherty and F. W. Murnau, USA *1932: '' L'or des mers'' by Jean Epstein, France *1934: ''Man of Aran'' by Robert Flaherty, UK *1945: '' Ala-Arriba!'' by Leitão de Barros, Portugal *1948: '' La Terra Trema'' by Luchino Visconti, Italy *1948: ''Louisiana Story'' by Robert Flaherty, USA *1952: '' Children of Hiroshima'' by Kaneto Shindo, Japan *1956: '' On the Bowery'' by Lionel Rogosin, USA *1958: '' Moi, un noir'' (Me, A Black Man) by Jean Rouch, France *1958/59 '' Indie Matra Bhumi'' (The Motherland) by Roberto Rossellini, Italy *1959: '' Come Back, Africa'' by Lionel Rogosin, USA *1961: '' La pyramide humaine'' (The Human Pyramid) by Jean Rouch, France *1962: ''Rite of Spring'' by Manoel de Oliveira, Por ...
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Films Set In Lisbon
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Films About Race And Ethnicity
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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