Minóy
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Minóy
Stanley Keith Bowsza (October 30, 1951 — March 19, 2010), better known by the pseudonym Minóy, was an American electronic musician and sound artist. He was a major figure in the DIY noise music and homemade independent cassette culture scene of the 1980s. He released over 100 compositions. Life and work Stanley Keith Bowsza chose his pseudonym Minóy based upon how someone he met mispronounced the name of one of his favorite artists, the Catalan Surrealist Joan Miró. He is recognized as a master of controlled noise. He lived and worked in Torrance, California. Minóy produced some of the most remarkably engrossing, beautiful and imaginative work-of-art albums released on cassette in the 1980s, often with hand made covers. Minóy was an agoraphobic but prolific noise artist intensely active in the music underground between the years 1986 and 1992. During that period he created many unique audio works in collaboration with other sound artists and mail artists. Minóy was an ...
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PBK (composer)
PBK (real name: Phillip B. Klingler) is a composer that works in the genres of Noise, Drone and/or Ambient music. Background American composer, Phillip B. Klingler, better known as PBK, has been active in the experimental music underground since 1986."Discogs - Artist Profile"
', accessed 30 May 2011
His work first became known through the homemade independent cassette culture scene of the 1980s, though later releases have also been in and LP format. His work has correlations to
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Cassette Culture
The cassette culture (also known as the tape/cassette scene or cassette underground) refers to the practices associated with amateur production and distribution of music and sound art on compact cassette that emerged in the mid-1970s. The cassette was used by fine artists and poets for the independent distribution of new work. This article focuses on the independent music scene associated with the cassette that burgeoned internationally in the second half of the 1970s. Scope of the article It is necessary at the outset to make clear what “cassette culture” refers to in regard to this article. It is not a general article on the cultural history of the compact audio cassette and its technology. The article does not cover the use of the compact audio cassette as a music medium per se, or, in general, the use of the cassette tape as a means for the cheap reproduction and direct distribution of music by artists or other individuals. The subject of this article does not refer to th ...
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Tellus Audio Cassette Magazine
Launched from the Lower East Side, Manhattan in 1983 as a subscription only bimonthly publication, the ''Tellus Audio Cassette Magazine'' utilized the audio cassette medium to distribute no wave downtown music and audio art and was in activity for the ten years of 1983–1993. The Tellus Project Tellus publishers and executive editors – visual artist and noise music composer Joseph Nechvatal; former curator-director of the Institute of Contemporary Art, Philadelphia and current curator-director of The Jewish Museum, Claudia Gould; and new music composer and director of Harvestworks, Carol Parkinson – conceived of the compact cassette medium as a no wave Fluxus-inspired media art form in itself. Nechvatal and Parkinson had met in the mid-1970s and performed in a performance art / minimal art dance trio with Cid Collins influenced by the post-Merce Cunningham postmodern dance/choreography of Deborah Hay (with whom they studied in 1977) and Carolee Schneemann (with whom ...
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Cassette Culture
The cassette culture (also known as the tape/cassette scene or cassette underground) refers to the practices associated with amateur production and distribution of music and sound art on compact cassette that emerged in the mid-1970s. The cassette was used by fine artists and poets for the independent distribution of new work. This article focuses on the independent music scene associated with the cassette that burgeoned internationally in the second half of the 1970s. Scope of the article It is necessary at the outset to make clear what “cassette culture” refers to in regard to this article. It is not a general article on the cultural history of the compact audio cassette and its technology. The article does not cover the use of the compact audio cassette as a music medium per se, or, in general, the use of the cassette tape as a means for the cheap reproduction and direct distribution of music by artists or other individuals. The subject of this article does not refer to th ...
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United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territories, nine Minor Outlying Islands, and 326 Indian reservations. The United States is also in free association with three Pacific Island sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Republic of Palau. It is the world's third-largest country by both land and total area. It shares land borders with Canada to its north and with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the most populous country in the Americas and the third most populous in the world. The national capital of the United States is Washington, D.C. and its most populous city and principal financial center is New York City. Paleo-Americ ...
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Noise Art
Noise music is a genre of music that is characterised by the expressive use of noise within a Noise in music, musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of music genre, musical styles and sound art, sound-based creative practices that feature noise as a primary aspect of music, aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical Vocals#Vocal technique, vocal techniques, physically manipulated audio media, Sound effect, processed sound recordings, field recording, Computer music, computer-generated noise, stochastic process, and other randomly produced electronic signals such as Distortion (music), distortion, Audio feedback, feedback, Noise (radio), static, hiss and hum. There may also be emphasi ...
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