|
Melvin Lastie
Melvin Clarke Lastie, Sr. (November 18, 1930 – December 4, 1972) was an American R&B trumpeter, flugelhornist, and cornetist. He also played jazz and was a session musician on many soul and rock records of the 1960s. Lastie was born in New Orleans, Louisiana to Frank and Alice Hill Lastie. Melvin's four brothers were Chester, David, Joseph, and Walter, and his sister was Betty Ann. Lastie played with Paul Barbarin and Fats Domino while he was still a teenager. He served in the military during the Korean War, then formed a group with his brother David Lastie, which backed Big Joe Turner on tour throughout North America. He worked as a studio musician in the 1950s, including on recordings by Roy Brown, and played in a band led by Clarence Samuels alongside Ornette Coleman. In 1961, he co-founded AFO Records and worked with them as a producer and studio player both in New Orleans and after the company moved to Los Angeles. He played extensively on soul and jazz recordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Cooke
Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer and songwriter. Considered to be a pioneer and one of the most influential soul music, soul artists of all time, Cooke is commonly referred to as the "Honorific nicknames in popular music#Male titles, King of Soul" for his distinctive vocals, notable contributions to the genre and significance in popular music. Cooke was born in Clarksdale, Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including "You Send Me", "A Change Is Gonna Come", "Cupid (Sam Cooke song), Cupid", "Wonderful World (Sam Cooke song), Wonderful World", "Chain Gang (song), Chain Gang", "Twistin' the Night Away", "Bring It On Home to Me", and "Good Times (Sam Cooke song), Good Times". During his eight-year career, Cooke rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santana (band)
Santana is an American rock band formed in San Francisco in 1966 by American guitarist Carlos Santana. The band has undergone multiple recording and performing line-ups in its history, with Santana the only consistent member. After signing with Columbia Records, the band's appearance at the Woodstock Festival in 1969 increased their profile and went on to record the commercially successful and critically-acclaimed albums '' Santana'' (1969), '' Abraxas'' (1970), and ''Santana III'' (1971). These were recorded by the group's "classic" line-up, featuring Gregg Rolie, Michael Carabello, Michael Shrieve, David Brown, and José "Chepito" Areas. Hit songs of this period include " Evil Ways", " Black Magic Woman", "Oye Como Va", and the instrumental " Samba Pa Ti". Following a change in line-up and musical direction in 1972, the band experimented with elements of jazz fusion on '' Caravanserai'' (1972), ''Welcome'' (1973), and '' Borboletta'' (1974). Santana reached a new peak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,Biography ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the bongos and later the congas, timbales and drums. In 1947, Bobo started working as a band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after his arrival in New York and studied with him while acting as his tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rascals
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Pike
David Samuel Pike (March 23, 1938 – October 3, 2015) was an American jazz vibraphone and marimba player. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records. Biography He learned drums at the age of eight and was self-taught on vibraphone. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes, when working with flautist Herbie Mann in the early-1960s. By the late-1960s, Pike's music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. ''The Doors of Perception'', released in 1970 for the Atlantic Records subsidiary Vortex Records, and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians including alto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David "Fathead" Newman
David "Fathead" Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles. The AllMusic Guide to Jazz wrote that "there have not been many saxophonists and flutists more naturally soulful than David 'Fathead' Newman." Newman was a leading exponent of the "Texas Tenor" saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state. Early life Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname "Fathead" in school when "an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside dow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was " Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was '' Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Sonny Jones
Johnny "Little Sonny" Jones (April 15, 1931 – December 17, 1989) was an American New Orleans blues singer and songwriter. Over his lengthy career, he worked with various blues musicians, notably Fats Domino. He is not to be confused with the blues musicians Little Sonny and Little Sonny Warner. Biography Jones was born in New Orleans, Louisiana. He started singing professionally in the late 1940s. He befriended Fats Domino and, while they were working together, was given his nickname by Domino. In 1953 he released his debut single, "Do You Really Love Me" backed with "Is Everything Allright?", for Specialty Records. He recorded another four songs for Imperial Records in 1954, produced by Dave Bartholomew, but his records failed to find a commercial market. His connection with Domino endured, and he remained as Domino's opening act until 1961. Jones's tracks included the blues standard "Farther Up the Road". Jones was employed as the vocalist by a New Orleans–based band le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Harris
Eddie Harris (October 20, 1934 – November 5, 1996) was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are "Freedom Jazz Dance", popularized by Miles Davis in 1966, and "Listen Here". Biography Harris was born and grew up in Chicago, Illinois, United States. His father was from Cuba and his mother from Mississippi. He studied music under Walter Dyett at DuSable High School, as had many other successful Chicago musicians (such as Nat King Cole, Clifford Jordan, Johnny Griffin, Gene Ammons, Julian Priester, and others). He later studied music at Roosevelt University, by which time he was proficient on piano, vibraphone, and tenor saxophone. While in college, he performed professionally with Gene Ammons. After college, Harris was military draft, drafted into the United States Army and while serving in Europe, he was accepte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara George
Barbara George (16 August 1942 – 10 August 2006) was an American R&B singer and songwriter. Biography Born Barbara Ann Smith at Charity Hospital in New Orleans, Louisiana, United States, she was raised in the 9th ward New Orleans, and began singing in a church choir. She was discovered by singer Jessie Hill, who recommended her to record producer Harold Battiste. Her first record on Battiste's AFO (All For One) record label, the certified gold single " I Know (You Don't Love Me No More)" (composed by her) was issued in late 1961 and topped the R&B chart and made number 3 on the ''Billboard'' Hot 100 chart. It was later recorded by many other artists, including Freddie King, Paul Revere & the Raiders (1966), the Merseybeats, Ike and Tina Turner, and Bonnie Raitt (1972). Her only album, 1961's ''I Know (You Don't Love Me No More)'' contains 12 tracks, 11 of which credit George as the writer. Two subsequent self-penned singles, "You Talk About Love" (on AFO) and "Send For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(You Make Me Feel Like) A Natural Woman
"(You Make Me Feel Like) A Natural Woman" is a 1967 single released by American soul singer Aretha Franklin on the Atlantic label. The words were written by Gerry Goffin from an idea by Atlantic producer Jerry Wexler, and the music was composed by Carole King. Written for Franklin, the record was a big hit reaching number 8 on the ''Billboard'' Hot 100, and became one of her signature songs. It made history in the UK singles chart a week after her death, finally becoming a hit almost 51 years after it was first released entering at #79. Franklin also included a live recording on the album '' Aretha in Paris'' in 1968. Carole King herself recorded the song for her 1971 album ''Tapestry''. Among the numerous cover versions of the song include versions by Mary J. Blige and Celine Dion, both of which charted in the same year (1995). At the 2015 Kennedy Center Honors, Aretha Franklin performed the song to honor award-recipient Carole King. Original recording Written by the par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Rhythm And Blues")
.png "Click for more on -> The Rascals")
_A_Natural_Woman_2010_CK.jpg "Click for more on -> (You Make Me Feel Like) A Natural Woman")