Nagpuri Culture
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Nagpuri Culture
Nagpuri culture refers to the culture of the Nagpuria people, the native speakers of the Nagpuri language, which includes literature, festivals, folk song and dance. It is also referred to as the culture related to the Nagpuri language. Language Nagpuri is the native language of Sadan, the Indo-Aryan ethnolinguistic group of Chotanagpur. It is spoken in the western and central Chota Nagpur plateau region. It is spoken by around 12 million people, 5 million as a native language and 7 million as a second language. The evidence of poetry writing in the language is from the 17th century. The Nagvanshi king Raghunath Shah and Dalel Singh, the king of Ramgarh were poet. Some prominent poets were Hanuman Singh, Jaigovind Mishra, Barju Ram Pathak, Ghasiram Mahli and Das Mahli. Some prominent writers in modern the period are Praful Kumar Rai, Lal Ranvijay Nath Shahdeo, Bisheshwar Prasad Keshari, Girdhari Ram Gonjhu and Sahani Upendra Pal Singh. Festivals Several festivals are observ ...
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Nagpuria People
The Nagpuria people, also Nagpuri or Sadan, are an Indo-Aryan speaking ethnolinguistic group who are the native speakers of the Nagpuri language and natives of the western Chota Nagpur Plateau region of Indian states of Jharkhand, Bihar, Chhattisgarh and Odisha. Names The native speakers of the Sadani/Nagpuri language are known as ''Sadan''. In the Nagpuri language, ''Sadan'' means settled people or those people who live in houses. In Nagpuri, the house pigeon is called ''Sad perwa'' and the forest pigeon is called ''Ban perwa''. Similarly, Sadan people are the people who live in houses as opposed to living in the forest. The word ''Sadan'' was used on the estate of Nagvanshi, king of Chotanagpur. During the British Period, local hindus were referred to as Sudh or Sudhan in Chotanagpur. The concept of Sadan emerged during the reign of Nagvanshis and the language of the region got the name of Nagpuri. The speakers of the Khortha, Panchpargania and Kurmali languages are ...
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Sohrai
Sohrai is a harvest festival of the Indian states of Bihar, Jharkhand, Chhattisgarh, Odisha, and West Bengal. It also called cattle festival. It is celebrated after harvest and coincide with Govardhan Puja of Diwali festival. It is celebrated by Sadan, Oraons, Munda and Santal among others. It is celebrated on Amavasya of the Hindu month Kartik in the month of October–November. In this festival, people fast, paint house, prepared food. In night, they light earthen lamps in the cattle-sheds and offered sacrifice to deity of animals Gaurea also known as Pasupati. Names It coincides with Govardhan Puja of North India. It is also known as Bandna festival. Celebration Sohrai is harvest festival celebrated after harvest. The festival is celebrated on Amavasya(new moon) in the Hindu month of Kartik(October–November). The feast is celebrated in the honour of cattle especially bullocks, buffalos, goats and sheep. On the day people fast throughout the day, earthen ...
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Bansuri
A bansuri is an ancient side blown flute originating from the Indian subcontinent. It is an aerophone produced from bamboo and metal like material used in Hindustani classical music. It is referred to as ''nadi'' and ''tunava'' in the ''Rigveda'' and other Vedic texts of Hinduism. Its importance and operation is discussed in the Sanskrit text ''Natya Shastra''. A ''bansuri'' is traditionally made from a single hollow shaft of bamboo with six or seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six hole instrument covers two and a half octaves of music. The ''bansuri'' is typically between and in length, and the thickness of a human thumb. One end is closed, and few centimeters from the closed end is its blow hole. Longer ''bansuris'' feature deeper tones and lower pitches. The traditional design features no mechanical keys, and the musician creates the notes they want by covering and uncovering the various finger holes. The ''ban ...
