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Marching Percussion
Marching percussion instruments are instruments specially designed to be played while moving. This is achieved by attaching the drum(s) to a special harness (also called a carrier or rack) worn by the drummer, although not all marching bands use such harnesses and instead use traditional baldrics to sling their drums (the British Armed Forces, for instance, still use the old style of slung drums). The drums are designed and tuned for maximum articulation and projection of sound, as marching activities are almost always outdoors or in large interior spaces. These instruments are used by marching bands, corps of drums, drum and bugle corps, fanfare bands, indoor percussion ensembles, and pipe bands. A marching percussion ensemble is frequently known as a "drumline" or "battery." Breakdown Drumline A "''drumline''," also known as the "''battery''," or "''batterie''," is a section of percussion instruments usually played as part of a musical marching ensemble. A drumline can als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Line Dorito
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses Dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th Tonbridge Scout And Guide Band
17 (seventeen) is the natural number following 16 and preceding 18. It is a prime number. Seventeen is the sum of the first four prime numbers. In mathematics 17 is the seventh prime number, which makes seventeen the fourth super-prime, as seven is itself prime. The next prime is 19, with which it forms a twin prime. It is a cousin prime with 13 and a sexy prime with 11 and 23. It is an emirp, and more specifically a permutable prime with 71, both of which are also supersingular primes. Seventeen is the sixth Mersenne prime exponent, yielding 131,071. Seventeen is the only prime number which is the sum of four consecutive primes: 2, 3, 5, 7. Any other four consecutive primes summed would always produce an even number, thereby divisible by 2 and so not prime. Seventeen can be written in the form x^y + y^x and x^y - y^x, and, as such, it is a Leyland prime and Leyland prime of the second kind: :17=2^+3^=3^-4^. 17 is one of seven lucky numbers of Euler which prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matched Grip
In percussion, grip refers to the manner in which the player holds the percussion mallet or mallets, whether drum sticks or other mallets. For some instruments, such as triangles and large gongs, only one mallet or beater is normally used, held either in one hand or in both hands for larger beaters. For others, such as snare drums, two beaters are often used, one in each hand. More rarely, more than one beater may be held in one hand; for example, when four mallets are used on a vibraphone, or when a kit drummer performs a cymbal roll by holding two soft sticks in one hand while keeping a rhythm with the other. Matched or unmatched When two identical beaters are used, one in each hand, there are two main varieties of grip: * Unmatched grips, known as traditional grips because of their association with traditional snare drum and drum kit playing, in which the right and left hands grip the beaters in different ways, often one underhand and one overhand. * Matched grips in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Drum
A tenor drum is a membranophone without a snare. There are several types of tenor drums. Early music Early music tenor drums, or long drums, are cylindrical membranophone without snare used in Medieval, Renaissance and Baroque music. They consist in of a cylinder of wood, covered with skin heads on both ends, that are tensioned by ropes. Played with two sticks, this type of drum varies in pitch, according to its size. Orchestral music In a symphony orchestra's percussion section, a tenor drum is a low-pitched drum, similar in size to a field snare, but without snares and played with soft mallets or hard sticks. It is larger in diameter than depth, and tonally is midway between the bass drum and unsnared side drum. Berlioz scored for 2 tenor drums in the "Grande messe des morts". His "Te Deum" requires 6 tenor drums. Wagner wrote for this drum in "Rienzi", "Lohengrin", "Die Walküre", “Götterdämmerung”, and "Parsifal". Strauss used it in "Ein Heldenleben", and Elgar in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ohio State University Marching Band
The Ohio State University Marching Band (OSUMB) is a university marching band named for and a part of the Ohio State University. The band, popularly nicknamed The Best Damn Band in the Land (TBDBITL), performs at football games and other events during the fall semester. It is one of the few collegiate all-brass and percussion bands in the country, and sometimes deemed the largest of its type in the world. History The band was initially founded in 1878 as a student-led fife and drum corps that provided music for the university ROTC program. In 1896, university officials hired Gustav Bruder as the first band director. Under Bruder’s leadership, the band grew in size, and, after merging with the short-lived Varsity Band in 1920, introduced its first drum major, Edwin “Tubby” Essington. In 1928, the band introduced the Ramp Entrance, which survives virtually unchanged today. That same year, Eugene J. Weigel became band director. During his tenure, Weigel introduced many of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aramid
Aramid fibers, short for aromatic polyamide, are a class of heat-resistant and strong synthetic fibers. They are used in aerospace and military applications, for ballistic-rated body armor fabric and ballistic composites, in marine cordage, marine hull reinforcement, and as an asbestos substitute. The chain molecules in the fibers are highly oriented along the fiber axis. As a result, a higher proportion of the chemical bond contributes more to fiber strength than in many other synthetic fibers. Aramids have a very high melting point (>500 °C). Common aramid brand names include Kevlar, Nomex, and Twaron. Terminology and chemical structure ''Aramid'' is a shortened form of aromatic polyamide. The term was introduced in 1972, accepted in 1974 by the Federal Trade Commission of the USA as the name of a generic category of fiber distinct from nylon, and adopted by the International Standards Organisation in 1977. Aromatic in the name refers to the presence of aromatic rin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccato
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Grip
In percussion, grip refers to the manner in which the player holds the percussion mallet or mallets, whether drum sticks or other mallets. For some instruments, such as triangles and large gongs, only one mallet or beater is normally used, held either in one hand or in both hands for larger beaters. For others, such as snare drums, two beaters are often used, one in each hand. More rarely, more than one beater may be held in one hand; for example, when four mallets are used on a vibraphone, or when a kit drummer performs a cymbal roll by holding two soft sticks in one hand while keeping a rhythm with the other. Matched or unmatched When two identical beaters are used, one in each hand, there are two main varieties of grip: * Unmatched grips, known as traditional grips because of their association with traditional snare drum and drum kit playing, in which the right and left hands grip the beaters in different ways, often one underhand and one overhand. * Matched grips in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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