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Micromoog
The Moog model 2090 Micromoog is a monophonic analog synthesizer produced by Moog Music from 1975 to 1979. During 1973 and 1974, Moog attempted to produce a synth system, possibly as a result of seeing Yamaha's massive GX-1. The bass and polyphonic components of the "Constellation" became the Taurus and Polymoog, respectively, and while the Lyra monophonic lead synth never went into production, the smaller MicroMoog emerged, using some of the ideas and technology. The monophonic Micromoog was designed by Moog Engineer Jim Scott in consultation with Tom Rhea, with electronic refinement input from David Luce, Robert Moog, as a scaled-down, cheaper alternative ($650–$800 market price) to the Minimoog. It was designed to tap into a market of musicians who wanted an introduction to synthesis, but who could not afford the $1,500 Minimoog. However, while the basic architecture was a simple VCO/VCF/VCA, inexpensive enhancements made it a more creative synth. Its single voltage-con ...
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List Of Moog Synthesizer Players
This is a list of notable musicians who use Moog synthesizers. A *ABBA – a minimoog and polymoog played by Benny Andersson * Patrick Adams *Walter Afanasieff - Producer *Air *Don Airey *Damon Albarn - Blur *The Anniversary *Apoptygma Berzerk * Arandel *Arjen Lucassen *Army of Freshmen *Alesso B * Tony Banks – Genesis – Used a Polymoog mostly on ''And Then There Were Three'' (1978) information on the book from Armando Gallo – ''I Know What I Like'' (DIY) 1981 * Basilica and National Shrine of Our Lady of Consolation Many Synthesizers are used in the church's keyboard section *Les Baxter (See in 1968, ''Moog Rock'' Album) *Armin Van Buuren *Leroy Bach – Wilco * Zac Baird – Korn, Everlast, Fear and the Nervous System, Jonathan Davis and the SFA, Maimou *Peter Bardens – Camel * Battlecat – Hip hop producer (Snoop Dogg) *Peter Baumann – solo and with (Tangerine Dream) *Beastie Boys *The Beach Boys *The Beatles – one of the first mainstream albums to use a Moog ...
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Multimoog
The Multimoog is a monophonic analog synthesizer manufactured by Moog Music from 1978 to 1981. Derived from the earlier Micromoog (internally, it consists of a stock Micromoog circuit board with the extra circuitry on a second board), the Multimoog was intended to be a less expensive alternative to the Minimoog. It nevertheless had some advanced features which the Minimoog did not—most notably, it was one of the earliest synthesizers to feature aftertouch capability. Key features include: * 44-note monophonic keyboard with aftertouch * ribbon-type pitch-bend controller * "glide" (portamento) * 2 voltage-controlled oscillators with waveform continuously adjustable from sawtooth, through square, to narrow pulse * oscillator sync * noise source * 24 dB/octave Moog transistor-ladder lowpass voltage-controlled filter * dedicated low-frequency oscillator with triangle, square, and random waveforms * extensive modulation routing options, including sample-and-hold, audio-frequency modu ...
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Moog Music
Moog Music Inc. () is an American synthesizer company based in Asheville, North Carolina. It was founded in 1953 as R. A. Moog Co. by Robert Moog and his father and was renamed Moog Music in 1972. Its early instruments included the Moog synthesizer (the first commercial synthesizer), followed by the Minimoog in 1970, two of the most influential electronic instruments of all time. In 1971, following a recession, Robert Moog sold Moog Music to Norlin Musical Instruments, where he remained employed as a designer until 1977. In 1978, he founded a new company, Big Briar. Moog Music filed for bankruptcy in 1987 and the Moog Music trademark was returned to Robert Moog in 2002, when Big Briar resumed operations under the name Moog Music. Moog Music also manages Moogfest, a pioneering electronic music and music technology festival in Durham, NC. History 1953–1967: R. A. Moog Co. Robert Moog founded R. A. Moog Co. with his father in 1953 at the age of 19 in Trumansburg, Ne ...
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Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They ...
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White Noise
In signal processing, white noise is a random signal having equal intensity at different frequencies, giving it a constant power spectral density. The term is used, with this or similar meanings, in many scientific and technical disciplines, including physics, acoustical engineering, telecommunications, and statistical forecasting. White noise refers to a statistical model for signals and signal sources, rather than to any specific signal. White noise draws its name from white light, although light that appears white generally does not have a flat power spectral density over the visible band. In discrete time, white noise is a discrete signal whose samples are regarded as a sequence of serially uncorrelated random variables with zero mean and finite variance; a single realization of white noise is a random shock. Depending on the context, one may also require that the samples be independent and have identical probability distribution (in other words independent and ...
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Moog Synthesizers
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers, and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals, and ribbon controllers, or controlled with sequencers. Its oscillators can produce waveforms of different timbres, which can be modulated and filtered to shape their sounds (subtractive synthesis). By 1963, Robert Moog had been designing and selling theremins for several y ...
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CV/gate
CV/gate (an abbreviation of ''control voltage/gate'') is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off. This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony. The advent of digital synthesizers also made it possible to store and retrieve voice "patches" – eliminating patch cables and (for the most part) control voltages. However, numerous companies – including Doepfer, who designed a modular system for Kraftwerk in 1992, Buchla, MOTM, Analogue Systems, and others continue to manufacture modular synthesizers that are increa ...
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Moog Synthesizer
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers, and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals, and ribbon controllers, or controlled with sequencers. Its oscillators can produce waveforms of different timbres, which can be modulated and filtered to shape their sounds ( subtractive synthesis). By 1963, Robert Moog had been designing and selling theremins for s ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, wh ...
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Ribbon Controller
A ribbon or riband is a thin band of material, typically cloth but also plastic or sometimes metal, used primarily as decorative binding and tying. Cloth ribbons are made of natural materials such as silk, cotton, and jute and of synthetic materials, such as polyester, nylon, and polypropylene. Ribbon is used for useful, ornamental, and symbolic purposes. Cultures around the world use ribbon in their hair, around the body, and as ornament on non-human animals, buildings, and packaging. Some popular fabrics used to make ribbons are satin, organza, sheer, silk, velvet, and grosgrain. Etymology The word ribbon comes from Middle English ''ribban'' or ''riban'' from Old French ''ruban'', which is probably of Germanic origin. Cloth Along with that of tapes, fringes, and other smallwares, the manufacture of cloth ribbons forms a special department of the textile industries. The essential feature of a ribbon loom is the simultaneous weaving in one loom frame of two or more web ...
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Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string ( harpsichord), causing air to flow through a pipe organ, striking a bell ( carillon), or, on electric and electronic keyboards, completing a circuit ( Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the ''piano keyboard''. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale ...
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Low-frequency Oscillator
Low-frequency oscillation (LFO) is an electronic frequency that is usually below 20  Hz and creates a rhythmic pulse or sweep. This is used to modulate musical equipment such as synthesizers to create audio effects such as vibrato, tremolo and phasing. History Low-frequency oscillation was introduced with modular synthesizers of the 1960s, such as the Moog synthesizer. Often the LFO effect was accidental, as there were myriad configurations that could be "patched" by the synth operator. LFOs have since appeared in some form on almost every synthesizer. More recently other electronic musical instruments, such as samplers and software synthesizers, have included LFOs to increase their sound alteration capabilities. Overview The primary oscillator circuits of a synthesizer are used to create the audio signals. An LFO is a secondary oscillator that operates at a significantly lower frequency (hence its name), typically below 20 Hz - that is, below the range of hum ...
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