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Military Art
Military art is art with a military subject matter, regardless of its style or medium. The battle scene is one of the oldest types of art in developed civilizations, as rulers have always been keen to celebrate their victories and intimidate potential opponents. The depiction of other aspects of warfare, especially the suffering of casualties and civilians, has taken much longer to develop. As well as portraits of military figures, depictions of anonymous soldiers away from the battlefield have been very common; since the introduction of military uniforms such works often concentrate on showing the variety of these. Naval scenes are very common, and battle scenes and "ship portraits" are mostly considered as a branch of marine art; the development of other large types of military equipment such as warplanes and tanks has led to new types of work portraying these, either in action or at rest. In 20th century wars official war artists were retained to depict the military in ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the Fertile Crescent. Today, Mesopotamia occupies modern Iraq. In the broader sense, the historical region included present-day Iraq and Kuwait and parts of present-day Iran, Syria and Turkey. The Sumerians and Akkadians (including Assyrians and Babylonians) originating from different areas in present-day Iraq, dominated Mesopotamia from the beginning of written history () to the fall of Babylon in 539 BC, when it was conquered by the Achaemenid Empire. It fell to Alexander the Great in 332 BC, and after his death, it became part of the Greek Seleucid Empire. Later the Arameans dominated major parts of Mesopotamia (). Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. It has been ident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wu Family Shrines
The Wu Family Shrines (), of which the Wu Liang Shrine is the best known, was the family shrine of the Wu clan of the Eastern Han dynasty. The shrines contain a vast amount of relief carvings. Three walls of Wu Liang's shrine were still standing as late as the 11th century, which is the reason that the site of all the family shrines are often called after him. The shrine to Wu Liang (78-151 AD) was built in 151 AD in what is now Jiaxiang County Jiaxiang County () is a county in the southwest of Shandong province, People's Republic of China. It is under the administration of Jining City. The population was in 2011. The cultural heritage site of the Carved Stones in the Tombs of the W ... of southwestern Shandong province. References External links * Barbieri, Anthony (2019)Virtual Tour of Wuzhai Shan Site, 2nd Century CE (v. 2.0) University of California, Santa Barbara. {{China-stub Ancestral shrines in China Major National Historical and Cultural Sites in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Dynasty
The Han dynasty (, ; ) was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD), established by Liu Bang (Emperor Gao) and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–207 BC) and a warring interregnum known as the ChuHan contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and it has influenced the identity of the Chinese civilization ever since. Modern China's majority ethnic group refers to themselves as the "Han people", the Sinitic language is known as "Han language", and the written Chinese is referred to as " Han characters". The emperor was at the pinnacle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalry
Historically, cavalry (from the French word ''cavalerie'', itself derived from "cheval" meaning "horse") are soldiers or warriors who fight mounted on horseback. Cavalry were the most mobile of the combat arms, operating as light cavalry in the roles of reconnaissance, screening, and skirmishing in many armies, or as heavy cavalry for decisive shock attacks in other armies. An individual soldier in the cavalry is known by a number of designations depending on era and tactics, such as cavalryman, horseman, trooper, cataphract, knight, hussar, uhlan, mamluk, cuirassier, lancer, dragoon, or horse archer. The designation of ''cavalry'' was not usually given to any military forces that used other animals for mounts, such as camels or elephants. Infantry who moved on horseback, but dismounted to fight on foot, were known in the early 17th to the early 18th century as ''dragoons'', a class of mounted infantry which in most armies later evolved into standard cavalry while retain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthenon Marbles
The Elgin Marbles (), also known as the Parthenon Marbles ( el, Γλυπτά του Παρθενώνα, lit. "sculptures of the Parthenon"), are a collection of Classical Greek marble sculptures made under the supervision of the architect and sculptor Phidias and his assistants. They are original parts of the Parthenon and other sacred and ceremonial structures built on the Acropolis of Athens in the 5th century BCE. The collection is on display in the British Museum, in the purpose-built Duveen Gallery. The presence of the Elgin Marbles in the British Museum is the subject of international controversy. From 1801 to 1812, agents of Thomas Bruce, 7th Earl of Elgin removed about half of the surviving sculptures of the Parthenon, as well as sculptures from the Propylaea and Erechtheion,''Encyclopædia Britannica'', "Elgin Marbles", 2008, O.Ed. and had them transported by sea to Britain. Elgin argued as his authority for this that he had obtained an official decree (a firman) fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lachish Reliefs
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, and was included aitem 21in the BBC Radio 4 series A History of the World in 100 Objects by the museum's former director Neil MacGregor. The palace room, where the relief was discovered in 1845–1847, was fully covered with the "Lachish relief" and was wide and long. The ''Lion Hunt of Ashurbanipal'' sequence was found in the same palace. Identification The reliefs were discovered by the then 28-year-old Austen Henry Layard during excavations in 1845–1847. Commenting on the inscription above the seated figure of Sennacherib, Layard wrote: Layard noted in his work that Henry Rawlinson, the "Father of Assyriology", disagreed with the identif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze relief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Art
Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant and Egypt, as well as portions of Anatolia, Arabia and modern-day Iran and Armenia. It forms a phase of the art of Mesopotamia, differing in particular because of its much greater use of stone and gypsum alabaster for large sculpture. Much the best-known works are the huge ''lamassu'' guarding entrance ways, and Assyrian palace reliefs on thin slabs of alabaster, which were originally painted, at least in part, and fixed on the wall all round the main rooms of palaces. Most of these are in museums in Europe or America, following a hectic period of excavations from 1842 to 1855, which took Assyrian art from being almost completely unknown to being the subject of several best-selling books, and imitated in political cartoons. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hittite Empire
The Hittites () were an Anatolian people who played an important role in establishing first a kingdom in Kussara (before 1750 BC), then the Kanesh or Nesha kingdom (c. 1750–1650 BC), and next an empire centered on Hattusa in north-central Anatolia (around 1650 BC). This empire reached its height during the mid-14th century BC under Šuppiluliuma I, when it encompassed an area that included most of Anatolia as well as parts of the northern Levant and Upper Mesopotamia. Between the 15th and 13th centuries BC, the Empire of Hattusa—in modern times conventionally called the Hittite Empire—came into conflict with the New Kingdom of Egypt, the Middle Assyrian Empire and the empire of Mitanni for control of the Near East. The Middle Assyrian Empire eventually emerged as the dominant power and annexed much of the Hittite Empire, while the remainder was sacked by Phrygian newcomers to the region. After BC, during the Late Bronze Age collapse, the Hittites splintered into se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramesses II
Ramesses II ( egy, rꜥ-ms-sw ''Rīʿa-məsī-sū'', , meaning "Ra is the one who bore him"; ), commonly known as Ramesses the Great, was the third pharaoh of the Nineteenth Dynasty of Egypt. Along with Thutmose III he is often regarded as the greatest, most celebrated, and most powerful pharaoh of the New Kingdom, itself the most powerful period of Ancient Egypt. The name ''Ramesses'' is pronounced variously . Other spellings include Rameses and Ramses; in grc-koi, Ῥαμέσσης, Rhaméssēs. He is known as Ozymandias in Greek sources ( grc-koi, Ὀσυμανδύας, translit=Osymandýas), from the first part of Ramesses's regnal name, , "The Maat of Ra is powerful, Chosen of Ra". His successors and later Egyptians called him the "Great Ancestor". At age fourteen, he was appointed prince regent by his father, Seti I. Most Egyptologists today believe he assumed the throne on 31 May 1279 BC, based on his known accession date of III Season of the Harvest, day 27 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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