Margherita Durastanti
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Margherita Durastanti
Margherita Durastanti (active 1700–1734) was an Italian singer of the 18th century. Vocally, she is best described as a soprano, though later in her career her tessitura descended to that of a mezzo-soprano. First heard of professionally in Mantua in 1700–01, she later appeared in Bologna and Reggio Emilia (1710), Milan and Reggio (1713) and Florence (1715). Today she is particularly remembered for her association with the composer George Frideric Handel: indeed she enjoyed a longer personal association with the composer than any other musician. As well as performing many of his early Italian solo cantatas, Durastanti's first roles for Handel included Mary Magdalene in his oratorio '' La resurrezione'' (1708) and the title role in '' Agrippina'' (1709), in her capacity as ''prima donna'' of the S Giovanni Grisostomo Theatre in Venice, where she sang from 1709 to 1712. After singing at Parma, Florence, Naples (where she appeared in operas by Scarlatti), and, in 1719, Dresden, s ...
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Margherita Durastanti
Margherita Durastanti (active 1700–1734) was an Italian singer of the 18th century. Vocally, she is best described as a soprano, though later in her career her tessitura descended to that of a mezzo-soprano. First heard of professionally in Mantua in 1700–01, she later appeared in Bologna and Reggio Emilia (1710), Milan and Reggio (1713) and Florence (1715). Today she is particularly remembered for her association with the composer George Frideric Handel: indeed she enjoyed a longer personal association with the composer than any other musician. As well as performing many of his early Italian solo cantatas, Durastanti's first roles for Handel included Mary Magdalene in his oratorio '' La resurrezione'' (1708) and the title role in '' Agrippina'' (1709), in her capacity as ''prima donna'' of the S Giovanni Grisostomo Theatre in Venice, where she sang from 1709 to 1712. After singing at Parma, Florence, Naples (where she appeared in operas by Scarlatti), and, in 1719, Dresden, s ...
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Alexander Pope
Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, Pope is best known for his satirical and discursive poetry including '' The Rape of the Lock'', '' The Dunciad'', and ''An Essay on Criticism,'' and for his translation of Homer. After Shakespeare, Pope is the second-most quoted author in ''The Oxford Dictionary of Quotations'', some of his verses having entered common parlance (e.g. " damning with faint praise" or " to err is human; to forgive, divine"). Life Alexander Pope was born in London on 21 May 1688 during the year of the Glorious Revolution. His father (Alexander Pope, 1646–1717) was a successful linen merchant in the Strand, London. His mother, Edith (1643–1733), was the daughter of William Turner, Esquire, of York. Both parents were Catholics. His mother's sister was ...
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Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ...
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Italian Operatic Sopranos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus The Ping-Pong virus (also called Boot, Bouncing Ball, Bouncing Dot, Italian, Italian-A or VeraCruz) is a boot sector virus discovered on March 1, 1988, at the '' Politecnico di Torino'' (Turin Polytechnic University) in Italy. It was likely the ..., an extinct computer virus See also ...
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Italian Operatic Mezzo-sopranos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Winton Dean
Winton Basil Dean (18 March 1916 – 19 December 2013) was an English musicologist of the 20th century, most famous for his research on the life and works—in particular the operas and oratorios—of George Frideric Handel, as detailed in his book ''Handel's Dramatic Oratorios and Masques'' (1959). Dean was born in Birkenhead in March 1916, the son of the film and theatre producer Basil Dean.Sadie, Stanley. Winton (Basil) Dean. In: '' The New Grove Dictionary of Opera''. Macmillan, London & New York, 1997. He was educated at Harrow and King's College, Cambridge, where he took part in stagings of Handel oratorios in the 1930s. After World War II, he became notable as a writer on music, particularly when he published several articles about the compositions of Bizet, starting with ''La Coupe du roi de Thulé'' in '' Music & Letters'' in 1947. He considerably rewrote his 1948 book on Bizet in 1965 due to new material and music of the composer which had since emerged. Porter, Andrew ...
