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Mamiya RZ67
The Mamiya RZ67 is a professional medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RZ67 Professional (first model released in 1982), RZ67 Professional II (released in 1993) and RZ67 Professional IID (released in 2004). It is primarily designed for studio use, but can also be used in the field. The RZ67 name is adopted from the model name of the Mamiya RB67, which was first introduced in 1970. Details The RZ67 is a modular camera system, meaning lenses, viewfinders, ground glasses, film winders and film backs are all interchangeable. It is primarily designed for studio use, but can also be used in the field. The RZ67 Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a bellows on the body instead of the lenses. The camera accepts 6×7, 6×6 and 6×4.5, 120 and 220 film magazines and Polaroid as well as Quadra 72 4×5 sheet film backs. Mamiya R ...
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Mamiya
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format film cameras such as the Mamiya Six and the Mamiya Press series. It later developed the industry workhorse RB67 series, the RZ67, the 645 and the twin-lens reflex Mamiya C-series, used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeable-lens twin-lens reflex (TLR) cameras, and the press cameras of the Super/Universal seri ...
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Viewfinder
In photography, a viewfinder is what the photographer looks through to compose, and, in many cases, to focus the picture. Most viewfinders are separate, and suffer parallax, while the single-lens reflex camera lets the viewfinder use the main optical system. Viewfinders are used in many cameras of different types: still and movie, film, analog and digital. A zoom camera usually zooms its finder in sync with its lens, one exception being rangefinder cameras. History Before the development of microelectronics and electronic display devices, only optical viewfinders existed. Direct optical viewfinders Direct viewfinders are essentially miniature Galilean telescopes; the viewer's eye was placed at the back, and the scene viewed through the viewfinder optics. A declining minority of point and shoot cameras use them. Parallax error results from the viewfinder being offset from the lens axis, to point above and usually to one side of the lens. The error varies with distance, be ...
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Sploid
Gawker Media LLC (formerly Blogwire, Inc. and Gawker Media, Inc.) was an American online media company and blog network. It was founded by Nick Denton in October 2003 as Blogwire, and was based in New York City. Incorporated in the Cayman Islands, as of 2012, Gawker Media was the parent company for seven different weblogs and many subsites under them: '' Gawker.com'', ''Deadspin'', ''Lifehacker'', Gizmodo, ''Kotaku'', ''Jalopnik'', and ''Jezebel''. All Gawker articles are licensed on a Creative Commons attribution-noncommercial license. In 2004, the company renamed from Blogwire, Inc. to Gawker Media, Inc., and to Gawker Media LLC shortly after. In 2016, the company filed for Chapter 11 bankruptcy protection after damages of $140 million were awarded against the company as a result of the Hulk Hogan sex tape lawsuit. On August 16, 2016, all of the Gawker Media brands, assets except for ''Gawker.com'', were acquired at auction by Univision Communications for $135 million. Two day ...
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Charles O'Rear
Charles O'Rear (born 26 November 1941) is an American photographer. His image ''Bliss'' was used as the default desktop wallpaper of Microsoft's Windows XP operating system. O'Rear started his career with the daily newspapers ''Emporia Gazette'', ''The Kansas City Star'', and ''Los Angeles Times''; worked for ''National Geographic'' magazine; and was part of the Environmental Protection Agency's DOCUMERICA project. He began photographing winemaking in 1978. Since 1998 O'Rear has been associated with Corbis, a Seattle-based stock photo company owned by co-founder and chairman of Microsoft, Bill Gates. Corbis was bought by Visual China Group in 2016, who now distribute his Corbis images on Getty Images. Early life and career O'Rear was born in Butler, Missouri in 1941 and first handled a Brownie camera when he was 10. As a child, he wanted to be a pilot and got his license at the age of 16. He attended State Teachers College and started his career as a sports reporter for the ...
