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Médus
''Médus, roi des Mèdes'' (''Medus, King of the Medes'') is an opera by the French composer François Bouvard, first performed at the Académie Royale de Musique (the Paris Opera) on 23 July 1702. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by François Joseph Lagrange-Chancel François Joseph Lagrange-Chancel (January 1, 1677 – December 26, 1758) was a French playwright and satirist. Biography He was an extremely precocious boy, and at Bordeaux, where he was educated, he produced a play when he was nine years old .... page 448. References Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Bouvard
François Bouvard (c. 1684–1760) was a French composer of the Baroque era. Originally from Lyon, Bouvard began his career as a singer at the Paris Opéra at the age of sixteen. When the quality of his voice deteriorated, he went to study in Rome and devoted himself to playing the violin and composition. His first opera, the ''tragédie en musique'' '' Médus'', appeared in Paris in 1702. Works Operas *'' Médus, roi des Mèdes'' (''tragédie en musique'', 1702) *''Cassandre'' (''tragédie en musique'', written in collaboration with Toussaint Bertin de la Doué Toussaint Bertin de la Doué (or Thomas Bertin de la Doué) (1680 – 6 February 1743) was a French composer of the Baroque era. He worked as an organist for the Theatines, as a musician for the Duc d'Orléans and as a violinist and harpsichordi ..., 1706) *''Saül, ou L'ombre de Samuel'' (''intermèdes'' for a spoken tragedy by an anonymous author, 1706) *''L'école de Mars'' (''divertissement'', published 1738) *''Dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Joseph Lagrange-Chancel
François Joseph Lagrange-Chancel (January 1, 1677 – December 26, 1758) was a French playwright and satirist. Biography He was an extremely precocious boy, and at Bordeaux, where he was educated, he produced a play when he was nine years old. Five years later his mother took him to Paris, where he found a patron. in the princesse de Conti, to whom he dedicated his tragedy of ''Jugurtha'' or, as it was called later, ''Adherbal'' (1694). Racine had given him advice and was present at the first performance, although he had long lived in complete retirement. Other plays followed: ''Oreste et Pylade'' (1697), ''Méleagre'' (1699), ''Amasis'' (1701), and ''Ino et Mélicerte'' (1715). Lagrange hardly realized the high hopes raised by his precocity, although his only serious rival on the tragic stage was Campistron, but he obtained high favour at court, becoming ''maître d'hôtel'' to the duchess of Orléans. This prosperity ended with the publication in 1720 of his ''Philippiques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's '' Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By François Bouvard
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
