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Melencolia I
''Melencolia I'' is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. Its central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane, a claw hammer, and a saw. Other objects relate to alchemy, geometry or numerology. Behind the figure is a structure with an embedded magic square, and a ladder leading beyond the frame. The sky contains a rainbow, a comet or planet, and a bat-like creature bearing the text that has become the print's title. Dürer's engraving is one of the most well-known extant old master prints, but, despite a vast art-historical literature, it has resisted any definitive interpretation. Dürer may have associated melancholia with creative activity; the woman may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State (printmaking)
In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies). Sometimes two states may be printed on the same day, sometimes several years may elapse between them. States are usually numbered in Roman numerals: I, II, III ..., and often as e.g.: "I/III", to indicate the first of three recorded states. Some recent scholars refine the work of their predecessors, without wishing to create a confusing new numbering, by identifying states such as "IIa", "IVb" and so forth. A print with no different states known is catalogued as "only state". Most authorities do not count accidental damage to a plate – usually scratches on a metal plate or cracks in a woodcut block – as constituting different states, partly be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compass (drawing Tool)
A compass, also commonly known as a pair of compasses, is a technical drawing instrument that can be used for inscribing circles or arcs. As dividers, it can also be used as a tool to mark out distances, in particular, on maps. Compasses can be used for mathematics, drafting, navigation and other purposes. Prior to computerization, compasses and other tools for manual drafting were often packaged as a set with interchangeable parts. By the mid-twentieth century, circle templates supplemented the use of compasses. Today those facilities are more often provided by computer-aided design programs, so the physical tools serve mainly a didactic purpose in teaching geometry, technical drawing, etc. Construction and parts Compasses are usually made of metal or plastic, and consist of two "legs" connected by a hinge which can be adjusted to allow changing of the radius of the circle drawn. Typically one leg has a spike at its end for anchoring, and the other leg holds a drawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geometry
Geometry (; ) is a branch of mathematics concerned with properties of space such as the distance, shape, size, and relative position of figures. Geometry is, along with arithmetic, one of the oldest branches of mathematics. A mathematician who works in the field of geometry is called a ''List of geometers, geometer''. Until the 19th century, geometry was almost exclusively devoted to Euclidean geometry, which includes the notions of point (geometry), point, line (geometry), line, plane (geometry), plane, distance, angle, surface (mathematics), surface, and curve, as fundamental concepts. Originally developed to model the physical world, geometry has applications in almost all sciences, and also in art, architecture, and other activities that are related to graphics. Geometry also has applications in areas of mathematics that are apparently unrelated. For example, methods of algebraic geometry are fundamental in Wiles's proof of Fermat's Last Theorem, Wiles's proof of Fermat's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer, The Virgin And Child Seated By The Wall, 1514, NGA 6639
Albrecht ("noble", "bright") is a given name or surname of German origin and may refer to: First name * Albrecht Agthe, (1790–1873), German music teacher * Albrecht Altdorfer, (c. 1480–1538) German Renaissance painter * Albrecht Becker, (1906–2002), German production designer, photographer, and actor * Albrecht Berblinger, (1770–1829), German constructor (the tailor of ulm) * Albrecht Brandi, (1914–1966), German U-boat commander in World War II * Archduke Albrecht, Duke of Teschen (1817–1895) general who controlled the Austrian Army * Albrecht, Duke of Württemberg, (1865–1939), German field marshal in World War I * Albrecht von Wallenstein, (1583–1634), Bohemian soldier and politician during the Thirty Years' War * Albrecht Dieterich, (1866–1908) German classical philologist and religious scholar * Albrecht Dietz, (1926–2012), German entrepreneur and scientist * Albrecht Dürer, (1471–1528), German artist and mathematician * Albrecht Dürer the Elder, Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigredo
In alchemy, nigredo, or blackness, means putrefaction or decomposition. Many alchemists believed that as a first step in the pathway to the philosopher's stone, all alchemical ingredients had to be cleansed and cooked extensively to a uniform black matter. In analytical psychology, the term became a metaphor for "the dark night of the soul, when an individual confronts the shadow within." Jung For Carl Jung, "the rediscovery of the principles of alchemy came to be an important part of my work as a pioneer of psychology". As a student of alchemy, he (and his followers) "compared the 'black work' of the alchemists (the nigredo) with the often highly critical involvement experienced by the ego, until it accepts the new equilibrium brought about by the creation of the self." Jungians interpreted nigredo in two main psychological senses. The first sense represented a subject's initial state of undifferentiated unawareness, "the first nigredo, that of the , is an objective state, vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Cornelius Agrippa
Heinrich Cornelius Agrippa von Nettesheim (; ; 14 September 1486 – 18 February 1535) was a German Renaissance polymath, physician, legal scholar, soldier, knight, theologian, and occult writer. Agrippa's ''Three Books of Occult Philosophy'' published in 1533 drew heavily upon Kabbalah, Hermeticism, and Neoplatonism. His book was widely influential among esotericists of the early modern period, and was condemned as heretical by the inquisitor of Cologne. Early life and education Agrippa was born in Nettesheim, near Cologne, on 14 September 1486, to a family of middle nobility.. In letters later in life he wrote that members of his family had been in the service of the House of Habsburg, although such claims may have been motivated by a desire to gain the support of potential patrons. On the record of his matriculation at the University of Cologne in 1499, he is listed simply as a citizen of Cologne, and his father's name is recorded as Henricus de Nettesheym. Agrippa studied at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of The Artist's Mother At The Age Of 63
''Portrait of the Artist's Mother at the Age of 63'' is the title given to a small March 1514 charcoal drawing by the German printmaker and painter Albrecht Dürer, now in the Kupferstichkabinett museum in Berlin. The portrait is a tender but unflinching physical study of his mother, Barbara Holper (c. 1451–1514), completed two months before she died. Dürer was close to her, and after her death wrote that she had "died hard" and that "I felt so grieved for her that I cannot express it".Sturge Moore, 71 In its bleakness, the drawing has been compared to his two great 1514 engravings, ''Melencolia I ''Melencolia I'' is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. Its central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy. Holding her head in ...'' and ''Madonna by the Wall''. It is Durer's second portrait of her; his c. 1490 oil on oak panel painting now in Nuremberg is today ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State (printmaking)
In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies). Sometimes two states may be printed on the same day, sometimes several years may elapse between them. States are usually numbered in Roman numerals: I, II, III ..., and often as e.g.: "I/III", to indicate the first of three recorded states. Some recent scholars refine the work of their predecessors, without wishing to create a confusing new numbering, by identifying states such as "IIa", "IVb" and so forth. A print with no different states known is catalogued as "only state". Most authorities do not count accidental damage to a plate – usually scratches on a metal plate or cracks in a woodcut block – as constituting different states, partly be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative art, decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. Established in 1753, the British Museum was the first public national museum. In 2023, the museum received 5,820,860 visitors, 42% more than the previous y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Jerome In His Study (Dürer)
''Saint Jerome in His Study'' () is a copper engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the '' Golden Legend'' (c. 1260), which contained fanciful hagiographies of saints. ''St. Jerome in His Study'' is often considered as part of a group of three Dürer engravings (his Meisterstiche), the other two being the well-known '' Melencolia I'' (1514) and '' Knight, Death and the Devil'' (1513). Together they have been viewed as representing the three spheres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
