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Musical Cryptogram
A musical cryptogram is a cryptogrammatic sequence of musical symbols which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters. The most common and best known examples result from composers using musically translated versions of their own or their friends' names (or initials) as themes or motifs in their compositions. These are not really rigorous cipher algorithms in the formal sense, but more like musical monograms. The methods used historically by composers were either too incomplete (i.e., did not include all of the letters of the alphabet) or too simplistic to meaningfully encrypt long text messages. There is a separate history of music ciphers utilizing music notation to encode messages for reasons of espionage or personal security that involved encryption and/or steganography. Because of the multitudinous ways in which notes and letters can be related, detecting hidden ciphers in music and proving acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole D'Este I
Ercole I d'Este (English: ''Hercules I''; 26 October 1431 – 25 January 1505) was Duke of Ferrara from 1471 until 1505. He was a member of the House of Este. He was nicknamed ''North Wind'' and ''The Diamond''. Biography Ercole was born in 1431 in Ferrara to Nicolò III d'Este, Nicolò III and Ricciarda da Saluzzo. His maternal grandparents were Thomas III of Saluzzo and Marguerite of Roussy. He was educated at the Naples, Neapolitan court of Alfonso V of Aragon, Alfonso, king of Aragon and Naples, from 1445 to 1460; there he studied military arts, chivalry, and acquired an appreciation for Renaissance architecture, ''all'antica'' architecture and the fine arts, which would result in his becoming one of the most significant art patrons of the Renaissance. In 1471, with the support of the Republic of Venice, he became Duke on the death of his half-brother Borso, profiting from the absence of the latter's son, Niccolò, who was in Mantua. During an absence of Ercole from Fer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as Kapellmeister, music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Écorcheville
Jules-Armand-Joseph Écorcheville (17 March 1872, Paris – 19 February 1915, , Marne) was a French musicologist and collector. He studied literature and philosophy, caught interest in music (a student of César Franck from 1887 to 1890), in musicology (a student of Hugo Riemann Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. The leading European music scholar of his time, he was active and influential as both a mus ... in 1904–1905 in Leipzig), a discipline to which he devoted himself entirely after that period. In 1912, he was elected president of the Société Internationale de Musique. Engaged in the French army during the First World War, he was killed during the assault of a German trench. He had devoted the heritage of his parents to the acquisition of a rich collection of ancient instruments and books on music. The collection was dispersed in 1920. Works (ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cipher
In cryptography, a cipher (or cypher) is an algorithm for performing encryption or decryption—a series of well-defined steps that can be followed as a procedure. An alternative, less common term is ''encipherment''. To encipher or encode is to convert information into cipher or code. In common parlance, "cipher" is synonymous with "code (cryptography), code", as they are both a set of steps that encrypt a message; however, the concepts are distinct in cryptography, especially classical cryptography. Codes generally substitute different length strings of characters in the output, while ciphers generally substitute the same number of characters as are input. A code maps one meaning with another. Words and phrases can be coded as letters or numbers. Codes typically have direct meaning from input to key. Codes primarily function to save time. Ciphers are algorithmic. The given input must follow the cipher's process to be solved. Ciphers are commonly used to encrypt written info ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gisela Von Arnim
Gisela von Arnim (also Giesela; August 30, 1827 in Berlin – April 4, 1889 in Florence) was a German writer, mainly of fairy tales. Biography Gisela was the youngest child of Achim and Bettina von Arnim. Her father died when she was four years old. Her maternal grandfather was of Italian descent, and some of his ancestors are Sophie von La Roche and Johann Philipp Stadion, Count von Warthausen. She was not formally educated, being taught only by her sisters. In her youth she read fairy tales and Romantic poetry, especially the works of Wilhelm Hauff, and began to write fairy tales herself. With her sisters she started the "Kaffeter circle", first a group for young women and later a full literary salon also including men (honorary members included Hans Christian Andersen and Emmanuel Geibel). In 1849, Gisela met violinist and composer Joseph Joachim, (born in 1831), in Weimar. Gisela von Arnim de.wikipedia.org A painful relationship developed and only ended after Gisela von ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His includes four symphony, symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and , among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy (''commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had discovered only in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BACH Motif
In music, the BACH motif is the motif (music), motif, a succession of note (music), notes important or characteristic to a musical composition, piece, ''B flat, A, C, B natural''. In Letter notation, German musical nomenclature, in which the note ''B natural'' is named ''H'' and the ''B flat'' named ''B'', it forms Johann Sebastian Bach's family name. One of the most frequently occurring examples of a musical cryptogram, the motif has been used by countless composers, especially after the Bach Revival in the first half of the 19th century. Origin Johann Gottfried Walther's ''Musicalisches Lexikon'' (1732) contains the only biographical sketch of Johann Sebastian Bach published during the composer's lifetime. There the motif is mentioned thus:This reference work thus indicates Bach as the inventor of the motif. Usage in compositions In a comprehensive study published in the catalogue for the 1985 exhibition "300 Jahre Johann Sebastian Bach" ("300 years of Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
