Octet (Bruch)
The String Octet in B major, Op. posth., was composed by Max Bruch for four violins, two violas, cello and double bass. Completed in 1920, the year of his death, it is his last work and would not be published until 1996. The work is also known under the name ''Concerto for String Orchestra (Octet)''. Background The octet has its origins in a string quintet that was written in the first three months of 1919. Following a period of depression caused by the death of his wife Clara and the general dire state of defeated Germany, Bruch reworked the string quintet into an octet in 1920. Shortly after its completion, his health deteriorated further, and he died on 2 October. Bruch dedicated the octet to his friend Willy Hess, a professor at the Royal Manchester College of Music. Hess, who had the autograph scores in his possession, played through the work with his students, and in 1936 ceded the performing rights to Bruch's eldest son Max Felix and his daughter-in-law Gertrude. Handw ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Max Bruch
Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a prominent staple of the standard violin repertoire. Early life and education Max Bruch was born in 1838 in Cologne to Wilhelmine (), a singer, and August Carl Friedrich Bruch, an attorney who became vice president of the Cologne police. Max had a sister, Mathilde ("Till"). He received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto in A minor. The Bohemian composer and piano virtuoso Ignaz Moscheles recognized the aptitude of Bruch. At the age of nine, Bruch wrote his first composition, a song for his mother's birthday. From then on, music was his passion. His studies were enthusiastically supported by his parents. He wrote many minor early works including motets, psalm settings, piano piec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Simrock (publisher)
N. Simrock (in German Musikverlag N. Simrock, Simrock Verlag, or simply Simrock) was a German music publisher founded by Nikolaus Simrock which published many 19th-century German classical music composers. It was acquired in 1929 by Anton Benjamin. The firm was founded in 1793 by Nikolaus Simrock in Bonn. Simrock had been a close friend to Beethoven his whole life. It was expanded by his son Peter Joseph in the 19th century, and in 1870 moved to Berlin by the latter's son Fritz. His nephew Hans Simrock later ran the company, and in 1907 acquired another music publisher, Bartholf Senff of Leipzig.Otto Biba, "Die Simrocks—Verleger für Beethoven wie für Brahms", in ''Johannes Brahms und Bonn'', ed. Martella Gutiérrez-Denhoff, Bonn: Stadt Bonn, Beethoven-Haus, 1997, p. 89 In 1911 the company merged with Albert Ahn's publishing house to form Ahn & Simrock, headquartered in Bonn and Berlin, but later separated from it. In 1929 it was sold to the Leipzig publisher Anton J. Benja ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bruch Octet 3-1
Bruch may refer to the following * Bruch, Lot-et-Garonne, a commune in the Lot-et-Garonne ''département'', France * Bruch, Rhineland-Palatinate, a municipality in the district Bernkastel-Wittlich, Rhineland-Palatinate, Germany * the old German names of Lom (Strakonice District) and Lom u Mostu in the Czech Republic * Bruch's membrane, the innermost layer of the choroid in the eye * 5004 Bruch, an asteroid People with the surname * Carl Friedrich Bruch (1789–1857), German ornithologist * Carlos Bruch born Franz Karl Bruch (1869-1943), German-born Argentinian entomologist * Ernst Brüche (1900–1985), German physicist * Hilde Bruch (1904–1984), psychoanalyst, expert on eating disorders * Klaus vom Bruch (born 1952), German video artist * Max Bruch (1838–1920), German composer * Ricky Bruch (1946–2011), Swedish athlete * Volker Bruch Volker Bruch (; born 9 March 1980) is a German television and film actor. He is best known internationally for his leading roles as Wilhe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single note, particularly used on bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called '' bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A roll on any percussion instrument, whether tuned or untuned. A second type of tremolo is a variation in amplitude: * As produced on organs by tr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bruch Octet 2-2
Bruch may refer to the following * Bruch, Lot-et-Garonne, a commune in the Lot-et-Garonne ''département'', France * Bruch, Rhineland-Palatinate, a municipality in the district Bernkastel-Wittlich, Rhineland-Palatinate, Germany * the old German names of Lom (Strakonice District) and Lom u Mostu in the Czech Republic * Bruch's membrane, the innermost layer of the choroid in the eye * 5004 Bruch, an asteroid People with the surname * Carl Friedrich Bruch (1789–1857), German ornithologist * Carlos Bruch born Franz Karl Bruch (1869-1943), German-born Argentinian entomologist * Ernst Brüche (1900–1985), German physicist * Hilde Bruch (1904–1984), psychoanalyst, expert on eating disorders * Klaus vom Bruch (born 1952), German video artist * Max Bruch (1838–1920), German composer * Ricky Bruch (1946–2011), Swedish athlete * Volker Bruch Volker Bruch (; born 9 March 1980) is a German television and film actor. He is best known internationally for his leading roles as Wilhe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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E-flat Minor
E-flat minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps. The E-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic minor and melodic minor scales are: : : Music in E-flat minor In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei Lyapunov, and Manuel Ponce preferred D-sharp minor. In Book 1 of '' The Well-Tempered Clavier'' by Bach, Prelude No. 8 is written in E-flat minor while the following fugue is written in D-sharp minor. In Book 2, both movements are in D-sharp minor. Haydn's Piano Trio No. 41, H. XV.31 in two movements, composed in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Coda (music)
In music, a coda () ( Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beeth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bruch Octet 1
Bruch may refer to the following * Bruch, Lot-et-Garonne, a commune in the Lot-et-Garonne ''département'', France * Bruch, Rhineland-Palatinate, a municipality in the district Bernkastel-Wittlich, Rhineland-Palatinate, Germany * the old German names of Lom (Strakonice District) and Lom u Mostu in the Czech Republic * Bruch's membrane, the innermost layer of the choroid in the eye * 5004 Bruch, an asteroid People with the surname * Carl Friedrich Bruch (1789–1857), German ornithologist * Carlos Bruch born Franz Karl Bruch (1869-1943), German-born Argentinian entomologist * Ernst Brüche (1900–1985), German physicist * Hilde Bruch (1904–1984), psychoanalyst, expert on eating disorders * Klaus vom Bruch (born 1952), German video artist * Max Bruch (1838–1920), German composer * Ricky Bruch (1946–2011), Swedish athlete * Volker Bruch Volker Bruch (; born 9 March 1980) is a German television and film actor. He is best known internationally for his leading roles as Wilhe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Introduction (music)
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music, this is often known as the song intro or just the intro. The introduction establishes melodic, harmonic or rhythmic material related to the main body of a piece.Pease, Ted (2003), p.172. ''Jazz Composition : Theory and Practice''. . Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such, the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material. A common introduction to a rubato ballad is a dominant seventh chord with fermata, an introduction that works for many song ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period). While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standard definition focuses on the thematic and harm ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Movement (music)
A movement is a self-contained part of a musical composition or musical form In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, suc .... While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |