|
Naghsh-e Rajab
Naqsh-e Rajab ( fa, نقش رجب, ) is an archaeological site just west of Istakhr and about 5 km north of Persepolis in Fars Province, Iran. Together with Naqsh-e Rustam, which lies 2.5 km away, the site is part of the Marvdasht cultural complex. Together, the two sites are a tentative candidate for UNESCO World Heritage status. Naqsh-e Rajab is the site of four limestone rockface inscriptions and rock-cut bas-reliefs that date to the early Sassanid era. One of the carvings is the investiture inscription of Ardeshir I (ruled in 226-241 CE), the founder of the dynasty. The second investiture inscription is Ardeshir's successor, Shapur I (241-272 CE). A third bas-relief, known as 'Shapur's Parade' celebrates the king's military victory in 244 over the Roman emperor Philip the Arab. A fourth bas-relief and inscription is attributed to Kartir, high priest under Shapur I and his sons Hormizd I (272-273 CE) and Bahram I (273–276 CE). See also * List of colossal sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kartir
Kartir (also spelled Karder, Karter and Kerdir; Middle Persian: 𐭪𐭫𐭲𐭩𐭫 ''Kardīr'') was a powerful and influential Zoroastrian priest during the reigns of four Sasanian kings in the 3rd-century. His name is cited in the inscriptions of Shapur I (as well as in the '' Res Gestae Divi Saporis'') and the Paikuli inscription of Narseh. Kartir also had inscriptions of his own made in the present-day Fars Province (then known as Pars). His inscriptions narrates his rise to power throughout the reigns of Shapur I (), Hormizd I (), Bahram I (), and Bahram II (). During the brief reign of Bahram II's son and successor Bahram III, Kartir was amongst the nobles who supported the rebellion of Narseh, who overthrew Bahram III and ascended the throne. During Narseh's reign, Kartir faded into obscurity. Name Kartir's name is spelled in several ways in the engravings; Middle Persian , Parthian , Greek ''Karteir'', and Coptic ''Kardel''. The name was also used in the northea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Reliefs In Iran
Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales * Rock, Cornwall, a village in England * Rock, County Tyrone, a village in Northern Ireland * Rock, Devon, a location in England * Rock, Neath Port Talbot, a location in Wales * Rock, Northumberland, a village in England * Rock, Somerset, a location in Wales * Rock, West Sussex, a hamlet in Washington, England * Rock, Worcestershire, a village and civil parish in England United States * Rock, Kansas, an unincorporated community * Rock, Michigan, an unincorporated community * Rock, West Virginia, an unincorporated community * Rock, Rock County, Wisconsin, a town in southern Wisconsin * Rock, Wood County, Wisconsin, a town in central Wisconsin Elsewhere * Corregidor, an island in the Philippines also known as "The Rock" * Jamaica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outdoor Sculptures In Iran
Outdoor(s) may refer to: *Wilderness *Natural environment *Outdoor cooking *Outdoor education *Outdoor equipment *Outdoor fitness *Outdoor literature *Outdoor recreation *Outdoor Channel, an American pay television channel focused on the outdoors See also * * * ''Out of Doors'' (Bartók) *Field (other) *Outside (other) Outside or Outsides may refer to: General * Wilderness * Outside (Alaska), any non-Alaska location, as referred to by Alaskans Books and magazines * ''Outside'', a book by Marguerite Duras * ''Outside'' (magazine), an outdoors magazine Film, ... *'' The Great Outdoors (other)'' {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tourist Attractions In Fars Province
Tourism is travel for pleasure or business; also the theory and practice of touring, the business of attracting, accommodating, and entertaining tourists, and the business of operating tours. The World Tourism Organization defines tourism more generally, in terms which go "beyond the common perception of tourism as being limited to holiday activity only", as people "travelling to and staying in places outside their usual environment for not more than one consecutive year for leisure and not less than 24 hours, business and other purposes". Tourism can be domestic (within the traveller's own country) or international, and international tourism has both incoming and outgoing implications on a country's balance of payments. Tourism numbers declined as a result of a strong economic slowdown (the late-2000s recession) between the second half of 2008 and the end of 2009, and in consequence of the outbreak of the 2009 H1N1 influenza virus, but slowly recovered until the COVID-19 p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Fars Province
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture Of The Ancient Near East
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasanian Architecture
