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Muthu Thandavar
Muthu Thandavar (1525–1600 CE) (Tamil:முத்துத்தாண்டவர்) was composer of Carnatic music. He lived in the town of Sirkazhi in Tamil Nadu. His contributions to Carnatic music have been largely forgotten and not many of his ''kritis'' are in vogue today. Muthu Thandavar, along with Arunachala Kavi (1712–1779) and Marimutthu Pillai (1717–1787) are known as the Tamil Trinity of Carnatic music. Muthu Thandavar also composed several ''padams'', short songs mainly sung accompanying Bharatanatyam performances. Some of these ''padams'' are still popular such as ''Teruvil Varano'' in raga '' Khamas'' and ''Ittanai Tulambaramai'' in raga ''Dhanyasi''. Compositions Very few of Muththu Thandavar's compositions have survived the test of time. Sixty of them have been collected. Twenty five ''padams'' are also available. Some of his compositions that are sung in music concerts are: ''Arumarundonru tani marundidu'' (Raga Mohanam or Kambhoji), ''Pesade N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1600 Deaths
In the Gregorian calendar, it was the first century leap year and the last until the year 2000. Events January–March * January 1 – Kingdom of Scotland, Scotland adopts January 1 as New Year's Day instead of March 25. * January 20 – Hugh O'Neill, Earl of Tyrone, renews the Nine Years' War (Ireland) against England with an invasion of Munster. * January 24 – Sebald de Weert makes the first recorded sighting of the Falkland Islands. * February 17 – On his way to be burned at the stake for Heresy in Christianity, heresy in Rome, Giordano Bruno has his tongue "imprisoned" after he refuses to stop talking. * February 19 – The Huaynaputina volcano in Peru erupts, in what is still the worst recorded volcanic eruption. * March 20 – Linköping Bloodbath: Five Swedish nobles are publicly executed by decapitation and Polish–Swedish union, Polish–Swedish King Sigismund III Vasa is ''de facto'' deposed as ruler of Sweden. April–June * April 19 – The first Netherl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1525 Births
Year 1525 ( MDXXV) was a common year starting on Sunday of the Julian calendar. Events January–March * January 21 – The Anabaptist Movement is born when Conrad Grebel, Felix Manz, George Blaurock, and about a dozen others baptize each other in the home of Manz's mother on Neustadt-Gasse, Zürich, breaking a thousand-year tradition of church-state union. * February 24 – Battle of Pavia: German and Spanish forces under Charles de Lannoy and the Marquis of Pescara defeat the French army, and capture Francis I of France, after his horse is wounded by Cesare Hercolani. While Francis is imprisoned in Lombardy and then transferred to Madrid, the first attempts to form a Franco-Ottoman alliance with Suleiman the Magnificent against the Habsburg Empire are made. * February 28 – The last Aztec Emperor, Cuauhtémoc, is killed by Hernán Cortés. * March 20 – In the German town of Memmingen, the pamphlet ''The Twelve Articles: The Just and Funda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Composers
Carnatic may refer to: *Carnatic region, Southern India *Carnatic music, the classical music of Southern India *, the name of several ships *, a minesweeper of the Royal Indian Navy *, the name of several ships of the Royal Navy See also *Karnataka (other) *Kannada (other) *Canara (other) *Carnatic Hall Carnatic Hall was an 18th-century mansion that was located in Mossley Hill, Liverpool, England. The house was built in 1779 for slave trader Peter Baker, who served as Mayor of Liverpool in 1795. Originally on the site of Mossley Hall (home of ..., in Liverpool, England * Carnatic wars, in India during the 18th century {{disambiguation, ship ca:Carnàtic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayamalavagowla
Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th '' melakarta'' raga under Venkatamakhin's '' melakarta'' system. Originally known as ''malavagowla'', "maya" was prefixed to it after the advent of the scheme of the 72 ''melas''. The number 15 was assigned to it following the Katapayadi sankhya system. This is a morning raga. Structure and Lakshana Venkatamakhin defines its lakshana thus: ''Mayamalavagowla'' is the 3rd raga in the 3rd ''chakra, Agni''. Its mnemonic name is ''Agni-Go''. Its mnemonic phrase is ''sa ra gu ma pa dha nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its ' structure is as follows, but instead of labeling the 3 Ga-s and the 3 Ni-s using , some authors have used instead. (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes in this raga are ''ṣaḍjam, śuddha r̥ṣabham, antara gān ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surutti
