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MaxMSP
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations. The Max program is modular, with most routines existing as shared libraries. An application programming interface (API) allows third-party development of new routines (named ''external objects''). Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial extensions to the program. Because of this extensible design, which simultaneously represents both the program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive music performance software. History 1980s: Miller Puckette began w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cycling '74
Cycling '74 (also known as "C74" and stylized as '74) is an American software development company founded in 1997 by David Zicarelli, headquartered in San Francisco, California and owned by Ableton. The company employs the digital signal processing software tool, Max. History Cycling '74 (C74) was founded in 1997 by David Zicarelli to serve as the distributor for his various collections of software. The company's website states that ''"the name Cycling '74 comes from a 1974 bicycle catalog from which some of the images that decorated our original site were inspired"''. The Wayback Machine provides aarchive of the websitefrom December 1998. C74 began producing the MSP extension to Opcode Systems's 1990 program "Max" in the mid 1990s, and in 1998 started distributing the products together. there is no longer a version of Max without audio processing.Sound on Sound Magazine, August 2008: "Cycling 74 Max 5 - Graphical Programming Environment For Audio & MIDI" In June 2017, Ablet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Zicarelli
Cycling '74 (also known as "C74" and stylized as '74) is an American software development company founded in 1997 by David Zicarelli, headquartered in San Francisco, California and owned by Ableton. The company employs the digital signal processing software tool, Max. History Cycling '74 (C74) was founded in 1997 by David Zicarelli to serve as the distributor for his various collections of software. The company's website states that ''"the name Cycling '74 comes from a 1974 bicycle catalog from which some of the images that decorated our original site were inspired"''. The Wayback Machine provides aarchive of the websitefrom December 1998. C74 began producing the MSP extension to Opcode Systems's 1990 program "Max" in the mid 1990s, and in 1998 started distributing the products together. there is no longer a version of Max without audio processing.Sound on Sound Magazine, August 2008: "Cycling 74 Max 5 - Graphical Programming Environment For Audio & MIDI" In June 2017, Able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JUCE
JUCE is an open-source cross-platform C++ application framework, used for the development of desktop and mobile applications. JUCE is used in particular for its GUI and plug-ins libraries. It is dual licensed under the GPLv3 and a commercial license. The aim of JUCE is to allow software to be written such that the same source code will compile and run identically on Windows, macOS and Linux platforms. It supports various development environments and compilers. History JUCE resulted from a split-out of the underlying C++ code that was developed by Julian Storer to create Tracktion's (now Waveform) DAW graphic and audio capabilities. It was first released to the public in 2004. It is covered by a dual GPL/commercial license. JUCE and Raw Material Software were acquired in November 2014 by London-based hardware manufacturer ROLI for an undisclosed amount. In April 2020 it was announced that JUCE had been sold by ROLI to PACE Anti-Piracy Inc.. Official support JUCE is inten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miller Puckette
Miller Smith Puckette (born 1959) is the associate director of the Center for Research in Computing and the Arts as well as a professor of music at the University of California, San Diego, where he has been since 1994. Puckette is known for authoring Max, a graphical development environment for music and multimedia synthesis, which he developed while working at IRCAM in the late 1980s. He is also the author of Pure Data (Pd), a real-time performing platform for audio, video and graphical programming language for the creation of interactive computer music and multimedia works, written in the 1990s with input from many others in the computer music and free software communities. Biography An alumnus of St. Andrew's-Sewanee School in Tennessee, Miller Puckette got involved in computer music in 1979 at MIT with Barry Vercoe. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opcode Systems
Opcode Systems, Inc. was founded in 1985 by Dave Oppenheim and based in and around Palo Alto, California, USA. Opcode produced MIDI sequencing software for the classic Mac OS and Microsoft Windows, which would later include digital audio capabilities, as well as audio and MIDI hardware interfaces. Opcode's MIDIMAC sequencer, launched in 1986, was the first commercially available MIDI sequencer for the Macintosh. History In 1985, Stanford University graduate Dave Oppenheim founded Opcode. Dave was the majority partner, focusing on Research & Development, with Gary Briber the minority partner focusing on Sales & Marketing. Paul J. de Benedictis joined the company to write product manuals, test products and demo the products after meeting Ray Spears in San Francisco while he was printing the beta manual for MIDIMAC Sequencer v1.0. The products were announced at the New Orleans Summer NAMM (June 22–25) (after which Apple objected to the name) and, according to composer Laurie S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Signal Processor
