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Mister Magic
''Mister Magic'' is the fourth album by jazz saxophonist Grover Washington Jr., released in February 1975. The album topped both the soul and jazz albums chart and peaked at number ten on the pop chart. Critical reception Reviewing for ''The Village Voice'' in 1975, Robert Christgau found the album "functional" and satisfactory for a commercially successful jazz album: "Washington plays a warm tenor in the pop jazz tradition of Gene Ammons, but the rhythm section percolates danceably, and the result is sexy background music only superficially marred by Bob James's strings." In a retrospective review for Allmusic, Scott Yanow gave the album five out of five stars and said that it is "one of Grover Washington Jr.'s best-loved recordings and considered a classic of r&bish jazz." He found Washington to be in "particularly creative form" and called James' arrangements "colorful if somewhat commercial". Track listing Personnel * Grover Washington Jr. – alto saxophone, ...
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Grover Washington Jr
Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk and soul-jazz saxophonist. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer. Throughout the 1970s and 1980s, Washington made some of the genre's most memorable hits, including "Mister Magic", "Reed Seed", "Black Frost", "Winelight", "Inner City Blues", "Let it Flow (For 'Dr. J')" and "The Best is Yet to Come". In addition, he performed very frequently with other artists, including Bill Withers on " Just the Two of Us", Patti LaBelle on "The Best Is Yet to Come" and Phyllis Hyman on "A Sacred Kind of Love". He is also remembered for his take on the Dave Brubeck classic "Take Five", and for his 1996 version of "Soulful Strut". Early life Washington was born in Buffalo, New York, United States, on December 12, 1943. His mother was a church choris ...
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The Village Voice
''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newspaper, alternative newsweekly. Founded in 1955 by Dan Wolf (publisher), Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the ''Voice'' reappeared in print as a quarterly in April 2021. Over its 63 years of publication, ''The Village Voice'' received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. ''The Village Voice'' hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry, artist Greg Tate, and film critics Andrew Sarris, Jonas Mekas and J. Hoberman. In October 2015, ''The Village Voice'' changed ownership and severed all ties with former parent company Voice Media Group (VMG). The ''Voice'' announce ...
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Gary King (bass Player)
Gary W King (September 4, 1947 – July 23, 2003) was an American jazz bassist. He was born in Middletown, New York. King appeared on many albums released by CTI Records, especially those by Bob James, and later on James' own album label Tappan Zee Records. He also played bass on a number of albums by Gato Barbieri, Roberta Flack, Grover Washington Jr., and on The Jacksons' album ''Destiny'', notably the track " Blame It on the Boogie". Discography With Gene McDaniels * Headless Heroes of the Apocolypse (Atlantic, 1971) With George Benson * Bodytalk (CTI, 1973) * Pacific Fire (CTI, 1983) With George Benson & Joe Farrell * Benson & Farrell (CTI, 1976) With Lenny Williams * Pray for the Lion (Warner Bros, 1974) * Big City (Nemperor, 1977) With Alphonse Mouzon * Funky Snakefoot (Blue Note, 1974) With Idris Muhammad * Power of Soul (Kudu Records, 1974) With Esther Phillips * Performance (Kudu Records, 1974) * For All We Know (Kudu Records, 1976) With Luiz B ...
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Phil Upchurch
Philip Upchurch (born July 19, 1941) is an American jazz and blues guitarist and bassist. Career Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed. (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark's 1961 solo hit " Raindrops".) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie. In 1961, his record "You Can't Sit Down" by the Philip Upchurch Combo, sold over one million copies and was awarded a gold disc. "You Can't Sit Down, Part 2" peaked at No. 29 on the ''Billboard'' charts in the US. And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, '' Mr. Oscar Brown, Jr. Goes to Washington''. In the mid-1960s he was house guitarist of Chess Records and he played with The Dells, Howlin' Wolf, Muddy ...