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Floridante
''Floridante'' ( HWV 14) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Paolo Antonio Rolli after Francesco Silvani's libretto for Marc'Antonio Ziani dramma per musica ''La costanza in trionfo'' of 1696. The opera was first given at the King's Theatre in London on 9 December 1721 and was a success with audiences, being revived by Handel in several subsequent seasons. The plot involves dynastic struggles and love tangles in a fictionalised Ancient Persia and is notable for an exceptionally beautiful duet, "Ah, mia cara." Background The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera '' Rinaldo''. A tremendous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appoin ...
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Charles Burney
Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist and book donor to the British Museum. He was a close friend and supporter of Joseph Haydn. Early life and career Charles Burney was born at Raven Street, Shrewsbury, the fourth of six children of James Macburney (1678–1749), a musician, dancer and portrait painter, and his second wife Ann (''née'' Cooper, c. 1690–1775). In childhood he and a brother Richard (1723–1792) were for unknown reasons sent to the care of a "Nurse Ball" at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was later sent in 1739 to The King's School, Chester, where his father then lived and worked. His first music master was a Mr Baker, the cathedral organist, and a pupil of Dr John Blow. Returning to ...
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Carestini
Giovanni Carestini (13 December 1700 in Filottrano, near Ancona – 1760 in Filottrano) was an Italian castrato of the 18th century, who sang in the operas and oratorios of George Frideric Handel. He is also remembered as having sung for Johann Adolf Hasse and Christoph Willibald Gluck. Career Giovanni Carestini was born on 13 December 1700 in Filottrano. He was the son of Marco Felice Carestini and Vittoria Costantini. He was baptized two days after his birth by Don Nicola Gentiloni, provost of the Church of Santa Maria Assunta in Filottrano. In that occasion it was given the name Giovanni Maria Bernardino. The godfathers of his baptism were Felice Lancioni and Olimpia Felice Gentiloni, wife of Alessandro Gentiloni, a noble man of Filottrano. Since he was a child he had an exquisite and sweet voice. Carestini's career began in Milan in 1719, patronised at the time by the Cusani family (hence the alternative name Cusanino). He sang for Alessandro Scarlatti in Rome in 1721. ...
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Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example '' Oreste'' (1734), '' Alessandro Severo'' (1738) and '' Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they ...
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Il Pastor Fido
''Il pastor fido'' (''The Faithfull Shepherd'' in Richard Fanshawe's 1647 English translation) is a pastoral tragicomedy set in Arcadia by Giovanni Battista Guarini, first published in 1590 in Venice. Plot summary To redress an ancient wrong, the gods of Arcadia every year demand the sacrifice of a virgin. According to the oracle, this curse can only be lifted when a young man and a young woman, each of godly descent, are wed. In Arcadia there are now only two that can claim such lineage: the young Silvio (the son of the priest Montano, and a descendant of Hercules) and the nymph Amarilli (the daughter of Titiro, and a descendant of Pan). Thus the two have been promised to each other in marriage. The play unfolds a double plot. One storyline follows Silvio, who cares only for the hunt and gives no thought to love or to his impending marriage. Silvio is pursued by a nymph named Dorinda. She tries to win his love in several ways, but he scorns her affections. One day D ...
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Ottone
''Ottone, re di Germania'' ("Otto, King of Germany", HWV 15) is an opera by George Frideric Handel, to an Italian–language libretto adapted by Nicola Francesco Haym from the libretto by Stefano Benedetto Pallavicino for Antonio Lotti's opera ''Teofane''. It was the first new opera written for the Royal Academy of Music (1719)'s fourth season and had its first performance on 12 January 1723 at the King's Theatre, Haymarket in London. Handel had assembled a cast of operatic superstars for this season and the opera became an enormous success. The story of the opera is a fictionalisation of some events in the lives of Adalbert of Italy, his mother Willa of Tuscany (called "Gismonda" in the opera), Otto II, and the Byzantine Princess Theophanu, who became the wife of Otto II in a state marriage intended to form an alliance between the Byzantine and Holy Roman empires. Background The German-born Handel, after spending some of his early career composing operas and other pieces ...
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