A digital signal processor (DSP) is a specialized microprocessor chip, with its architecture optimized for the operational needs of digital signal processing. DSPs are fabricated on MOS integrated circuit chips. They are widely used in audio signal processing, telecommunications, digital image processing, radar, sonar and speech recognition systems, and in common consumer electronic devices such as mobile phones, disk drives and high-definition television (HDTV) products. The goal of a DSP is usually to measure, filter or compress continuous real-world analog signals. Most general-purpose microprocessors can also execute digital signal processing algorithms successfully, but may not be able to keep up with such processing continuously in real-time. Also, dedicated DSPs usually have better power efficiency, thus they are more suitable in portable devices such as mobile phones because of power consumption constraints. DSPs often use special memory architectures that are a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NeXT
Next may refer to: Arts and entertainment Film * ''Next'' (1990 film), an animated short about William Shakespeare * ''Next'' (2007 film), a sci-fi film starring Nicolas Cage * '' Next: A Primer on Urban Painting'', a 2005 documentary film Literature * ''Next'' (Crichton novel), a novel by Michael Crichton * ''Next'' (Hynes novel), a 2010 novel by James Hynes * ''Next'' (play), a play by Terrence McNally * '' Next: The Future Just Happened'', a 2001 non-fiction book by Michael Lewis Music Performers * Next (American band), an R&B trio * NEXT (Korean band), a South Korean rock band * Next (Chinese group), a boy group Albums * ''Next'' (ATB album), 2017 * ''Next'' (Journey album) or the title song, 1977 * ''Next'' (The Necks album) or the title instrumental, 1990 * ''Next'' (The Sensational Alex Harvey Band album) or the title song (see below), 1973 * ''Next'' (Sevendust album), 2005 * ''Next'' (Soulive album), 2002 * ''Next'' (Vanessa Williams album), 1997 * ''Next! ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISPW
The IRCAM Signal Processing Workstation (ISPW) was a hardware digital signal processor, DSP platform developed by IRCAM and the Ariel Corporation in the late 1980s. In French language, French, the ISPW is referred to as the SIM (''Station d'informatique musicale''). Eric Lindemann was the principal designer of the ISPW hardware as well as manager of the overall hardware/software effort. It consisted of up to three customized DSP boards that could be plugged into the expansion computer bus, bus on a NeXT Computer (a "cube"). The ISPW could then run a customized real-time audio processing Server (computing), server on the hardware boards controlled by a client (computing), client application on the NeXT. Each ISPW card had two Intel i860 microprocessors (running at 80 FLOPS, MFLOPS). An additional card with eight channels of Sound, audio I/O was also available for multi-channel sound recording and playback. A three-board ISPW provided what was at the time unsurpassed signal proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sogitec 4X
The Sogitec 4X was a digital sound processing workstation developed by Giuseppe di Giugno at IRCAM (Paris) in the 1980s. It was the last large hardware processor before the development of the ISPW. Later solutions combined control and audio processing in the same computer like Max/MSP. 4X built on the achievements of the earlier Halaphone, capable of timbre alteration and sound localization. Nicolas Schöffer Nicolas Schöffer ( hu, Schöffer Miklós; 6 September 1912 — 8 January 1992) was a Hungarian-born French cybernetic artist. Schöffer was born in Kalocsa, Hungary and resided in Paris from 1936 until his death in Montmartre in 1992. He ... was one of the first users to build his composition method with this computer. Sources External links * Computer music Digital signal processing {{Electronic-musical-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Manoury
Philippe Manoury (born 19 June 1952) is a French composer. Biography Manoury was born in Tulle and began composition studies at the Ecole Normale de Musique de Paris with Gérard Condé and Max Deutsch. He continued his studies from 1974 to 1978 at the Conservatoire de Paris with Michel Philippot, Ivo Malec, and Claude Ballif.Poirier 2001. In 1975, he undertook studies in computer assisted composition with , and joined IRCAM as a composer and electronic music researcher in 1980. From 2004 until 2012, Manoury served on the composition faculty at the University of California, San Diego, where he taught composition, electronic music, and analysis in the graduate program. After retiring from teaching at UCSD, he currently lives in Strasbourg, France. Music Manoury's work is strongly influenced by Pierre Boulez, Karlheinz Stockhausen, and Iannis Xenakis, and his early work from 1972 to 1976 combines serial punctualism with the densely massed elements characteristic of the mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protocol (computing)
A communication protocol is a system of rules that allows two or more entities of a communications system to transmit information via any kind of variation of a physical quantity. The protocol defines the rules, syntax, semantics and synchronization of communication and possible error recovery methods. Protocols may be implemented by hardware, software, or a combination of both. Communicating systems use well-defined formats for exchanging various messages. Each message has an exact meaning intended to elicit a response from a range of possible responses pre-determined for that particular situation. The specified behavior is typically independent of how it is to be implemented. Communication protocols have to be agreed upon by the parties involved. To reach an agreement, a protocol may be developed into a technical standard. A programming language describes the same for computations, so there is a close analogy between protocols and programming languages: ''protocols are t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
