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MathTime
MathTime (sometimes MathTıme) is a Times-style mathematical typeface for TeX, created by Michael Spivak. MathTime has been widely adopted by academic publishers such as by Elsevier, American Physical Society, and Springer.Springer-Verlag �Leitfaden für die Produktion section 9.2 ( German) A distinguishable symbol in this font is the integral sign which appears in many mathematical, physical, and engineering journals. Releases MathTime 1.x & Plus These versions were sold by (the now defunct) Y&Y. Version 1.x contains math fonts (including italics) and symbols, while Plus added bold and "heavy" (extra bold) styles. MathTime Professional 2 Released by PCTeX, this is the current version of MathTime. It has a paid version known as Complete and a free version with limited features known as Lite. Key features of MathTime Professional 2 include: * Three optical sizes, for text (10 pt), super/subscripts (7pt), and second-order super/subscripts (5.5pt) respectively * Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Spivak
Michael David Spivak (25 May 19401 October 2020)Biographical sketch in Notices of the AMS', Vol. 32, 1985, p. 576. was an American mathematician specializing in differential geometry, an expositor of mathematics, and the founder of Publish-or-Perish Press. Spivak was the author of the five-volume ''A Comprehensive Introduction to Differential Geometry''. Biography Spivak was born in Queens, New York. He received an A.B. from Harvard University in 1960, while in 1964 he received a Ph.D. from Princeton University under the supervision of John Milnor, with thesis ''On Spaces Satisfying Poincaré Duality''. In 1985 Spivak received the Leroy P. Steele Prize. Spivak lectured on elementary physics. Spivak's book, ''Physics for Mathematicians: Mechanics I'' (published December 6, 2010), contains the material that these lectures stemmed from and more. Spivak was also the designer of the MathTime Professional 2 fonts (which are widely used in academic publishing) and the creator of '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Times New Roman
Times New Roman is a serif typeface. It was commissioned by the British newspaper ''The Times'' in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in ''The Times's'' advertising department. It has become one of the most popular typefaces of all time and is installed on most desktop computers. Asked to advise on a redesign, Morison recommended that ''The Times'' change their text typeface from a spindly nineteenth-century face to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a common trend in printing tastes of the period. Morison proposed an older Monotype typeface named Plantin as a basis for the design, and Times New Roman mostly matches Plantin's dimensions. The main change was that the contrast between strokes was enhanced to give a crisper image. The new design made i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Times New Roman
Times New Roman is a serif typeface. It was commissioned by the British newspaper ''The Times'' in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in ''The Times's'' advertising department. It has become one of the most popular typefaces of all time and is installed on most desktop computers. Asked to advise on a redesign, Morison recommended that ''The Times'' change their text typeface from a spindly nineteenth-century face to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a common trend in printing tastes of the period. Morison proposed an older Monotype typeface named Plantin as a basis for the design, and Times New Roman mostly matches Plantin's dimensions. The main change was that the contrast between strokes was enhanced to give a crisper image. The new design made i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
XITS Font Project
The XITS font project is an OpenType implementation of STIX fonts version 1.x with math support for mathematical and scientific publishing. The main mission of the Times-like XITS typeface is to provide a version of STIX fonts enriched with the OpenType MATH extension. Features * OpenType mathematical layout features needed for use with new formula editor in MS Office 2007 and the new TeX engines XeTeX and LuaTeX, providing high quality mathematical typesetting. * Right to left and Arabic mathematical notation support (since version 1.011). * General OpenType features in text fonts (Kerning, Standard Ligatures, Fractions, Small Caps, and Inferior, Superior and Oldstyle Figures). See also * STIX Fonts project * Unicode typefaces * List of fonts Other OpenType fonts with mathematical layout extensions: * Asana Math * Latin Modern Math XITS is shipped with: * TeX Live References External links XITS font project official siteXITSat CTAN CTAN (an acronym for "Comprehen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
STIX
Stix or STIX may refer to: People * Stix Hooper (born 1938), American jazz musician * Gary Stix, American journalist * Thomas H. Stix (1924–2001), American physicist * Christine Stix-Hackl (born 1957), Austrian jurist Arts and entertainment * ''Stix'' (public art installation), a 2015 work by Christian Moeller * ''STIX'' (video game), a Commodore 64 video game * Stix, an animated stick character in the video game '' Bubba 'n' Stix'' * The stiX, a British music project * '' The Stix'', a 2003 album by Jaga Jazzist Computing * STIX Fonts project, providing mathematical symbols * Structured Threat Information eXpression, a structured language for cyber threat intelligence Other uses * Stix Baer & Fuller, an American department store chain (1892–1984) * Stix, Baer and Fuller F.C. Stix, Baer and Fuller F.C. was a U.S. soccer club which played in the St. Louis Soccer League from 1931 to 1934. The team was known as Hellrungs from 1929 to 1931, St. Louis Central Breweries F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackboard Bold
