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Mark Reyzen
Mark Osipovich Reizen, also Reisen or Reyzen (russian: Марк Осипович Рейзен, – November 25, 1992), PAU, was a leading Soviet opera basso singer. Life and career Reizen was born into a Jewish family of mine workers in 1895 at Zaitsevo village in Ekaterinoslav province (now Horlivka, Donetsk Oblast, Ukraine). He had four brothers and a sister, and all were trained in music, playing mandolin, guitar, balalaika and accordion. He served as a soldier in the First World War. He studied engineering at the Kharkiv Politechnic, and also voice at the Kharkiv Conservatory with the Italian professor Federico Bugamelli in 1919–1920. He debuted at the Kharkiv Opera in 1921 as Pimen in Mussorgsky's '' Boris Godunov'', and in 1925 moved to the Mariinsky Theatre in Leningrad. Reizen toured Europe performing in Paris, Berlin, Monte Carlo and London in 1929–1930. A tall man commanding a strong stage presence, he joined the Bolshoi Theatre in 1930, remaining the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Reizen 1
Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * Finnish markka ( sv, finsk mark, links=no), the currency of Finland from 1860 until 28 February 2002 * Mark (currency), a currency or unit of account in many nations * Polish mark ( pl, marka polska, links=no), the currency of the Kingdom of Poland and of the Republic of Poland between 1917 and 1924 German * Deutsche Mark, the official currency of West Germany from 1948 until 1990 and later the unified Germany from 1990 until 2002 * German gold mark, the currency used in the German Empire from 1873 to 1914 * German Papiermark, the German currency from 4 August 1914 * German rentenmark, a currency issued on 15 November 1923 to stop the hyperinflation of 1922 and 1923 in Weimar Germany * Lodz Ghetto mark, a special currency for Lodz Ghett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth nobleman, Wiktoryn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex texture (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleko (opera)
''Aleko'' (russian: Алеко, links=no) is the first of three completed operas by Sergei Rachmaninoff. The Russian libretto was written by Vladimir Nemirovich-Danchenko and is an adaptation of the 1827 poem '' The Gypsies'' by Alexander Pushkin. The opera was written in 1892 as a graduation work at the Moscow Conservatory, and it won the highest prizes from the conservatory judges that year. It was first performed in Moscow on 9 May 1893. Performance history The Bolshoi Theatre's premiere took place on 9 May ( O.S. 27 April) 1893 in Moscow. The composer conducted another performance in Kiev on 18/30 October 1893. (Tchaikovsky had attended the Moscow premiere of ''Aleko'', and Rachmaninoff had intended to hear the premiere of Tchaikovsky's ''Pathétique'' Symphony on 16/28 October, but had to catch a train for Kiev to fulfill his ''Aleko'' conducting engagement.) A Pushkin centenary celebration performance on 27 May 1899 at the Tauride Palace in Saint Petersburg featured Feod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—''Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadko (opera)
''Sadko'' ( rus, Садко, link=no, Sadkó , the name of the main character) is an 1898 opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a tone poem on the subject, his Op. 5. After finishing his second revision of this work in 1891, he decided to turn it into a dramatic work. The music is highly evocative, and Rimsky-Korsakov's famed powers of orchestration are abundantly evident throughout the score. According to the Soviet critic Boris Asafyev, writing in 1922, ''Sadko'' constitutes the summit of Rimsky-Korsakov's craft. From the opus 5 tone poem the composer quoted its most memorable passages, including the opening theme of the swelling sea, and other themes as leitmotivesAbraham, pp. 96–97. – he himself set out to "utilize for this opera the material of my symphonic poem, and, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart And Salieri (opera)
''Mozart and Salieri'' ( rus, Моцарт и Сальери, Motsart i Salyeri ) is a one-act opera in two scenes by Nikolai Rimsky-Korsakov, written in 1897 to a Russian libretto taken almost verbatim from Alexander Pushkin's 1830 verse drama of the same name. The story follows the apocryphal legend that Antonio Salieri poisoned Wolfgang Amadeus Mozart out of jealousy over the latter's music. Rimsky-Korsakov incorporated quotations from Mozart's '' Requiem'' and '' Don Giovanni'' into the score. Richard Taruskin has placed this opera in the historical context of the development of the realistic tradition in Russian opera. Performance history The first performance took place at the Solodovnikov Theater in Moscow, presented by the Moscow Private Russian Opera, Moscow on 7 December 1898 ( O.S. 25 November). The conductor was Iosif Truffi and scenic designer was Mikhail Vrubel. Feodor Chaliapin, who originated the role of Salieri, claimed to have often sung the piece as a mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the '' Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evgeny Onegin
''Eugene Onegin, A Novel in Verse'' ( pre-reform Russian: ; post-reform rus, Евгений Оне́гин, ромáн в стихáх, p=jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, r=Yevgeniy Onegin, roman v stikhakh) is a novel in verse written by Alexander Pushkin. ''Onegin'' is considered a classic of Russian literature, and its eponymous protagonist has served as the model for a number of Russian literary heroes (so-called ''superfluous men''). It was published in serial form between 1825 and 1832. The first complete edition was published in 1833, and the currently accepted version is based on the 1837 publication. Almost the entire work is made up of 389 fourteen-line stanzas (5,446 lines in all) of iambic tetrameter with the unusual rhyme scheme , where the uppercase letters represent feminine rhymes while the lowercase letters represent masculine rhymes. This form has come to be known as the " Onegin stanza" or the "Pushkin sonnet". The innovative rhyme scheme, the natural tone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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