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Mardala
Mardala () is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. The Mardala is used in a wide range of traditional art forms of Odisha, including Gotipua, Mahari, Odissi dance, Bhagabata Tungi, Sakhi Nata, Prahallada Nataka, Ramalila, Krusnalila, Rama Nataka, Sahi Jata, Medha Nacha, Bharata Lila, Bhutakeli Nata, Odisi Kirtana and more. History Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or ''vadyas'' : ''tat'' or stringed instruments, ''susira'' or wind instruments, ''anaddha'' or leather instruments / drums & finally ''ghana'' or metallic instruments. Out of these four, the Mardala falls under the category of ''anaddha vadya''s or drums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shastra''s or treatises, unique Ragas & Talas and a distinctive style of rendition. The various aspects of Odissi music include ''odissi prabandha, chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli,'' and more. Presentation dynamics are roughly classified into four: ''raganga'', ''bhabanga, natyanga'' and ''dhrubapadanga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, Balarama Dasa, ''Atibadi'' Jagannatha Dasa, Dinakrusna Dasa, ''Kabi Samrata'' Upendra Bhanja, Banamali Dasa, ''Kabisurjya'' Baladeba Ratha and ''Kabikalahansa'' Gopalakrusna Pattanayaka. According to Bharata Muni's ''Natya Shastra'', Indian classical music has four significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotipua
Gotipua is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (''goti-pua''). Raghurajpur, Odisha (near Puri) is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala. Dancers To transform into graceful feminine dancers the boys do not cut their hair, instead they style it into a knot and weaving garlands of flowers into it. They make up their faces with mixed white and red powder. ''Kajal'' (black eyeliner) is broadly applied arou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mukteshvara Temple, Bhubaneswar
Mukteshwara Temple (; also spelt Mukteswara) is a 10th-century Hindu temple dedicated to Shiva located in Bhubaneswar, Odisha, India. The temple dates back to 950–975 CE and is a monument of importance in the study of the development of Hindu temples in Odisha. The stylistic development the Mukteswara marks the culmination of all earlier developments, and initiates a period of experiment which continues for an entire century, as seen in such temples as the Rajarani Temple and Lingaraj temple, both located in Bhubaneswar. It is one of the prominent tourist attractions of the city. History The Mukteshvara Temple is found to be the earliest work from the Somavamshi period. Most scholars believe the temple is the successor to Parashurameshvara Temple and built earlier to the Brahmeswara Temple (1060 CE). Percy Brown puts the date of construction of the temple to 950 CE. The presence of a ''torana'', which is not part of any other temple in the region, makes this temple unique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Lila
Bharata Lila is an Indian performing theater form of Ganjam district of Odisha. The plot is based on characters of the Mahabharata, thus the name of the form. Because of the importance of a central character ''Duari,'' Arjuna's sentry, it is also called ''Duari Nata'' or ''Duari Llla''. The focal point of the plot is the story of Arjuna & Subhadra's romance, which is why it is also known as ''Subhadra Harana''. Apart from Ganjam, it is also performed in some parts in western Odisha. The play is known for its effective use of humour within the traditional storyline. A regular performance of Bharata Lila in the 21st century goes on for about 10–12 hours. In the last century performances used to last for a couple of days at a stretch. The ''badi'' is a performance method in Odisha's traditional artforms where opponents compete with each other. In urban settings, Bharata Lila performances are regularly condensed to just 2–3 hours owing to lack of time. The plot is based on Odia po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konark Sun Temple
Konark Sun Temple is a (year 1250) Sun temple at Konark about northeast from Puri city on the coastline in Puri district, Odisha, India.Konark: India , Encyclopædia Britannica The temple is attributed to king of the Eastern Ganga dynasty about . Dedicated to the Hindu Sun God Surya, what remains of the temple complex has the appearance of a high chariot with immense wheels and horses, all carved from stone. Once over high, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahallada Nataka
''Prahallada Nataka'' ( or, ପ୍ରହଲ୍ଲାଦ ନାଟକ ''Prahallāda Nāṭaka'', or simply ''Rajā Nāṭa)'' is a traditional play native to the Indian state of Odisha. It narrates the story of Vishnu's man-lion avatar, Nrusingha or Narasimha, through over 200 songs based on almost 30 ragas of Odissi music. The play is based on a text by Raja Ramakrusna Chhotaraya, King of Jalantara, a small kingdom in former southern Odisha, now in the Srikakulam district of Andhra Pradesh. History The district of Ganjam had eighteen feudal chiefs, or ''zamindars'', who called themselves Rajas. They were patrons of art, literature and culture. The ''Prahallada Nataka'' was born in one such kingdom, or ''zamindari''. The primary text of the ''Prahallada Nataka'' was written in the mid-19th century by Raja Ramakrusna Chhotaraya. Dr. Bhagaban Panda dates it to 1829-1927, Suresh Balabantaray places its creation from 1857-1905, and Dr. John Emigh dates it to 1870-80. Ramakrusna w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banamali Maharana