Surutti is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the janya ragam of 28th ''Melakarta'' rāgam Harikambhoji in the 72 ''melakarta'' rāgam system. Subbarama Dikshitar classifies this a bhashanga raga. Its a Vakra raga (Zig-zag raga scale with seven notes in Arohana and nine in Avarohana) Parent scale this raga is equivalent to ''Khamaj thaat'' of Hindustani Music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras The Janaka raga of this raga is known as Harikedāragowla in the Muthuswami Dikshitar school of music. The notes of this raga is equivalent to Mixolydian mode of Western music but note order is zig-zag. Structure and Lakshana Its structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (notes used in this scale are ''chatushruti rishabham, antara gandharam, shuddha ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jana Ranjani
Jana Ranjani is a raga in Carnatic music, the classical music of South India. It is a janya raga of Shankarabharanam, the 29th of the 72 melakarta ragas. The raga is named thus because it induces a feeling of enjoyment (''Jana'' – People and ''Ranjani'' – can be enjoyed by people) among the ''rasikas'' (audience). Structure and Lakshana It is a ''Vakra sampoorna – Audava ragam'' i.e. the ascending scale has all the notes in a zig-zag manner and the descending scale has five notes. Its ''Arohana–Avarohana'' structure is as follows: ''Arohana'': ''Avarohana'': Popular compositions * "Vidajaladhura" by Tyagaraja * "Nadadina" by Tyagaraja * "Pahimam Sri Rajarajeswari" by Maha Vaidyanatha Iyer * Third Charanam of "Ranjani Mridupankaja Lochani" of Tanjavur Sankara Iyer. * "Smarane Sukhamu Rama Nama" by Tyagaraja * "nannu brOva rAdA" of Syaama Sasthri *''Pranapathe nee salaho'' by Vyasatirtha Related ragas This section covers the theoretical and scientific aspec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simhendramadhyamam
Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Go''. The mnemonic phrase is ''sa ri gi mi pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : It is also equivalent to Hungarian Minor Scale that is also called as Gypsy Minor Scale in Western Music. This musical scale uses the notes ''chatushruti rishabham, sadharana gandharam, prati madhyam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andolika
Andolika is a Carnatic raga, which is also sometimes written as ''Andholika''. This raga is a ''janya'' of the 22nd ''Melakarta'' raga Kharaharapriya.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Structure and Lakshana This ragam is an asymmetric scale and is classified as an ''audava-audava'' ragam (five notes in the ascending and descending scale).''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras * : * : The notes in this scale are ''chatushruti rishabham, shuddha madhyamam, panchamam, kaisiki nishadham'' in ''arohana'' and additional ''chatushruti dhaivatam'' in ''avarohanam'', in place of ''panchamam'' (see pictures). The avarohanam is Panchama Varjam. From ''Kharaharapriya'' scale (22nd melakarta), the ''gandharam'' is removed in this scale and the rest are used in asymmetrical manner. Since ''gandharam'' is removed this scale can also be considered a janya of 28th ''mela Harikambhoji'' scale, but since 22 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latangi
Latangi (pronounced latāngi) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 63rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Geetapriya or Gitapriya in the Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by B. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 3rd rāgam in the 11th ''chakra Rudra''. The mnemonic name is ''Rudra-Go''. The mnemonic phrase is ''sa ri gu mi pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes used in this scale are ''chathusruthi rishabham, antara gandharam, prati madhyamam, shuddha dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in asc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keeravani
Keeravani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 21st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 21st ''melakarta'' rāgam as per Muthuswami Dikshitar school of music is . This rāgam is a popular scale in western music as well. The Western equivalent is the Harmonic minor scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Go''. The mnemonic phrase is ''sa ri gi ma pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see '' ''swaras'' in Carnatic music'' for details on below notation and terms): * : * : The notes used in this scale are ''chathusruthi rishabha, sadharana gandhar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