Blackboard bold is a typeface style that is often used for certain symbols in mathematical texts, in which certain lines of the symbol (usually vertical or near-vertical lines) are doubled. The symbols usually denote number sets. One way of producing blackboard bold is to double-strike a character with a small offset on a typewriter. Thus, they are also referred to as double struck. In typography, such a font with characters that are not solid is called an "inline", "shaded", or "tooled" font. History Origin In some texts, these symbols are simply shown in bold type. Blackboard bold in fact originated from the attempt to write bold letters on blackboards in a way that clearly differentiated them from non-bold letters (by using the edge rather than the point of a chalk). It then made its way back into print form as a separate style from ordinary bold, possibly starting with the original 1965 edition of Gunning and Rossi's textbook on complex analysis. Use in textbooks In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script (typefaces)
Script typefaces are based upon the varied and often fluid stroke created by handwriting. They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting. Styles Script typefaces are organized into highly regular formal types similar to cursive writing and looser, more casual scripts. Formal scripts A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham, George Shelley and George Snell. The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes. Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter's typeface Snell Roundhand. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Mathematical Society
The American Mathematical Society (AMS) is an association of professional mathematicians dedicated to the interests of mathematical research and scholarship, and serves the national and international community through its publications, meetings, advocacy and other programs. The society is one of the four parts of the Joint Policy Board for Mathematics and a member of the Conference Board of the Mathematical Sciences. History The AMS was founded in 1888 as the New York Mathematical Society, the brainchild of Thomas Fiske, who was impressed by the London Mathematical Society on a visit to England. John Howard Van Amringe was the first president and Fiske became secretary. The society soon decided to publish a journal, but ran into some resistance, due to concerns about competing with the American Journal of Mathematics. The result was the '' Bulletin of the American Mathematical Society'', with Fiske as editor-in-chief. The de facto journal, as intended, was influential i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operation (mathematics)
In mathematics, an operation is a function which takes zero or more input values (also called "'' operands''" or "arguments") to a well-defined output value. The number of operands is the arity of the operation. The most commonly studied operations are binary operations (i.e., operations of arity 2), such as addition and multiplication, and unary operations (i.e., operations of arity 1), such as additive inverse and multiplicative inverse. An operation of arity zero, or nullary operation, is a constant. The mixed product is an example of an operation of arity 3, also called ternary operation. Generally, the arity is taken to be finite. However, infinitary operations are sometimes considered, in which case the "usual" operations of finite arity are called finitary operations. A partial operation is defined similarly to an operation, but with a partial function in place of a function. Types of operation There are two common types of operations: unary a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boldface
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech. Methods and use The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: ''italics'', boldface and . Other methods include the alteration of LETTER CASE and as well as and *additional graphic marks*. Font styles and variants The human eye is very receptive to differences in "brightness within a text body." Therefore, one can differentiate between types of emphasis according to whether the emphasis changes the " blackness" of text, sometimes referred to as typographic color. A means of emphasis that does not have much effect on blackness is the use of ''italics'', where the text is written in a script style, or '' oblique'', where the vertical orientation of each letter of the text is slanted to the left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point (typography)
In typography, the point is the smallest unit of measure. It is used for measuring font size, leading, and other items on a printed page. The size of the point has varied throughout printing's history. Since the 18th century, the size of a point has been between 0.18 and 0.4 millimeters. Following the advent of desktop publishing in the 1980s and 1990s, digital printing has largely supplanted the letterpress printing and has established the DTP point (DeskTop Publishing point) as the ''de facto'' standard. The DTP point is defined as of an international inch () and, as with earlier American point sizes, is considered to be of a pica. In metal type, the point size of the font describes the height of the metal body on which the typeface's characters were cast. In digital type, letters of a font are designed around an imaginary space called an '' em square''. When a point size of a font is specified, the font is scaled so that its em square has a side length of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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