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Neef, Sigrid
Sigrid Neef (born 10 October 1944) is a German musicologist and theatre scholar, focused on Russian and Soviet opera. She has been a dramaturge of the director Ruth Berghaus at the Deutsche Staatsoper Berlin for decades. Life Born in Fraureuth, Neef worked at the Deutsche Staatsoper Berlin from 1972 to 1993. Like her husband, the musicologist Hermann Neef, she is an expert on Russian and Soviet music, with personal contact to Alfred Schnittke, Rodion Shchedrin, the Dmitri Shostakovich biographer Solomon Wolkow and the director-in-chief of the Bolshoi Theatre, Boris Pokrovsky. Since 1979, Neef has been the long-standing dramaturge of the director Ruth Berghaus, especially for opera. Neef has translated numerous Russian and Hungarian operas, for example Glinka's ''Ruslan and Lyudmila'' together with Jörg Leipold, and works by Shostakovich, Shchedrin, Kyrill Vokov, Gleb Sedelnikov, Igor Rogaljov, Gennady Banshchikov, and Sándor Balassa. Later, Neef focused on the field of Animal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology is the academic, research-based study of music, as opposed to musical composition or performance. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and Computational musicology, computer science. Musicology is traditionally divided into three branches: music history, systematic musicology, and ethnomusicology. Historical musicologists study the history of musical traditions, the origins of works, and the biographies of composers. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthetics, Music education, pedagogy, musical acoustics, the science and technology of Organology, musical instruments, and the musical implications of physiology, psychology, sociology, philosophy and computing. Cognitive musicology is the set of phenomena surrounding the cognitive m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Borodin
Alexander Porfiryevich Borodin (12 November 183327 February 1887) was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was one of the prominent 19th-century composers known as " The Five", a group dedicated to producing a "uniquely Russian" kind of classical music. Abraham, Gerald. ''Borodin: the Composer and his Music''. London, 1927. Borodin is known best for his symphonies, his two string quartets, the symphonic poem '' In the Steppes of Central Asia'' and his opera '' Prince Igor''. A doctor and chemist by profession and training, Borodin made important early contributions to organic chemistry. Although he is presently known better as a composer, he regarded medicine and science as his primary occupations, only practising music and composition in his spare time or when he was ill. As a chemist, Borodin is known best for his work concerning organic synthesis, including being among the first chemists to demonstrate nucleophilic substitution, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1944 Births
Events Below, the events of World War II have the "WWII" prefix. January * January 2 – WWII: ** Free France, Free French General Jean de Lattre de Tassigny is appointed to command First Army (France), French Army B, part of the Sixth United States Army Group in North Africa. ** Landing at Saidor: 13,000 US and Australian troops land on Papua New Guinea in an attempt to cut off a Japanese retreat. * January 8 – WWII: Philippine Commonwealth troops enter the province of Ilocos Sur in northern Luzon and attack Japanese forces. * January 11 ** United States President Franklin D. Roosevelt proposes a Second Bill of Rights for social and economic security, in his State of the Union address. ** The Nazi German administration expands Kraków-Płaszów concentration camp into the larger standalone ''Konzentrationslager Plaszow bei Krakau'' in occupied Poland. * January 12 – WWII: Winston Churchill and Charles de Gaulle begin a 2-day conference in Marrakech. * Janua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Women Musicologists
German(s) may refer to: * Germany, the country of the Germans and German things **Germania (Roman era) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizenship in Germany, see also German nationality law **Germanic peoples (Roman era) *German diaspora * German language * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disambiguati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerd Rienäcker
Gerd Rienäcker (3 May 1939 – 3 February 2018) was a German musicologist. Life Rienäcker was born on 3 May 1939 in Göttingen as son of the chemist . Rienäcker studied musicology from 1959 to 1964 (minor subject: "art science'") with Ernst Hermann Meyer, Georg Knepler, Walther Vetter, Peter H. Feist and Carl Heinz Claasen at the Humboldt University of Berlin, and also musical composition with Hans Georg Görner. From 1964 to 1966 Rienäcker worked as music dramaturge (for opera, operetta, concert) at the . In 1966 he became scientific aspirant, from 1967 to 1985 scientific assistant at the ''Institute for Musicology'' of the Humboldt University. There he obtained a doctorate in 1973 with a thesis on dramaturgical principles in operas by Paul Dessau, Siegfried Matthus, Udo Zimmermann and Robert Hanell. Doctorate. In 1984 he habilited on the dramaturgy of the finale in operas by E. T. A. Hoffmann, Louis Spohr, Carl Maria von Weber and Heinrich Marschner. In 1985 he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Arts, Berlin
The Academy of Arts () is a state arts institution in Berlin, Germany. The task of the Academy is to promote art, as well as to advise and support the states of Germany. The academy's predecessor organization was founded in 1696 by Elector Frederick III of Brandenburg as the Brandenburg Academy of Arts, an academic institution in which members could meet and discuss and share ideas. The current Academy was founded on 1 October 1993 as the re-unification of formerly separate East and West Berlin academies. Membership The academy is an incorporated body of the public right under the laws of the Federal Republic of Germany. New members are nominated by secret ballot of the general assembly, and appointed by the president with membership never to exceed 500. The academy's recent presidents include: * Adolf Muschg – (2003–2006) * Klaus Staeck – (2006–2015) * Jeanine Meerapfel – (2015–2024) * Manos Tsangaris – (2024–) History Beginning in the 1690s, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. Composed between 1914 and 1922, it premiered in 1925. It is based on the drama '' Woyzeck'', which German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism". The plot depicts the everyday lives of soldiers and the townspeople of a rural German-spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), Wagner-Werk-Verzeichnis, WWV 86A, is the first of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It premiered as a single opera at the National Theatre (Munich), National Theatre of Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, against Wagner's wishes, on the orders of King Ludwig II of Bavaria, his patron. Following its 1876 Bayreuth pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musik In Geschichte Und Gegenwart
''Die Musik in Geschichte und Gegenwart'' (''MGG''; "Music in the Past and Present") is a German music encyclopedia. It is among the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects. It has appeared in two self-contained printed editions and a continuously updated and expanding digital edition, titled ''MGG Online''. Created by Karl Vötterle, the founder of Bärenreiter-Verlag, and Friedrich Blume, professor of musicology at Kiel University, the first edition was published by Bärenreiter-Verlag in Kassel from 1949 through 1986, comprising a total of 17 volumes (''MGG1''; numbered in columns) and reprinted in paperback in 1989. As early as 1989, its new editor Ludwig Finscher Ludwig Finscher (14 March 193030 June 2020) was a German musicologist. He was a professor of music history at the University of Heidelberg from 1981 to 1995 and editor of the encyclopedi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazi Party, Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Felsenstein
Walter Felsenstein (30 May 1901 – 8 October 1975) was an Austrian theater and opera director. He was one of the most important exponents of textual accuracy, productions in which dramatic and musical values were exquisitely researched and balanced. His most famous students were Götz Friedrich and Harry Kupfer both of whom went on to have important careers developing Felsenstein's work. Opera director Siegfried Schoenbohm was one of his assistants. Biography Felsenstein was born in Vienna and began his career at the Burgtheater there. From 1923 to 1932, he was a theater actor in Lübeck, Mannheim and Beuthen, where he first worked as a director. In Basel and Freiburg im Breisgau, he became closely acquainted with the contemporary concert hall. From 1932 to 1934 he worked as an opera director in Cologne, and from 1934 to 1936 at the Oper Frankfurt. He worked in Zürich from 1938 to 1940 and returned in 1940 to Germany, where he was active at the Berlin Schillertheat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
