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Narrative Film
Narrative film, fictional film or fiction film is a motion picture that tells a fictional or fictionalized story, event or narrative. Commercial narrative films with running times of over an hour are often referred to as feature films, or feature-length films. The earliest narrative films, around the turn of the 20th century, were essentially filmed stage plays and for the first three or four decades these commercial productions drew heavily upon the centuries-old theatrical tradition. In this style of film, believable narratives and characters help convince the audience that the unfolding fiction is real. Lighting and camera movement, among other cinematic elements, have become increasingly important in these films. Great detail goes into the screenplays of narratives, as these films rarely deviate from the predetermined behaviours and lines of the classical style of screenplay writing to maintain a sense of realism. Actors must deliver dialogue and action in a believable way, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Hollywood Cinema
Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which became characteristic of American cinema between the 1910s (rapidly after World War I) and the 1960s. It eventually became the most powerful and pervasive style of filmmaking worldwide. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity. For centuries, the only visual standard of narrative storytelling art was the theatre. Since the first narrative films in the mid-late 1890s, filmmakers have sought to capture the power of live theatre on the cinema screen. Most of these filmmakers started as directors on the late 19th-century stage, and likewise most film actors had roots in vaudeville (e.g. The Marx Brothers) or theatrical melodramas. Visually, early narrative films had adapted little from the stage, and their narratives had adapted very little from vaudeville and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Luketic
Robert Luketic (born 1 November 1973) is an Australian film director. His films include ''Legally Blonde'' (2001), '' Monster-in-Law'' (2005), '' 21'' (2008), '' Killers'' (2010), and '' Paranoia'' (2013). Early life Robert Luketic was born in Sydney, Australia, the elder of two children of a Croatian father and Italian mother. Career Luketic started making short films as a teenager and went on to study at the Victorian College of Arts – School of Film and Television (VCA). He first attracted Hollywood's attention with his award-winning short film ''Titsiana Booberini'' written by Tania Lacy. After screening to much acclaim at several festivals within Australia, ''Titsiana Booberini'' became a hit at many internationally renowned festivals including the Sundance Film Festival. It won "Best Film" at the Aspen Shortsfest. Luketic directed the comedy ''Legally Blonde'' for MGM in the summer of 2001. This film, which grossed close to $100 million domestically and was nominate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21 (2008 Film)
''21'' is a 2008 American heist drama film directed by Robert Luketic and distributed by Sony Pictures Releasing. The film is inspired by the story of the MIT Blackjack Team as told in '' Bringing Down the House'', the best-selling 2003 book by Ben Mezrich. IMDb offers a brief summary of the film: "21 is about six MIT students who become trained to be experts in card counting in Black Jack and subsequently took Las Vegas casinos for millions in winnings." The film stars Jim Sturgess, Kevin Spacey, Laurence Fishburne, Kate Bosworth, Liza Lapira, Jacob Pitts, Aaron Yoo, and Kieu Chinh. ''21'' was a box office success and was the number one film in the United States and Canada during its first and second weekends of release, despite some mixed reviews. Plot Ben Campbell, a mathematics major at the Massachusetts Institute of Technology, is accepted into Harvard Medical School but cannot afford the $300,000 tuition. He applies for the prestigious Robinson Scholarship which would cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hybrid
Hybrid may refer to: Science * Hybrid (biology), an offspring resulting from cross-breeding ** Hybrid grape, grape varieties produced by cross-breeding two ''Vitis'' species ** Hybridity, the property of a hybrid plant which is a union of two different genetic parent strains * Hybrid (particle physics), a valence quark-antiquark pair and one or more gluons * Hybrid solar eclipse, a rare solar eclipse type Technology Transportation * Hybrid vehicle, a vehicle using more than one power source or an engine sourced from a different chassis ** Hybrid electric vehicle, a vehicle using both internal combustion and electric power sources *** Plug-in hybrid, whose battery can be recharged by a charging cable * Hybrid bicycle, a bicycle with features of road and mountain bikes * Hybrid train, a locomotive, railcar, or train that uses an onboard rechargeable energy storage system * Hybrid motorcycle, a motorcycle built using components from more than one original-manufacturer products, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonfiction
Nonfiction, or non-fiction, is any document or media content that attempts, in good faith, to provide information (and sometimes opinions) grounded only in facts and real life, rather than in imagination. Nonfiction is often associated with being presented more objectively, like historical, scientific, or otherwise straightforward and accurate information, but sometimes, can be presented more subjectively, like sincerely held beliefs and thoughts on a real-world topic. One prominent usage of nonfiction is as one of the two fundamental divisions of narrative (storytelling)—often, specifically, prose writing—in contrast to narrative fiction, which is largely populated by imaginary characters and events, though sometimes ambiguous regarding its basis in reality. Some typical examples of nonfiction include diaries, biographies, news stories, documentary films, textbooks, travel books, recipes, and scientific journals. While specific claims in a nonfiction work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantal Akerman
Chantal Anne Akerman (; 6 June 19505 October 2015) was a Belgian film director, screenwriter, artist, and film professor at the City College of New York. She is best known for films such as ''Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles'' (1975), '' News from Home'' (1977), and ''Les Rendez-vous d'Anna'' (1978); the former was ranked the greatest film of all time in '' Sight & Sound'' magazine's 2022 "Top 100 Greatest Films of All Time" critics poll. According to film scholar Gwendolyn Audrey Foster, Akerman's influence on feminist and avant-garde cinema is substantial. Early life and education Akerman was born in Brussels, Belgium, to Holocaust survivors from Poland. She was the older sister of Sylviane Akerman, her only sibling. Her mother, Natalia (Nelly), survived years at Auschwitz, where her own parents were murdered. From a young age, Akerman and her mother were exceptionally close, and she encouraged her daughter to pursue a career rather than marry young. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dziga Vertov
Dziga Vertov (russian: Дзига Вертов, born David Abelevich Kaufman, russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 ''Sight & Sound'' poll, critics voted Vertov's ''Man with a Movie Camera'' (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. Biography Early years Vertov was born David Abelevich Kaufman into a Jewish family in Białystok, Poland, then a part of the Russian Empire. He Russified his Jewi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