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Madal
The madal ( ne, मादल) or maadal is a Nepalese folk musical instrument. The madal is used mainly for rhythm-keeping in Nepalese folk music. It is very popular and widely used as a hand drum in Nepal. The madal has a cylindrical body with a slight bulge at its center and heads at both ends, one head larger than the other. It is usually played horizontally in a seated position, with both heads played simultaneously. The madal is the national instrument of Nepal and is the backbone of most Nepali folk music. The well-known Nepali musician Ranjit Gazmer introduced this instrument to Bollywood music when he started working under Rahul Dev Burman, and has used it in numerous Bollywood songs such as '' Hum Dono Do Premi'' and '' Kanchi Re Kanchi Re''. There is also a madal drum used by certain Adivasi groups. History and nomenclature The madal originated in the Magar community of Nepal. The name of the madal is said to come from that of an earlier instrument, the ''mardal'' ...
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Dhol
Dhol (IPA: ) can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in India, Bangladesh and Pakistan primarily includes northern areas such as the Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. The range stretches westward as far as eastern Afghanistan. A related instrument is the dholak or dholki. Someone who plays the dhol is known as '' dholi''. Construction The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term ''dhol'' is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left hand tabla drum. The typical sizes of the drum vary slightly from region to region. In Punjab, the dhol remains large and bulk ...
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Paiki
Paiki (also known as Painki and Paika) is a Sadani Nagpuri martial folk dance of the Chotanagpur plateau region of Jharkhand, Chhattisgarh and Odisha. In the dance, people wear dhoti, a turban with peacock feathers in it. They hold sword in their right hand, a shield in their left hand and dance to the tune of musical instruments of Nagara, Dhak, Shehnai and Narsingh. It is done by men and reflect valour. It is performed at weddings and functions. ''Paik'' were foot soldiers during medieval period. It is primarily performed by Rautia, who used to be soldiers during reign of Nagvanshi dynasty in Chotanagpur. It is also performed by some Munda tribe in Khunti and Mayurbhanj district Mayurbhanj district is one of the 30 districts in Odisha state in eastern India. It is the largest district of Odisha by area. Its headquarters are at Baripada. Other major towns are Rairangpur, Karanjia and Udala. , it is the third-most-p .... References Folk dances of Jharkhand F ...
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Domkach
Domkach or Damkach is a folk dance of Indian states of Bihar and Jharkhand. In Bihar, Domkach dance is performed in Mithila and Bhojpur regions. In Uttar Pradesh Uttar Pradesh (; , 'Northern Province') is a state in northern India. With over 200 million inhabitants, it is the most populated state in India as well as the most populous country subdivision in the world. It was established in 195 ..., it is a kind of festival. In Jharkhand, it is Nagpuri folk dance. The women and men of groom's and bridegroom's family perform this dance during all major marriage ceremonies. They form a semi-circle to perform this particular dance by holding waist of each other and lyrics of the song are satirical and full of joy. Nagpuri domkach is further divided into Ekharia domkach, Dohri domkach and Jhumta. The dance is named after Dambru a musical instrument. The dance start in marriage season after Deouthan in Kartik month (October-November) and continue till Rath Yatra in Ash ...
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Janani Jhumar
Janani Jhumar also Janani Jhumair is a Nagpuri folk dance of the Chota Nagpur Plateau region of Jharkhand. It is a women centric dance. The music of instruments used, such as mandar, dhol and bansi. The women hold each others hand, form a linear line and dance in a circle. The dance movements have feminine grace. While women sing and dance, men play musical instruments. This dance is performed in the festival of Karam and Jitiya. This dance is also called ''Angnai'' when it is done in the courtyard. According to occasion and dancing style, Angnai is divided into several types such as Chandhantari, Pahilsanjha, Adhratiya, Bhinsariya, Udhaowa, Thadauwa, Lahasua, Khemta, Daiddhara, Raskrida etc. According to region, it is divided into Purbaha, Pachhimaha, Uttaraha, Dakshinaha, Sonpuriya, Nagpuriya, Jashpuriya, Gangpuriya, Henthghatiya and Assamiya. The dances start in the month of Ashadh (June-July) and continue till Deouthan till Kartik (October-November). Then marriage season st ...
