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Margherita Aldobrandini
Margherita Aldobrandini (29 March 1588 — 9 August 1646), was an Italian noblewoman member of the Aldobrandini family and by marriage Duchess consort of Parma and Piacenza during 1600–1622. She was also Regent of both Duchies during 1626–1628 on behalf of her minor son. Life Family and early years Born in the castle of Capodimonte in the Duchy of Castro on 29 March 1588, Margherita was the eldest child and daughter of Gianfrancesco Aldobrandini and Olimpia Aldobrandini, niece of Cardinal Ippolito Aldobrandini, who became in Pope Clement VIII in 1592. In 1593, at the invitation of her uncle, the pontiff, Margherita's parents moved to Rome. The Pope wanted to strengthen the position of the Aldobrandini family in the Papal States and provided patronage to his relatives. Margherita's father enjoyed special confidence in the pontiff, who bestowed on him the titles of Count of Sarsina and Meldola (later elevated to the rank of Prince in 1597), and her mother was his favorite niece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomé González Y Serrano
Bartolomé González y Serrano (1564–1627) was a Spanish Baroque painter specializing in portraits that represent a continuation of Renaissance court portrait types practiced by Alonso Sánchez Coello and especially by Juan Pantoja de la Cruz. Biography González was born in Valladolid, and studied under Patricio Caxés and Juan Pantoja de la Cruz. He moved to Madrid, where he is documented from 1607, focusing on the execution of portraits for the Royal Court with Rodrigo de Villandrando and Andrés López Polanco. From 1617 he served as painter to King Philip III of Spain, occupying the place left vacant by Fabrizio Castello. His work was almost exclusively dedicated to the production of portraits of the royal family, and were composed from various European courts, under the direction of Juan Pantoja de la Cruz. González focused on the minutely detailed embroidery, jewelry and other decorative pieces, leaving the faces, treated with chiaroscuro technique, as stiff and expres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Castro
The Duchy of Castro was a fiefdom in central Italy formed in 1537 from a small strip of land on what is now Lazio's border with Tuscany, centred on Castro, a fortified city on a tufa cliff overlooking the Fiora River which was its capital and ducal residence. While technically a vassal state of the Papal States, it enjoyed ''de facto'' independence under the rule of the House of Farnese until 1649, when it was subsumed back into the Papal States and administered by the House of Stampa di Ferentino.Lunario Romano, Palazzi Municipali del Lazio 1984 The title of Duke of Castro has been held since the late 1860s by the claimant to the headship of the House of Bourbon-Two Sicilies, since the Kingdom of the Two Sicilies was annexed to the newborn Kingdom of Italy. Prince Carlo, Duke of Castro currently holds the tile. It was created a duchy by Pope Paul III (1534–1549) in the bull '' Videlicet immeriti'' on 31 October 1537, with his son Pier Luigi Farnese and his firstborn male ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Loves Of The Gods
''The Loves of the Gods'' is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century. Production Cardinal Odoardo Farnese, Pope Paul III's nephew, commissioned Annibale Carracci and his workshop to decorate the barrel-vaulted gallery on the ''piano nobile'' of the family palace. Work was started in 1597 and was not entirely finished until 1608, one year before Annibale's death. His brother Agostino Carracci, Agostino joined him from 1597 to 1600, and other artists in the workshop included Giovanni Lanfranco, Francesco Albani, Domenichino, and Sisto Badalocchio. Scheme a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epithalamium
An epithalamium (; Latin form of Greek ἐπιθαλάμιον ''epithalamion'' from ἐπί ''epi'' "upon," and θάλαμος ''thalamos'' nuptial chamber) is a poem written specifically for the bride on the way to her marital chamber. This form continued in popularity through the history of the classical world; the Roman poet Catullus wrote a famous epithalamium, which was translated from or at least inspired by a now-lost work of Sappho. According to Origen, the Song of Songs might be an epithalamium on the marriage of Solomon with Pharaoh's daughter. History It was originally among the Greeks a song in praise of bride and bridegroom, sung by a number of boys and girls at the door of the nuptial chamber. According to the scholiast on Theocritus, one form was employed at night, and another, to rouse the bride and bridegroom on the following morning. In either case, as was natural, the main burden of the song consisted of invocations of blessing and predictions of happiness, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odoardo Farnese (cardinal)
Odoardo Farnese (6 December 1573 – 21 February 1626) was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626. Cardinal Odoardo is probably best known today for commissioning the Bolognese artist Annibale Carracci to fresco the Camerino in the Palazzo Farnese in Rome. Carracci undertook this from 1595 to 1597, just prior to starting his decoration of the more famous and elaborate Farnese Gallery in the same palace. The Camerino The Camerino was Farnese's private study. The subject of the central scene in the ceiling is '' The Choice of Hercules''. The scene is surrounded by a painted frame, an example of ''quadro riportato'', which gives the illusion of a framed oil painting hung on the ceiling when in reality both the scene and its fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Aldobrandini
Pietro Aldobrandini (31 March 1571 – 10 February 1621) was an Italian cardinal and patron of the arts. Biography He was made a cardinal in 1593 by his uncle, Pope Clement VIII. He took over the duchy of Ferrara in 1598 when it fell to the Papal States. On 17 Oct 1604, he was consecrated bishop by Pope Clement VIII, with François-Marie Tarugi, Archbishop of Siena, Alessandro Ottaviano de' Medici, Cardinal-Bishop of Palestrina, and Ottavio Bandini, Archbishop of Fermo, serving as co-consecrators. He became archbishop of Ravenna in 1604. He bought the Palazzo Doria Pamphilj The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was ..., and spent large sums on this and other buildings such as the Villa Aldobrandini. He was a patron of Torquato Tasso, and of Girolamo Frescobaldi. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus ( legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Asse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Piacenza
The Duchy of Parma and Piacenza ( it, Ducato di Parma e Piacenza, la, Ducatus Parmae et Placentiae), was an Italian state created in 1545 and located in northern Italy, in the current region of Emilia-Romagna. Originally a realm of the Farnese family after Pope Paul III made it a hereditary duchy for his son, Pier Luigi Farnese, it was ruled by the dynasty until 1731, when the last duke, Antonio Farnese, died without direct heirs. It was invaded by Napoleon and annexed by France, having its sovereignty restored in 1814 after Napoleon’s defeat. Napoleon's wife, Marie Louise (''Maria Luigia''), then ruled as its duchess until her death. Parma was restored to Bourbon rule in 1847, and in 1859, the duchy was formally abolished as it was integrated into the new Italian state. History The Duchy of Parma was created in 1545 from parts of the Duchy of Milan south of the Po River, which had been conquered by the Papal States in 1512. These territories, centered on the city of Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV Of France
Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon, a cadet branch of the Capetian dynasty. He was assassinated in 1610 by François Ravaillac, a Catholic zealot, and was succeeded by his son Louis XIII. Henry was the son of Jeanne III of Navarre and Antoine de Bourbon, Duke of Vendôme. He was baptised as a Catholic but raised in the Protestant faith by his mother. He inherited the throne of Navarre in 1572 on his mother's death. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the French royal army. Henry became king of France in 1589 upon the death of Henry III, his brother-in-law and distant cousin. He was the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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