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OP Eiga
, also known as or Okura Pictures, is the largest and one of the oldest independent Japanese studios which produce and distribute pink films.Sharp, p. 10. It was founded in 1961 by Mitsuru Ōkura, former president of film studio Shintōhō. Along with Shintōhō Eiga, Kantō, Million Film, and Kōji Wakamatsu's production studio, Ōkura was one of the most influential studios on the pink film genre. Among the many notable pink films released by the studio are Satoru Kobayashi's '' Flesh Market'' (1962), the first film in the pink film genre. Ōkura Eiga in the 1960s Mitsuru Ōkura was the president of the major film studio, Shintōhō, from 1955 until the studio's bankruptcy in May 1961.Sharp, pp. 10, 46. He produced numerous films during this time, including '' Emperor Meiji and the Great Russo-Japanese War'' (1957), which held the Japanese box office record of 20million admissions for decades, up until its record was broken by Hayao Miyazaki's Studio Ghibli anime film '' Sp ...
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Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was dev ...
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Exploitation Film
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most ...
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Grindhouse
A grindhouse or action house is an American term for a theatre that mainly shows low-budget horror, splatter and exploitation films for adults. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s which continuously showed films at cut-rate ticket prices that typically rose over the course of each day. This exhibition practice was markedly different from the era's more common practice of fewer shows per day and graduated pricing for different seating sections in large urban theatres, which were typically studio-owned. History Due to these theaters' proximity to controversially sexualized forms of entertainment like burlesque, the term "grindhouse" has often been erroneously associated with burlesque theaters in urban entertainment areas such as 42nd Street in New York City, where bump and grind dancing and striptease were featured. In the film ''Lady of Burlesque'' (1943) one ...
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Sexploitation Film
A sexploitation film (or sex-exploitation film) is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s. Sexploitation films were generally exhibited in urban grindhouse theatres, the precursor to the adult movie theaters of the 1970s and 1980s that featured hardcore pornography content. The term soft-core is often used to designate non-explicit sexploitation films after the general legalisation of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well. "Nudie" films and "Nudie-cuties" are associated genres. History of sexploitation films in United States After a series of United States Supreme Court rulings in the late 1950s and 1960s, increasing ...
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Nikkatsu
is a Japanese entertainment company known for its film and television productions. It is Japan's oldest major movie studio, founded in 1912 during the silent film era. The name ''Nikkatsu'' amalgamates the words Nippon Katsudō Shashin, literally "Japan Motion Pictures". Shareholders are Nippon Television Holdings (35%) and SKY Perfect JSAT Corporation (28.4%). History Founding in 1912 Nikkatsu was founded on September 10, 1912, when several production companies and theater chains, Yoshizawa Shōten, Yokota Shōkai, Fukuhōdō and M. Pathe, consolidated under the name Nippon Katsudō Shashin. The company enjoyed its share of success. It employed such notable film directors as Shozo Makino and his son Masahiro Makino. During World War II, the government ordered the ten film companies that had formed by 1941 to consolidate into two. Masaichi Nagata, founder of Daiei Film and a former Nikkatsu employee, counter-proposed that three companies be formed and the suggestion was ...
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Kinema Jumpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends.加藤幹郎 ...
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Japanese Movie Database
The , more commonly known as simply JMDb, is an online database of information about Japanese movies, actors, and production crew personnel. It is similar to the Internet Movie Database but lists only those films initially released in Japan. Y. Nomura started the site in 1997, and it contains movies from 1899 (Second Year of Movies in Japan recorded) to the present day. See also * IMDb References External links * Internet properties established in 1997 Japan Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the n ... Online film databases {{film-org-stub ...
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Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ...
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Yumi Yoshiyuki
is a Japanese film director, actress, and screenwriter best known for her work in the ''pink film'' genre. Early life and education Yoshiyuki studied economics at Dokkyo University. Career During her studies at Dokkyo University, Yoshiyuki developed a love of film. She debuted as an actress in the ''pink film'' genre in 1993 in director Toshiki Satō's . By the time of her directorial debut three years later, she had appeared in over 100 ''pink'' productions. Among the prominent ''pink film'' directors she has acted for is Satoru Kobayashi, the director of the first ''pink film'', '' Flesh Market'' (1962). She appeared in Kobayashi's (1995), starring AV idol, Nao Saejima. The mainstream Yokohama Film Festival awarded Yoshiyuki with the Best Supporting Actress title for her work in director Akio Jissoji's Rampo Edogawa adaptation, . In 1996 Yoshiyuki directed her first ''pink film'', . At the Pink Grand Prix she was given a Best New Director award for her debut work, as well ...
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Nao Saejima
(March 23, 1968 – September 29, 2012) was a Japanese AV idol and model of the 1980s and 1990s who also starred in photobooks, V-Cinema, and feature films, including Nikkatsu's '' Roman Porno'' series. She died in September 2012 of cancer at the age of 44. Life and career AV career Saejima was born in Tokyo on March 23, 1968. She began appearing as a gravure idol in 1985 and appeared on the nighttime TV variety show, ''11 P.M.'' in 1987. She made her AV debut with VIP in February of the same year with ''No.1 F-Cup, Nao Saejima - Saejima's Awakening'' (冴島奈緒/FカップNo.1 奈緒の目覚め - ''Saejima Nao/F Kappu No. 1 Saejima no Mezame''). With her slim figure and large breasts she quickly became a popular AV performer, appearing in at least 40 adult videos within two years of her debut including a 1987 entry in the Alice Japan "FlashBack" series directed by Rokurō Mochizuki. Along with fellow AV actresses Yui Saito and Midori Hayama, Saejima formed part of th ...
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Nobuo Nakagawa
was a Japanese film director, most famous for the stylized, folk tale-influenced horror films he made in the 1950s and 1960s. Career Born in Kyoto, Nakagawa was early on influenced by proletarian literature and wrote amateur film reviews to the '' Kinema Junpō'' film magazine. He joined Makino Film Productions in 1929 as an assistant director and worked under Masahiro Makino. When that studio went bankrupt in 1932, he switched to Utaemon Ichikawa's production company and made his debut as a director in 1934 with '' Yumiya Hachiman Ken''. He later moved to Toho, where he made comedies starring Enoken and even documentaries during the war. It was at Shintoho after the war that he became known for his cinematic adaptations of Japanese kaidan, especially his masterful version of '' Tokaido Yotsuya kaidan'' in 1959. To Western audiences, his most famous film is '' Jigoku'' (1960), which he also co-wrote. The film was released on DVD by the Criterion Collection in 2006. He al ...
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Yōko Mihara
was an actress of Japanese exploitation cinema, erotic dancer and pin-up model who was active from the 1950s to 1970s. Life and career Mihara signed up with Shintoho in 1951 but appeared mostly in minor roles, pursuing the career of a pin-up model and stripper, until her role as the lead actress in Teruo Ishii's 1957 film '' Nude Actress Murder Case: Five Criminals''. The following year, Shintoho made Mihara the star of their low-budget ''ama'' series in place of Michiko Maeda. She first appeared in Yoshiki Onoda's '' Cannibal Ama'' (1958) followed by the 1959 ''Girl Divers at Spook Mansion''. Following Shintoho's bankruptcy in 1961, Mihara worked almost exclusively for Toei, including four films in Ishii's ''Abashiri Prison'' yakuza film series in 1966 and 1967 and later in their ''onsen geisha'' sexploitation films, eventually becoming a staple actress of the studio's " pinky violence" subgenre by the early 1970s. Selected filmography * '' Nude Actress Murder Case: Five C ...
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