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Mantra (Stockhausen)
''Mantra'' is a composition by the German composer Karlheinz Stockhausen. It was composed in 1970 and premiered in autumn of the same year at the Donaueschingen Festival. The work is scored for two ring-modulated pianos; each player is also equipped with a chromatic set of crotales (antique cymbals) and a wood block, and one player is equipped with a short-wave radio producing morse code or a magnetic tape recording of morse code. In his catalogue of works, the composer designated it as work number 32. History Stockhausen had been interested for several years in writing something for the Kontarsky piano duo, and by early 1969 he had become determined to do so.) On a flight from the Northeastern United States to Los Angeles in September 1969 or shortly before, he had sketched "a kind of theater piece for two pianos" titled ''Vision'', and in March 1970 began to work out a score, but broke off after just three pages. During an automobile trip from Madison, Connecticut to Boston, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th-century classical music, 20th and early 21st-century classical music, 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance (Aleatoric music, aleatory techniques) into Serialism, serial composition, and for musical spatial music, spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edison Classical Music Awards
The Edison Award is an annual Dutch music prize awarded for outstanding achievements in the music industry. It is comparable to the American Grammy Award. The Edison award itself is a bronze replica of a statuette of Thomas Edison, designed by the Dutch sculptor Pieter d'Hont. It is one of the oldest music awards in the world, first presented in 1960 at the inaugural Grand Gala du Disque.Edisons . edisons.nl Edisons In 1960, the Committee for Collective Gramophone Campaigns (CCGC) organized the Edison awards for recordings in various categories. The first Edisons – named after the inventor of the phonograph, Thomas Edison – were awarded at the inaugural Grand Gala du Disque, a showcase for the awards featuring national and international performers. Coincidentally, Edison was of Dutch lineage. Each year, Edisons were ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaus Hiemann
Klaus Hiemann is a Classical recording engineer and producer. He has recorded such artists as Maurizio Pollini, Claudio Abbado, Dietrich Fischer-Dieskau, Seiji Ozawa, Plácido Domingo, Gerhard Oppitz, Wilhelm Kempff, Martha Argerich, Arturo Benedetti Michelangeli, Giuseppe Sinopoli and numerous others. Mantra (Stockhausen) In 1971, Klaus Hiemman recorded Mantra by the German composer Karlheinz Stockhausen Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th-century classical music, 20th and early 21st-century ..., which was also the first/first composer supervised recording of the piece. It was recorded by the Aloys and Alfons Kontarsky piano duet, the same duet which Stockhausen wrote the piece for. Stockhausen instructed Hiemann and the producer, Rudolf Werner, in order to approve of the recording. References German audio enginee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. Schott Music is one of the world's leading music publishers. It represents many important composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wergo
WERGO is a German record label focusing on contemporary classical music. It was founded in 1962 by German art historian and music publisher (1903–1975) and the musicologist Helmut Kirchmeyer. Their first release, filed under "WER 60001", was Schoenberg's ''Pierrot lunaire'', conducted by Pierre Boulez. The record company is owned by Schott Music, both based in Mainz, Germany. A great number of contemporary composers have been recorded by the label. These include Louis Andriessen, George Antheil, Béla Bartók, Pierre Boulez, Earle Brown, John Cage, Elliott Carter, George Crumb, Morton Feldman, Mauricio Kagel, György Ligeti, Meredith Monk, Conlon Nancarrow, Luigi Nono, Harry Partch, Steve Reich, Wolfgang Rihm, Terry Riley, Kaija Saariaho, Giacinto Scelsi, Dieter Schnebel, Karlheinz Stockhausen, Pēteris Vasks, and Walter Zimmermann. Earle Brown was repertory director of an important series of new-music recordings on the Time-Mainstream label re-issued in 2008 on W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawo
Lawo is an international company based in Rastatt, Germany, specializing in the manufacture of digital mixing consoles and other professional audio equipment. It was founded in 1970 by Peter Lawo, and is currently run by his son Philipp. The company is notable for supplying the audio mixing equipment for the 2012 London Olympics and Nine Network, and for sports events in Asia, North America and Australia. The first developments of Peter Lawo were driven by the needs of composers of electronic music like Karlheinz Stockhausen. To Stockhausen's specifications Peter Lawo built an apparatus called "module 69 B" which was used to perform Stockhausen's composition ''Mantra''. The success of this production led to the founding of the Experimentalstudio of the Heinrich Strobel Foundation of the Südwestfunk in 1971.W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mordent
In music, a mordent is an ornament indicating that the note is to be played with ''a single'' rapid alternation with the note above or below. Like trills, they can be chromatically modified by a small flat, sharp or natural accidental. The term entered English musical terminology at the beginning of the 19th century, from the German ''Mordent'' and its Italian etymon, ''mordente'', both used in the 18th century to describe this musical figure. The word ultimately is derived from the Latin '' mordere'' (to bite). The ''mordent'' is thought of as a rapid single alternation between an indicated note, the note above (the ''upper mordent'') or below (the ''lower mordent'') and the indicated note again. The upper mordent is indicated by a short squiggle; the lower mordent is the same with a short vertical line through it: : As with the trill, the exact speed with which the mordent is performed will vary according to the tempo of the piece, but at a moderate tempo the above m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stockhausen - Mantra Thirteen-tone Row
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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