Sasanian architecture refers to the Persian architectural style that reached a peak in its development during the Sasanian era. In many ways the Sasanian Empire period (224–651 CE) witnessed the highest achievement of Iranian civilization, and constituted the last great pre-Islamic Persian Empire before the Muslim conquest. Much of Sasanian architecture was adopted by Muslims and became part of Islamic architecture. The Sasanian dynasty, like the Achaemenid Empire, originated in the province of Persis ( Fars). They saw themselves as successors to the Achaemenians, after the Hellenistic and Parthian dynasty interlude, and perceived it as their role to restore the greatness of Persia. Origins In reviving the glories of the Achaemenian past, the Sasanians were no mere imitators. The art of this period reveals an astonishing virility. In certain respects it anticipates features later developed during the Islamic period. The conquest of Persia by Alexander the Great had inaugura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvdasht Complex
Marvdasht ( fa, مرودشت, also romanized as Marv Dasht) is a city and the capital of Marvdasht County, Fars Province, Iran. At the 2006 census, its population was 123,858, in 29,134 families. Name Some historians hold that Marvdasht was originally the name of one of the neighborhoods of the ancient city of Estakhr, until gradually the whole area was called Marvdasht. Others have argued that ''marv'' was the name of a plant which grew in the area and the suffix ''dasht'' (meaning plain in the Persian language) was added to form a descriptive placename. History Marvdasht is as ancient as the history of Iran and the Persian Empire. Its former capital Persepolis is in the vicinity of the city, and few kilometers farther Naqsh-e-Rostam, Naqsh-e Rajab and the ruins of the ancient city of Estakhr are reminiscent of the region's importance in historic times. Archaeological excavations have shown that civilized people had already been living in the Marvdasht Plains for millenn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taq-e Bostan
Taq-e Bostan ( fa, طاق بستان, ) is a site with a series of large rock reliefs from the era of the Sassanid Empire of Persia (Iran), carved around the 4th century CE. This example of Persian Sassanid art is located 5 km from the city center of Kermanshah. It is located in the heart of the Zagros mountains, where it has endured almost 1,700 years of wind and rain. Originally, several sources were visible next to and below the reliefs and arches, some of which are now covered. Sources next to the reliefs still feed a large basin in front of the rock. The site has been turned into an archaeological park and a series of late Sassanian and Islamic column capitals have been brought together (some found at Taq Bostan, others at Mount Behistun and Kermanshah). The carvings, some of the finest and best-preserved examples of Persian sculpture under the Sassanids, include representations of the investitures of Ardashir II (379–383) and Shapur III (383–388). Like other S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Colossal Sculpture In Situ
A colossal statue is one that is more than twice life-size. This is a list of colossal statues and other sculptures that were created, mostly or all carved, and remain ''in situ''. This list includes two colossal stones that were intended to be moved. However, they were never broken free of the quarry in which they were carved, and therefore they would be considered carved in situ. Most of these were carved in ancient times. In many cases, especially in India, these sculptures were carved out of softer rocks like sandstone or volcanic tuff. However, in some cases they were carved out of harder rocks like basalt, or even granite in the case of the unfinished obelisk in Egypt. The Egyptians may have been limited to using dolerite balls to chip away at the granite. Dynamite was used in the carving of Mount Rushmore, one of the few colossal sculptures that was carved out of granite. Africa Egypt *Great Sphinx of Giza – limestone *Abu Simbel temples – sandstone *The unfinish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahram I
Bahram I (also spelled Wahram I or Warahran I; pal, 𐭥𐭫𐭧𐭫𐭠𐭭) was the fourth Sasanian King of Kings of Iran from 271 to 274. He was the eldest son of Shapur I () and succeeded his brother Hormizd I (), who had reigned for a year. Bahram I's reign marked the end of the Sasanian tolerance towards Manichaeism, and in 274, with the support of the influential Zoroastrian priest Kartir, he had Mani imprisoned and executed. Bahram I's reign was largely uneventful. He was succeeded by his son Bahram II. Name The theophoric name "Bahram" () is the New Persian form of the Middle Persian ''Warahrān'' (also spelled ''Wahrām''), which is derived from the Old Iranian ''Vṛθragna''. The Avestan equivalent was Verethragna, the name of the old Iranian god of victory, whilst the Parthian version was ''*Warθagn''. The name is transliterated in Greek as ''Baranes'', whilst the Armenian transliteration is ''Vahagn/Vrām''. The name is attested in Georgian as ''Baram'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Taq-e Bostan")
