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Miniature (illuminated Manuscript)
A miniature (from the Latin verb 'to colour with minium', a red lead) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment. The generally small scale of such medieval pictures has led to etymological confusion with minuteness and to its application to small paintings, especially portrait miniatures, which did however grow from the same tradition and at least initially used similar techniques. Apart from the Western, Byzantine and Armenian traditions, there is another group of Asian traditions, which is generally more illustrative in nature, and from origins in manuscript book decoration also developed into single-sheet small paintings to be kept in albums, which are also called miniatures, as the Western equivalents in watercolor and other media are not. These include Arabic miniatures, and their Persian, Mughal, Ottoman and other Indian of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome, decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Eastern Roman (Byzantine) Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included Kievan Rus', as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Norman-Arab-Byzantine culture, Kingdom o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Miniature
Ottoman miniature ( Turkish: ''Osmanlı minyatürü'') is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events. Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art. It was a part of the Ottoman book arts, together with illumination (''tezhip''), calligraphy (''hat''), marbling paper (''ebru''), and bookbinding (''cilt''). The words ''taswir'' or ''nakish'' were used to define the art of miniature painting in Ottoman Turkish. While Ottoman miniatures have been very much inspired by Persian miniatures, Ottoman artisans developed a unique style that separated themselves from their Persian influences. Ottoman miniatures are known specifically for their factual accounts of things such as military events, whereas Persian miniatures were more focused on being visually interesting. The inclusion of miniatures in Ottoman manuscripts was more for the purpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painter's Algorithm
The painter's algorithm (also depth-sort algorithm and priority fill) is an algorithm for Hidden-surface determination#Visible surface determination, visible surface determination in 3D computer graphics that works on a polygon, polygon-by-polygon basis rather than a pixel, pixel-by-pixel, row by row, or area by area basis of other hidden surface removal, Hidden-Surface Removal algorithms. The painter's algorithm creates images by sorting the polygons within the image by their depth and placing each polygon in order from the farthest to the closest object. The painter's algorithm was initially proposed as a basic method to address the Hidden-surface determination problem by Martin Newell (computer scientist), Martin Newell, Dick Newell, Richard Newell, and Tom Sancha in 1972, while all three were working at CADCentre. The name "painter's algorithm" refers to the technique employed by many painters where they begin by painting distant parts of a scene before parts that are nearer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vergilius Vaticanus
The Vergilius Vaticanus, also known as Vatican Virgil (Vatican, Biblioteca Apostolica, Cod. Vat. lat. 3225), is a Late Antique illuminated manuscript containing fragments of Virgil's ''Aeneid'' and ''Georgics''. It was made in Rome in around 400 CE,Ingo F. Walther, Norbert Wolf, 2005, Codices illustres, The world’s most famous illuminated manuscripts, Köln, Taschen. p. 52 and is one of the oldest surviving sources for the text of the ''Aeneid''. It is the oldest of just three remaining ancient illustrated manuscripts of classical literature. Contents The two other surviving illustrated manuscripts of classical literature are the Vergilius Romanus and the Ambrosian Iliad. The Vergilius Vaticanus is not to be confused with the Vergilius Romanus (Vatican City, Biblioteca Apostolica, Cod. Vat. lat. 3867) or the unillustrated Vergilius Augusteus, two other ancient Vergilian manuscripts in the Biblioteca Apostolica. Virgil created a classic of Roman literature in the ''Aenei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgil
Publius Vergilius Maro (; 15 October 70 BC21 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Rome, ancient Roman poet of the Augustan literature (ancient Rome), Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the Epic poetry, epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars generally regard these works as spurious, with the possible exception of a few short pieces. Already acclaimed in his own lifetime as a classic author, Virgil rapidly replaced Ennius and other earlier authors as a standard school text, and stood as the most popular Latin poet through late antiquity, the Middle Ages, and early modernity, exerting inestimable influence on all subsequent Western literature. Geoffrey Chaucer assigned Virgil a uniquely prominent position among all the celebrities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican City
