Mihoko Fujimura
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Mihoko Fujimura
is a Japanese operatic mezzo-soprano who made an international career based in Europe. She was recognized internationally after her 2002 debut at the Bayreuth Festival as Fricka in Wagner's ''Ring'' cycle. In concert, she performed in Verdi's Requiem and Mahler's '' Resurrection Symphony''. In 2020, she made her debut at the Metropolitan Opera. Life Fujimura was born in the Gifu Prefecture and studied at the Tokyo University of the Arts with Hiroko Kimura, and at the Hochschule für Musik und Theater München with Josef Loibl from 1992 to 1995, graduating with a Masters of Music degree. She was a member of the Oper Graz from 1995 to 2000, appearing in roles such as Dorabella in Mozart's '' Così fan tutte'', Azucena in ''Il trovatore'', the title role of Bizet's '' Carmen'', and Suzuki in Puccini's '' Madama Butterfly''. From 1998, she worked also at the Bavarian State Opera. She sang as a guest at the Cologne Opera, Staatsoper Karlsruhe, Staatsoper Stuttgart from 2000 ...
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Gifu Prefecture
is a prefecture of Japan located in the Chūbu region of Honshu. Gifu Prefecture has a population of 1,991,390 () and has a geographic area of . Gifu Prefecture borders Toyama Prefecture to the north; Ishikawa Prefecture to the northwest, Fukui Prefecture and Shiga Prefecture to the west, Mie Prefecture to the southwest, Aichi Prefecture to the south, and Nagano Prefecture to the east. Gifu is the capital and largest city of Gifu Prefecture, with other major cities including Ōgaki, Kakamigahara, and Tajimi. Gifu Prefecture is located in the center of Japan, one of only eight landlocked prefectures, and features the country's center of population. Gifu Prefecture has served as the historic crossroads of Japan with routes connecting the east to the west, including the Nakasendō, one of the Five Routes of the Edo period. Gifu Prefecture was a long-term residence of Oda Nobunaga and Saitō Dōsan, two influential figures of Japanese history in the Sengoku period, sp ...
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Staatsoper Karlsruhe
The Badisches Staatstheater Karlsruhe is a theatre and opera house in Karlsruhe, Germany. It has existed in its present form and place at Ettlinger Tor since 1975. Achim Thorwald became the Intendant in summer 2002 and held that post until the end of the 2010/11 season. Peter Spuhler succeeded him at the beginning of the 2011/12 season and continues to serve in that post. The Staatstheater is a ''Dreisparten'' venue, housing three performance genres: musical theatre, ballet and theatre, as well as the studio stage in Karlstraße. The ''Badische Staatskapelle'' (orchestra) and the ''Badische Staatsopernchor'' (opera chorus) are resident companies of the theatre. History City architect Friedrich Weinbrenner constructed the first predecessor of the ''Badisches Staatstheater'' in 1808 near the castle. In 1810, it became the ''Großherzogliches Hoftheater'' (Grand Ducal court theatre). During a performance on 28 February 1847, a fire broke out destroying the building which had bee ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy '' Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebrat ...
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Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at t ...
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Idomeneo
' (Italian for '' Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as '' Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is a ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the fi ...
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Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical c ...
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Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ...
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Aix-en-Provence Festival
The Festival d'Aix-en-Provence is an annual international music festival which takes place each summer in Aix-en-Provence, principally in July. Devoted mainly to opera, it also includes concerts of orchestral, chamber, vocal and solo instrumental music. Establishment The first festival took place in July 1948. It was founded by Countess Lily Pastré, who covered the entire costs in 1948.Le Salon de Lily, Hommage à la Comtesse Pastré, mécène
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Maggio Musicale Fiorentino
The Maggio Musicale Fiorentino (English: Florence Musical May) is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annually, typically with four operas. History In April 1933, on 's idea, Vittorio Gui founded the festival, with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy and the oldest in Europe after the Salzburg Festival. The first opera presented was Verdi's early ''Nabucco'', his early operas then being rarely staged. The first festival's success, which included two performances of Spontini's '' La Vestale'' with Rosa Ponselle, led to it becoming a biennial event in 1937 with the presentation of nine operas. After 1937, it became an annual festival, except during World War II. Performances took place in the Teatro Comunale and Piccolo Teatro, plus the Teatro dell ...
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