Méridien (typeface)
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Méridien (typeface)
Méridien is a serif typeface designed by Adrian Frutiger and released by Deberny & Peignot Deberny & Peignot (Fonderie Deberny et Peignot) was a French type foundry, created by the 1923 merger of G. Peignot & Fils and Deberny & Cie. It was bought by the Haas Type Foundry (Switzerland) in 1972, which in turn was merged into D. Stempel ... in 1957 for its phototypesetting system. Intended as a typeface suitable for text use, Méridien takes inspiration from 'Latin' or wedge-serif typefaces, with their sharp, exaggerated serifs, but in a more restrained style intended to be suitable for body text, with a wide spacing. It is one of several typefaces designed by Frutiger in this genre; his Apollo for Monotype is quite similar. Méridien was later published by Linotype, who released a digitisation in collaboration with Adobe. An updated digitisation was released under the name of "Frutiger Serif" with additional weights and condensed styles. References Typefaces designed ...
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Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neaten ...
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Adrian Frutiger
Adrian Johann Frutiger ( ; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern. Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sans-serif typefaces: neogrotesque, humanist and geometric. Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Frutiger described creating sans-serif types as his "main life's work," partially due to the difficulty in designing them compared to serif fonts. Early life Adrian Frutiger was born in Unterseen, Canton of Bern, the son of a weaver. As a boy, he experimented with invented scripts and stylized handwriting in a negative reaction to ...
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Deberny & Peignot
Deberny & Peignot (Fonderie Deberny et Peignot) was a French type foundry, created by the 1923 merger of G. Peignot & Fils and Deberny & Cie. It was bought by the Haas Type Foundry (Switzerland) in 1972, which in turn was merged into D. Stempel AG in 1985, then into Linotype GmbH in 1989, and is now part of Monotype Corporation. Starting in 1925, Deberny & Peignot type was distributed in the United States by Continental Type Founders Association. Typefaces These typefaces were produced by Deberny & Peignot:Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983, , p. 2408-249 * Acier Noir (1936, A.M. Cassandre) * Ancien * Astrée (1921, Robert Girard), the Stephenson Blake version is known as ''Mazarin'' * Auriol, (1901–04, George Auriol) * Auriol-Labeur (George Auriol) * Auriol-Champlevé (George Auriol) * Banjo (1930) * Baskerville (1916), reengraved from the original punches. * Bellery-Desfontaines ...
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Phototypesetting
Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting). The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. Phototypesetting offered numerous advantages over metal type, including the lack of need to keep heavy metal type and matrices in stock, the ability to use a much wider ran ...
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Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neaten ...
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Mergenthaler Linotype Company
The Mergenthaler Linotype Company is a corporation founded in the United States in 1886 to market the Linotype machine (), a system to cast metal type in lines (linecaster) invented by Ottmar Mergenthaler. It became the world's leading manufacturer of book and newspaper typesetting equipment; outside North America, its only serious challenger for book typesetting was the Anglo-American Monotype Corporation. Starting in 1960, the Mergenthaler Linotype Company became a major supplier of phototypesetting equipment which included laser typesetters, typefonts, scanners, typesetting computers. In 1987, the US-based Mergenthaler Linotype Company became part of the German Linotype-Hell AG; in the US the company name changed to Linotype Co. In 1996, the German Linotype-Hell AG was taken over by the German printing machine company Heidelberger Druckmaschinen AG. A separate business, Linotype Library GmbH was established to manage the digital assets. In 2005, Linotype Library GmbH shortened ...
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Adobe Systems
Adobe Inc. ( ), originally called Adobe Systems Incorporated, is an American multinational computer software company incorporated in Delaware and headquartered in San Jose, California. It has historically specialized in software for the creation and publication of a wide range of content, including graphics, photography, illustration, animation, multimedia/video, motion pictures, and print. Its flagship products include Adobe Photoshop image editing software; Adobe Illustrator vector-based illustration software; Adobe Acrobat Reader and the Portable Document Format (PDF); and a host of tools primarily for audio-visual content creation, editing and publishing. Adobe offered a bundled solution of its products named Adobe Creative Suite, which evolved into a subscription software as a service (SaaS) offering named Adobe Creative Cloud. The company also expanded into digital marketing software and in 2021 was considered one of the top global leaders in Customer Experience Man ...
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Typefaces Designed By Adrian Frutiger
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ...
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Serif Typefaces
This is a list of typefaces, which are separated into groups by distinct artistic differences. The list includes typefaces that have articles or that are referenced. Superfamilies that fall under more than one category have an asterisk (*) after their name. Serif * Adobe Jenson *Albertus * Aldus *Alexandria * Algerian * Amelia (Designed in 1963 by Stan Davis) * American Typewriter * Antiqua *Arno* * Aster *Aurora ** News 706 *Baskerville *Bell (Didone classification serif type designed by Richard Austin, 1788) * Belwe Roman *Bembo * Bernhard Modern *Bodoni **Bauer Bodoni * Bitstream Charter * Bookman * Bulmer * Caledonia * Calisto MT * Cambria * Capitals * Cartier *Caslon ** Wyld * Caslon Antique / Fifteenth Century * Centaur * Century type family * Charis SIL * Cheltenham * Clearface *Cochin *Computer Modern *Concrete Roman * Constantia * Copperplate Gothic * DejaVu Serif * Didot *Droid Serif * Emerson * Fairfield * Fat face *FF Scala * Fixedsys * Footlight * Friz Quadrata * Gar ...
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