Vatican City, officially the Vatican City State (; ), is a Landlocked country, landlocked sovereign state and city-state; it is enclaved within Rome, the capital city of Italy and Bishop of Rome, seat of the Catholic Church. It became independent from the Kingdom of Italy in 1929 with the Lateran Treaty. It is governed by the Holy See, itself a Legal status of the Holy See, sovereign entity under international law, which maintains Temporal power of the Holy See, its temporal power, governance, diplomacy, and spiritual independence. ''Vatican'' is also used as a metonym for the pope, the central authority of the Roman Catholic Church, and the Holy See and the Roman Curia. With an area of and a population of about 882 in 2024, it is the List of countries and dependencies by area, smallest sovereign state in the world both by area and List of countries and dependencies by population, by population. It is among the List of national capitals by population, least populated capit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iliad
The ''Iliad'' (; , ; ) is one of two major Ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Odyssey'', the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. The ''Iliad'' is often regarded as the first substantial piece of Western literature, European literature and is a central part of the Epic Cycle. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greece, Mycenaean Greek states, the poem depicts significant events in the war's final weeks. In particular, it traces the anger () of Achilles, a celebrated warrior, from a fierce quarrel between him and King Agamemnon, to the death of the Trojan prince Hector.Homer, ''Iliad, Volume I, Books 1–12'', translated by A. T. Murray, revised by William F. Wyatt, Loeb Classical Library 170, Cambridge, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrosian Iliad
The Ambrosian Iliad or ''Ilias Picta'' (Milan, Biblioteca Ambrosiana, Cod. F. 205 Inf.) is a 5th-century illuminated manuscript on vellum, which depicts the entirety of Homer's ''Iliad'', including battle scenes and noble scenes. It is considered unique due to being the only set of ancient illustrations that depict scenes from the Iliad. The Ambrosian Iliad consists of 52 miniatures, each labeled numerically. It is thought to have been created in Alexandria, given the flattened and angular Hellenistic figures, which are considered typical of Alexandrian art in late antiquity, in approximately 500 AD, possibly by multiple artists. The author(s) first drew the figures nude and then painted the clothes on, much like in Greek vase painting. In the 11th century, the miniatures were cut out of the original manuscript and pasted into a Siculo-Calabrian codex of Homeric texts. Comparisons of texts per page to other late antique manuscripts ( Vatican Vergil, Vienna Genesis) has led s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vellum
Vellum is prepared animal skin or membrane, typically used as writing material. It is often distinguished from parchment, either by being made from calfskin (rather than the skin of other animals), or simply by being of a higher quality. Vellum is prepared for writing and printing on single pages, scrolls, and codex, codices (books). Modern scholars and experts often prefer to use the broader term "membrane", which avoids the need to draw a distinction between vellum and parchment. It may be very hard to determine the animal species involved (let alone its age) without detailed scientific analysis. Vellum is generally smooth and durable, but there are great variations in its texture which are affected by the way it is made and the quality of the skin. The making involves the cleaning, bleaching, stretching on a frame (a "herse"), and scraping of the skin with a crescent-shaped knife (a "lunarium" or "lunellum"). To create tension, the process goes back and forth between scrapi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quedlinburg Itala Fragment
The Quedlinburg ''Itala'' fragment (Berlin, Staatsbibliothek Preußischer Kulturbesitz, Cod. theol. lat. fol. 485) is a fragment of six folios from a large 5th-century illuminated manuscript of an Old Latin ''Itala'' translation of parts of 1 Samuel of the Old Testament. It was probably produced in Rome in the 420s or 430s. It is the oldest surviving illustrated biblical manuscript and has been in the Berlin State Library since 1875-76. The pages are approximately 305 x 205 mm large. The fragments were found from 1865 onwards (two in 1865, two in 1867, one in 1887) re-used in the bindings of different books that had been bound in the 17th century in the town of Quedlinburg, home of Quedlinburg Abbey, a large Imperial monastery, where the manuscript may well have spent much of its life. The illustrations are grouped in framed miniatures occupying an entire page, with between two and five miniatures per page, with the corresponding text being on the other side of the pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