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Mardani Jhumar
Mardani Jhumar( also Mardana Jhumar) is a Nagpuri folk dance performed by men in the Indian states of Jharkhand, Chhattisgarh and Odisha. It is performed after harvest in fair. Men wear ghongroo, hold sword, shield and dance in a circle by holding each other's hand. Musical instruments used in this dance are mandar, nagara, dhak and Shehnai or bansi Bansi is a town and a municipal board in Siddharthnagar district in the state of Uttar Pradesh, India Bansi is situated on the bank of the Rapti River in Siddharthnagar District. Geography Bansi was located at the bank of the river Rapti at .... The dance movement reflects masculine energy. Sometimes women dancers accompany them, who are known as Nacni. References Folk dances of Jharkhand Folk dances of Odisha Folk dances of Chhattisgarh Nagpuri culture Circle dances {{India-dance-stub ...
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Jhumair
Jhumair or Jhumar is an Indian folk dance from the Indian states of Jharkhand, Odisha, Chhattisgarh, Bihar and West Bengal. It is folk dance of Sadan, the Indo-Aryan ethnic groups of Chotanagpur. It is mainly performed during harvest season. The musical instruments used are Mandar, Dhol, Nagara, Bansuri. Varieties The Jhumair/Jhumar from different region vary from each other in style. There are variety of Jhumar in the region of Chotanagpur such as: * Khortha Jhumar * Kurmali Jhumar * Panch Pargarnia Jhumar * Nagpuri Jhumar ** Mardani Jhumar ** Janani Jhumar Notable exponent * Govind Sharan Lohra, folk artist from Jharkhand * Mukund Nayak, folk artist from Jharkhand See also *Circle dance Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of par ... References Indian fol ...
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Sarhul
Sarhul is a spring festival in the Indian state of Jharkhand. The festival is celebrated for three days, from the 3rd day of Chaitra month in Sukla Paksh to Chaitra Purnima. In the festival, the village priest ''Pahan'' offers sacrifice of flowers, fruit, vermilion, rooster and ''tapan'' (liquor) in Sarna to Sun, village deity and ancestor for good fortune of the village. Then the locals dance holding flowers of the sal tree. It is a symbol of commencement of the new year. According to the tradition, it also symbolises marriage between the Earth and the Sun. It is an important festival observed by the Kurukh and Sadan. Among Kurukh it is known as Khaddi (lit. 'flower') in Kurukh. It is known as ''Hadi Bonga'' among the Bhumijs, Mundas. It is known as ''Baha'' ''parab'' among the Ho and Santal people. Etymology Sarhul is the Nagpuri name of the festival. ''Sar'' or ''Sarai'' refers to the sal tree (''Shorea robusta'') in Nagpuri and ''hul'' means 'collectively', also 'gro ...
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Holi
Holi (), also known as the Festival of Colours, the Festival of Spring, and the Festival of Love,The New Oxford Dictionary of English (1998) p. 874 "Holi /'həʊli:/ noun a Hindu spring festival ...". is an ancient Hindu religious festival and one of the most popular festivals in Hinduism. It celebrates the eternal and divine love of Radha Krishna. The day also signifies the triumph of good over evil, as it commemorates the victory of Lord Vishnu as Narasimha Narayana over Hiranyakashipu. It originated and is predominantly celebrated in the Indian subcontinent but has also spread to other regions of Asia and parts of the Western world through the Indian diaspora.Ebeling, Karin (10), Holi, an Indian Festival, and its Reflection in English Media; Die Ordnung des Standard und die Differenzierung der Diskurse: Akten des 41. Linguistischen Kolloquiums in Mannheim 2006, 1, 107,
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