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Eric Gale
Eric Gale (September 20, 1938 – May 25, 1994) was an American jazz and R&B guitarist. ''Early life and career'' Born in Bedford–Stuyvesant, Brooklyn, New York, Gale grew up in a diverse household. His paternal grandfather was from Yorkshire, England. He had extended family in Barbados and Venezuela. Gale often visited the U.K. and Venezuela as an adolescent, which influenced his style into adulthood. He was fluent in Spanish. Gale started playing the guitar at age 12. At that time, he skipped junior high school. Soon after, in high school, he visited John Coltrane's home after school and sat in on jam sessions, which inspired Gale's readily recognizable style. Gale received his Master of Science in chemistry at Niagara University. He was also on the football team. Later, Gale was pursued by Frank Sinatra to work on the hit song "My Way", as mentioned in Frank Sinatra's autobiography. Gale decided to pursue a musical career full-time instead of getting his Ph.D. in Chemis ...
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Fender Rhodes
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digit ...
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Ralph MacDonald
Ralph Anthony MacDonald (March 15, 1944 – December 18, 2011) was a Trinbagonian-American percussionist, songwriter, musical arranger, record producer, steelpan virtuoso and philanthropist. His compositions include "Where Is the Love", a Grammy Award winner for the duet of Roberta Flack and Donny Hathaway; " Just the Two of Us", recorded by Bill Withers and Grover Washington Jr.; and "Mister Magic" recorded by Grover Washington Jr. Career Growing up in Harlem, New York, United States, under the close mentorship of his Trinbagonian father, Patrick MacDonald (a calypsonian and bandleader originally from Trinidad and Tobago who used the stage name "Macbeth the Great"), MacDonald began showing his musical talent, particularly with the steelpan, and when he was 17 years old started playing pan for the Harry Belafonte show. He remained with the Belafonte band for a decade before deciding to strike out on his own. In 1967, together with Bill Eaton and William Salter, he formed ...
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Milt Raskin
Milt Raskin (January 27, 1916 – October 16, 1977) was an American swing jazz pianist. Born in Boston, Mass., Raskin played saxophone as a child before switching to piano at age 11. In the 1930s he attended the New England Conservatory of Music. He worked on local Boston-area radio before moving to New York City, where he played with Wingy Manone in 1937 at the Famous Door and Gene Krupa in 1938-39. He then played with Teddy Powell and Alvino Rey before joining Krupa again for a short time, then joined the orchestra of Tommy Dorsey from 1942 to 1944, replacing Joe Bushkin. He moved to Los Angeles in 1944, where he occasionally worked in jazz (including on recordings by Artie Shaw, Billie Holiday, and Georgie Auld), but concentrated on work as a studio musician and musical director. Much of his studio work from the 1940s on was uncredited, and he never led his own jazz recording session. Discography As leader * ''Kapu (Forbidden)'' (Crown, 1959) As sideman * Count Basie, ' ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include " Take the 'A' Train", " Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellingto ...
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Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author. Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including '' JazzTimes'', ''Jazziz'', '' Down Beat'', '' Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the '' All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," ...
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Bob James (musician)
Robert McElhiney James (born December 25, 1939) is an American jazz keyboardist, arranger, and record producer. He founded the band Fourplay and wrote "Angela", the theme song for the TV show ''Taxi.'' According to VICE (magazine), music from his first seven albums has often been sampled and believed to have contributed to the formation of hip hop. Among his most well known recordings are "Nautilus", "Westchester Lady", "Tappan Zee", and his version of "Take Me to The Mardi Gras". Early life and family James was born on Christmas Day of 1939 in Marshall, Missouri, United States. He started playing the piano at age four. His first piano teacher, Sister Mary Elizabeth, who taught at Mercy Academy, discovered that he had perfect pitch. At age seven, James began to study with R. T. Dufford, a teacher at Missouri Valley College. At age 15, James continued his studies with Franklin Launer, a teacher at Christian College in Columbia, Missouri, with more music instruction during h ...
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Background Music
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement. Listeners are uniquely subject to background music with no control over its volume and content. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day. Background music is commonly played where there is no audience at all, such as empty hallways and restrooms and fitting rooms. It is also used in artificial space, such as music played while on hold during a telephone call, and virtual space, as in the ambient sounds or thematic music in video games. It is typically played at low volumes from multiple small speakers distributing the m ...
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