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Monotype Garamond
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and body text. Garamond's types followed the model of an influential typeface cut for Venetian printer Aldus Manutius by his punchcutter Francesco Griffo in 1495, and are in what is now called the old-style of serif letter design, letters with a relatively organic structure resembling handwriting with a pen, but with a slightly more structured, upright design. Following an eclipse in popularity in the eighteenth and nineteenth century, many modern revival faces in the Garamond style have been developed. It is common to pair these with italics based on those created by his contemporary Robert Granjon, who was well known for his proficiency in this genre. However, although Garamond himself remains considered a major figure in French printing of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neaten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garamond Petite Texte From Épreuves Générales Des Caracteres
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and body text. Garamond's types followed the model of an influential typeface cut for Venetian printer Aldus Manutius by his punchcutter Francesco Griffo in 1495, and are in what is now called the old-style of serif letter design, letters with a relatively organic structure resembling handwriting with a pen, but with a slightly more structured, upright design. Following an eclipse in popularity in the eighteenth and nineteenth century, many modern revival faces in the Garamond style have been developed. It is common to pair these with italics based on those created by his contemporary Robert Granjon, who was well known for his proficiency in this genre. However, although Garamond himself remains considered a major figure in French print ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boldface
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech. Methods and use The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: ''italics'', boldface and . Other methods include the alteration of LETTER CASE and as well as and *additional graphic marks*. Font styles and variants The human eye is very receptive to differences in "brightness within a text body." Therefore, one can differentiate between types of emphasis according to whether the emphasis changes the " blackness" of text, sometimes referred to as typographic color. A means of emphasis that does not have much effect on blackness is the use of ''italics'', where the text is written in a script style, or '' oblique'', where the vertical orientation of each letter of the text is slanted to the left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Point-size Names
Fonts originally consisted of a set of moveable type letterpunches purchased from a type foundry. As early as 1600, the sizes of these types—their "bodies"—acquired traditional names in English, French, German, and Dutch, usually from their principal early uses. These names were used relative to the others and their exact length would vary over time, from country to country, and from foundry to foundry. For example, "agate" and "ruby" used to be a single size "agate ruby" of about 5 points; metal type known as "agate" later ranged from 5 to 5.8 points. The sizes were gradually standardized as described above.. Modern Chinese typography uses the following names in general preference to stating the number of points. In ambiguous contexts, the word ''hào'' ( t , s , "number") is added to the end of the size name to clarify the meaning. Note that the Chinese font sizes use American points; the Continental systems traditionally used the Fournier or Didot points. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John A
Sir John Alexander Macdonald (January 10 or 11, 1815 – June 6, 1891) was the first prime minister of Canada, serving from 1867 to 1873 and from 1878 to 1891. The dominant figure of Canadian Confederation, he had a political career that spanned almost half a century. Macdonald was born in Scotland; when he was a boy his family immigrated to Kingston in the Province of Upper Canada (today in eastern Ontario). As a lawyer, he was involved in several high-profile cases and quickly became prominent in Kingston, which elected him in 1844 to the legislature of the Province of Canada. By 1857, he had become premier under the colony's unstable political system. In 1864, when no party proved capable of governing for long, Macdonald agreed to a proposal from his political rival, George Brown, that the parties unite in a Great Coalition to seek federation and political reform. Macdonald was the leading figure in the subsequent discussions and conferences, which resulted in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Mosley
James Mosley (born 1935) is a retired librarian and historian whose work has specialised in the history of printing and letter design. The main part of Mosley's career has been 42 years as Librarian of the St Bride Printing Library in London, where he curated and worked to expand the museum's large collection of printing and lettering materials, books and examples. This collection greatly expanded with the close of the metal type era, which saw many companies and printing shops selling off their equipment and archives. Mosley also expanded the library's collection of lettering and signs. He has also been a lecturer and professor at the University of Reading since 1964, and founded the British Printing Historical Society in that year. Particular areas of focus of his career have been, in Britain, William Caslon, Vincent Figgins and Talbot Baines Reed, Eric Gill (with whose brother Evan he worked in the 1950s), and, in Europe, the Romain du Roi. Education Mosley grew up in Twi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leading
In typography, leading ( ) is the space between adjacent lines of type; the exact definition varies. In hand typesetting, leading is the thin strips of lead (or aluminium) that were inserted between lines of type in the composing stick to increase the vertical distance between them. The thickness of the strip is called leading and is equal to the difference between the size of the type and the distance from one baseline to the next. For instance, given a type size of 10 points and a distance between baselines of 12 points, the leading would be 2 points. The term is still used in modern page-layout software such as QuarkXPress, the Affinity Suite, and Adobe InDesign. Consumer-oriented word-processing software often talks of line spacing or, more accurately, interline spacing. Origins The word comes from lead strips that were put between set lines of lead type, hence the pronunciation "ledding" and not "leeding". The practice became popular in the eighteenth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cap Height
In typography, cap height is the height of a capital letter above the baseline for a particular typeface A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands o ....http://pfaedit.sourceforge.net/glossary.html Glossary of (some) Typographic Terms It specifically is the height of capital letters that are flat—such as H or I—as opposed to round letters such as O, or pointed letters like A, both of which may display overshoot. The height of the small letters is the x-height. See also * Body height (typography) References External links Typography {{typ-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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