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Mariachi Vargas
Mariachi (, , ) is a genre of regional Mexican music that dates back to at least the 18th century, evolving over time in the countryside of various regions of western Mexico. The usual mariachi group today consists of as many as eight violins, two trumpets and at least one guitar, including a high-pitched vihuela and an acoustic bass guitar called a guitarrón, and all players taking turns singing lead and doing backup vocals. From the 19th to 20th century, migrations from rural areas into Guadalajara, along with the Mexican government's cultural promotion gradually re-labeled it as ''son'' style, with its alternative name of ''mariachi'' becoming used for the 'urban' form. Modifications of the music include influences from other music such as polkas and waltzes, the addition of trumpets and the use of charro outfits by mariachi musicians. The musical style began to take on national prominence in the first half of the 20th century, with its promotion at presidential in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Jalisciense
Son jalisciense is a variety of Mexican son music from which modern mariachi music is derived. This ''son'' also relied on the same basic instruments, rhythms and melodies as the sones of Veracruz and other locations, using the same string instruments. By the 19th century, Son jalisciense developed to be played with one vihuela, two violins and a guitarrón (which replaced the harp). The best known song of this type of ''son'' is called “La Negra”. Modern mariachi developed when brass instruments such as trumpets were added. Son jalisciense has both instrumental and vocal songs in this form, mostly in major keys. It is performed by mariachi ensembles. It has an alternating rhythmic pattern in the harmony (guitars, vihuela) and guitarrón. Basic pattern consists of one measure of with the next measure of . See also * Mariachi *Mexican son music *Son calentano *Son jarocho *Son huasteco Son huasteco is one of eight Mexican song styles and is a traditional Mexican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarabe
The jarabe is one of the most traditional song forms of the mariachi genre. In the Spanish language, ''jarabe'' literally means ''syrup'', which probably refers to the mixture of meters within one ''jarabe'' (compare ''Salsa music, salsa''). Typically, a jarabe will go from a to others sections with , , return to and end in another meter. The 6/8 rhythmic pattern is a constant pattern with no ''contratiempos'' as in the ''son jaliscience''. Although today the ''jarabes'' are instrumental songs only, the ''jarabes'' originated as a medley of favorite regional ''sones'' and ''canciones''. The regional nature of the ''jarabes'' are often visible in their name, e.g. ''Jarabe tapatío'' (''Tapatío'' is something or someone from the city of Guadalajara, Jalisco). The ''jarabe'' is traditionally performed with dancers, and in its traditional form constituted a highly improvised choreographic tradition. While most jarabes from Jalisco are not sung, those from Zacatecas do have verses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huapango
is a family of Mexican music styles. The word likely derives from the Nahuatl word that literally means 'on top of the wood', alluding to a wooden platform on which dancers perform dance steps. It is interpreted in different forms, the most common being the classic interpreted by a trio of musicians (); the interpreted by a group (); and the , which can be performed by a large group of musicians. () The classical brings together a violin, a and a . The classical is characterized by a complex rhythmic structure mixing duple and triple metres which reflect the intricate steps of the dance. When the players sing (in a duet, in a falsetto tone), the violin stops, and the (the rhythm provided by heels hitting the floor) softens. The is danced by men and women as couples. A very popular is , in which two singers alternate pert and funny repartées. Huapango arribeño or son arribeño is a style of music played in the "zona media" region (part of San Luis Potosi, Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Mexicano
Son mexicano () is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called ''son''. The term son literally means "sound" in Spanish, and is also applied to other unrelated genres, most notably son cubano. Major son traditions are located in the La Huasteca region, the Gulf coast, the Pacific coast of Guerrero and Oaxaca, Michoacán and Jalisco (where it morphed into mariachi). The music is based on string instruments such as guitars and violins, with elements which have not changed since the Spanish Baroque music that was introduced into Mexico during the colonial period. The dance associated with this music is social and often includes a stomping rhythm on a raised platform to provide percussion. Definition The term "son" is given to a category of Mexican folk music which covers a variety of styles that vary by region. However, these styles share a number of common characteristics in its rhythms, lyrics and dance. The music is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentimental Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, enslaved Africans during colonial times, and Europeans. Examples include: * Colombian cumbia, is a musical rhythm and traditional folk dance from Colombia. It has elements of three different cultures, American Indigenous, African, and Spanish, being the result of the long and intense meeting of these cultures during the Conquest and the Colony. * Panamanian cumbia, Panamanian folk dance and musical genre, developed by enslaved people of African descent during colonial times and later syncretized with American Indigenous and European cultural elements. Regional adaptations of Colombian cumbia Argentina * Argentine cumbia * Cumbia villera, a subgenre of Argentine cumbia born in the slums * Fantasma, a 2001 group formed by Martín Roisi and Pablo Antico * Cumbia santafesina, a musical genre emerged in Santa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrido
The corrido () is a popular narrative metrical tale and poetry that forms a ballad. The songs are often about oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant topics. Corridos were widely popular during the Mexican Revolution, and in the Southwestern American frontier as it was also a part of the development of Tejano music and New Mexico music, which later influenced Western music. The ''corrido'' derives largely from the romance, and in its most known form consists of a salutation from the singer and prologue to the story, the story itself, and a moral and farewell from the singer. It is still a popular genre today in Mexico. Outside Mexico corridos are popular in Chilean national celebrations of Fiestas Patrias. History Corridos play an important part in Mexican and Mexican American culture. The name comes from the Spanish word ''correr'' ("to run"). The formula of a standard corrido is of eight quatrains that have four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranchera
Ranchera () or canción ranchera is a genre of traditional music of Mexico. It dates to before the years of the Mexican Revolution. Rancheras today are played in virtually all regional Mexican music styles. Drawing on rural traditional folk music, the ranchera developed as a symbol of a new national consciousness in reaction to the aristocratic tastes of the period. The classic "rancheras" songs usually talk about life in Mexico not only in rural areas, but also portray life in Mexico at the time of the bandits. That said, it refers to romanticizing canteens,charros "Mexican cowboy", firearms, love affairs and duels. Definitions The word ''ranchera'' was derived from the word ''rancho'' because the songs originated on the ranches and in the countryside of rural Mexico. Traditional themes in rancheras are about love, patriotism or nature. Rhythms can have a meter in (in slow tempo: '' ranchera lenta'' and faster tempo: ''ranchera marcha''), (''ranchera valseada''), or ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intangible Cultural Heritage
An intangible cultural heritage (ICH) is a practice, representation, expression, knowledge, or skill considered by UNESCO to be part of a place's cultural heritage. Buildings, historic places, monuments, and artifacts are cultural property. Intangible heritage consists of nonphysical intellectual wealth, such as folklore, customs, beliefs, traditions, knowledge, and language. Intangible cultural heritage is considered by member states of UNESCO in relation to the tangible World Heritage focusing on intangible aspects of culture. In 2001, UNESCO made a survey among States and NGOs to try to agree on a definition, and the Convention for the Safeguarding of the Intangible Cultural Heritage was drafted in 2003 for its protection and promotion. Definition The Convention for the Safeguarding of the Intangible Cultural Heritage defines the intangible cultural heritage as the practices, representations, expressions, as well as the knowledge and skills (including instruments, obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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