Banamali Maharana (, 16 May 1941 – 17 November 2018) was an Indian percussionist who played Mardala. Career Maharana began playing Khola (Mrudanga) and Dholak with Goswami. His formal training began after he joined the Annapurna Theatre, where he learned percussion from Singhari Shyamsundar Kar and Kshetramohan Kar. His brother, Guru Kelucharan Mohapatra accompanied him to most of his dance performances. Maharana started teaching Mardala at Kala Vikas Kendra in Cuttack and then at Utkal Sangeet Mahavidyalaya. He introduced a seven-year course in Mardala music at the Utkal Sangeet Mahavidyalaya before retiring as the Head of the Mardala department in 1999. Maharana was the most sought-after Mardal player for Odissi performances in his time. Besides Kelucharana, Banamali accompanied Sanjukta Panigrahi, Oopali Operajita, Priyambada Mohanty Hejmadi, Sonal Mansingh, Aruna Mohanty, Sujata Mohapatra Sujata Mohapatra (born 27 June 1968) is an Indian classical dancer and te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utkal Sangeet Mahavidyalaya
Utkal Sangeet Mahavidyalaya is a performing arts-cum-educational institution in Bhubaneswar, Odisha, India. History and Accreditation Utkal Sangeet Mahavidyalaya was established by former Chief minister of Odisha Biju Patnaik on 14 April 1964, under Administrative Control of Odisha Sangeet Natak Academi (OSNA) till 1981. Then, from 1981 to 1999 it was affiliated to Utkal University. Presently, Higher secondary course of this institution affiliated to CHSE, Odisha and Bachelor's and Master's Degree are affiliated to Utkal University of Culture since 1999. Academics It has several departments in the performing arts that students can choose to pursue, such as dance, drama, classical vocal, different musical instruments. * Department of Vocal Music * Department of Instrumental Music * Department of Dance * Department of Drama It offers 7 years of education and training, and includes a two year Higher Secondary School Certificate, a three year Bachelor of Arts, and a two year Mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utkal University Of Culture
Utkal University of Culture is a Public university in Bhubaneswar, Odisha dedicated for research, teaching and education in the field of culture. History Utkal University of Culture established by an ordinance on 9 June 1999, which was later replaced by ''Utkal University of Culture Act 1999''. It was established as a teaching-cum-affiliating university to engage itself to preserve, promote, propagate and protect the richness of Odisha's cultural values. Academics The university offers Postgraduate education, Master of Philosophy, and Doctor of Philosophy courses in following sections. * Faculty of Culture Studies * Faculty of Architecture and Archaeology * Faculty of Language and Literature * Faculty of Visual Arts * Faculty of Performing Art * Certificate Courses (Jaina & Tamil) Affiliated Institutes The university give affiliation to various Art and Craft, Hotel Management institutes in the state of Odisha. Some prominent institutes among them are Utkal Sangeet Mahavidyala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhubaneswar
Bhubaneswar (; ) is the capital and largest city of the Indian state of Odisha. The region, especially the old town, was historically often depicted as ''Ekamra Kshetra'' (area (''kshetra'') adorned with mango trees (''ekamra'')). Bhubaneswar is dubbed the "Temple City", a nickname earned because of the 700 temples which once stood there. In contemporary times, it has emerged as an education hub and an attractive business destination. Although the modern city of Bhubaneswar was formally established in 1948, the history of the areas in and around the present-day city can be traced to the 7th century BCE and earlier. It is a confluence of Hindu, Buddhist and Jain heritage and includes several Kalingan temples, many of them from 6th–13th century CE. With Puri and Konark it forms the 'Swarna Tribhuja' ("Golden Triangle"), one of Eastern India's most visited destinations.Ramesh Prasad Mohapatra, ''Archaeology in Orissa'', Vol I, Page 47, B. R. Publishing Corporation, Delhi, 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Dhaneswar Swain Playing Mardala (3)
Guru ( sa, गुरु, IAST: ''guru;'' Pali'': garu'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or '' shisya'' in Sanskrit, literally ''seeker f knowledge or truth'' or student, with the guru serving as a "counselor, who helps mold values, shares experiential knowledge as much as literal knowledge, an exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown explains that a tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the same potentialities that the ''guru'' has already realized. The oldest references to the concept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa * Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