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Windows XP
Windows XP is a major release of Microsoft's Windows NT operating system. It was released to manufacturing on August 24, 2001, and later to retail on October 25, 2001. It is a direct upgrade to its predecessors, Windows 2000 for high-end and business users and Windows Me for home users, available for any devices running Windows NT 4.0, Windows 98, Windows 2000 and Windows Me that meet the new Windows XP system requirements. Development of Windows XP began in the late 1990s under the codename "Neptune", built on the Windows NT kernel explicitly intended for mainstream consumer use. An updated version of Windows 2000 was also initially planned for the business market. However, in January 2000, both projects were scrapped in favor of a single OS codenamed "Whistler", which would serve as a single platform for both consumer and business markets. As a result, Windows XP is the first consumer edition of Windows not based on the Windows 95 kernel and MS-DOS. Windows XP removed supp ...
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Bliss (image)
''Bliss'', originally titled Bucolic Green Hills, is the default computer wallpaper of Microsoft's Windows XP operating system. It is a virtually unedited photograph of a green hill and blue sky with clouds in the Los Carneros American Viticultural Area of California's Wine Country. Charles O'Rear took the photo in January 1996 and Microsoft bought the rights in 2000. It is estimated that billions of people have seen the picture, possibly making it the most viewed photograph in history. Overview Former ''National Geographic'' photographer Charles O'Rear, a resident of the nearby Napa Valley, took the photo on film with a medium-format Mamiya RZ67 camera while on his way to visit his girlfriend in 1996. While it was widely believed later that the image was manipulated or even created with software such as Adobe Photoshop, O'Rear says it never was. He sold it to Westlight for use as a stock photo titled ''Bucolic Green Hills''.Metadata of Bliss, Windows XP Beta 2 Westlight ...
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Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the " circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size ...
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Camera Lens
A camera lens (also known as photographic lens or photographic objective) is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically. There is no major difference in principle between a lens used for a still camera, a video camera, a telescope, a microscope, or other apparatus, but the details of design and construction are different. A lens might be permanently fixed to a camera, or it might be interchangeable with lenses of different focal lengths, apertures, and other properties. While in principle a simple convex lens will suffice, in practice a compound lens made up of a number of optical lens elements is required to correct (as much as possible) the many optical aberrations that arise. Some aberrations will be present in any lens system. It is the job of the lens designer to balance these and produce a d ...
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Apochromatic
An apochromat, or apochromatic lens (apo), is a photographic or other lens that has better correction of chromatic and spherical aberration than the much more common achromat lenses. Explanation Chromatic aberration is the phenomenon of different colors focusing at different distances from a lens. In photography, chromatic aberration produces soft overall images, and color fringing at high-contrast edges, like an edge between black and white. Astronomers face similar problems, particularly with telescopes that use lenses rather than mirrors. ''Achromatic'' lenses are corrected to bring ''two'' wavelengths into focus in the same plane – typically red (~0.590  µm) and blue (~0.495  µm). ''Apo''chromatic lenses are designed to bring ''three'' colors into focus in the same plane – typically red (~0.620  µm), green (~0.530  µm), and blue (~0.465  µm). The residual color error (secondary spectrum) can be up to an order of magnitude less than for an ac ...
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Telephoto Lens
A telephoto lens, in photography and cinematography, is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a ''telephoto group'' that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as ''telephoto lenses'', although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group. Telephoto lenses are sometimes broken into the further sub-types of short telephoto (85–135 mm in 35 mm film format), medium telephoto: (135–300 mm in 35 mm film format) and super telephoto (over 300 mm in 35 mm film format) . Construction In contrast to a telephoto lens, for any given focal lengt ...
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Normal Lens
In photography and cinematography, a normal lens is a lens that reproduces a field of view that appears "natural" to a human observer. In contrast, depth compression and expansion with shorter or longer focal lengths introduces noticeable, and sometimes disturbing, distortion. The problem Photographic technology employs different physical methods from the human eye in order to capture images. Thus, manufacturing optics which produce images that appear natural to human vision is problematic. The eye has a nominal focal length of approximately 17mm, but it varies with accommodation. The nature of human binocular vision, which uses two lenses instead of a single one, and post-processing by the cortex is very different from the process of making and rendering a photograph, video or film. The structure of the human eye has a concave retina, rather than a flat sensor. This produces effects observed by Abraham Bosse, who in his 1665 illustration 'To prove that one can neither define ...
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Wide-angle Lens
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasise the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either ...
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