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Meinl Percussion
Meinl Percussion is a manufacturer of percussion instruments based in Gutenstetten, Germany. The company’s cymbal production is one of the "big four" manufacturers of cymbals, along with Avedis Zildjian Company, Zildjian, Sabian Cymbals, Sabian, and Paiste. In addition to cymbals, Meinl manufactures a very wide range of percussion instruments including bongo drums, cajons, congas, tablas, timbales, djembes, güiros, pandeiros, and tambourines. History The "Roland Meinl Musikinstrumente" was founded in 1951 by Roland Meinl. Initially the company produced wind instruments, beginning the production of cymbals only in 1952. The first Meinl cymbals were cut out of large metal sheets, hammered, lathed and drilled by hand by Roland Meinl himself, who subsequently transported them to the Neustadt an der Aisch railstation on the luggage carrier of his bike. In the 1960s about half of the production was exported to the United States together with German-made Tromsa drumsets. The firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Privately Held Company
A privately held company (or simply a private company) is a company whose Stock, shares and related rights or obligations are not offered for public subscription or publicly negotiated in their respective listed markets. Instead, the Private equity, company's stock is offered, owned, traded or exchanged privately, also known as "over-the-counter (finance), over-the-counter". Related terms are unlisted organisation, unquoted company and private equity. Private companies are often less well-known than their public company, publicly traded counterparts but still have major importance in the world's economy. For example, in 2008, the 441 list of largest private non-governmental companies by revenue, largest private companies in the United States accounted for $1.8 trillion in revenues and employed 6.2 million people, according to ''Forbes''. In general, all companies that are not owned by the government are classified as private enterprises. This definition encompasses both publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didgeridoo
The didgeridoo (;()), also spelt didjeridu, among other variants, is a wind instrument, played with vibrating lips to produce a continuous Drone (music), drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal Australians, Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the yiḏaki, or more recently by some, mandapul. In the Bininj Gun-Wok, Bininj Kunwok language of West Arnhem Land it is known as mako (pronounced, and sometimes spelt, as mago). A didgeridoo is usually cylindrical or Cone (geometry), conical, and can measure anywhere from long. Most are around long. Generally, the longer the instrument, the lower its pitch or key. Flared instruments play a higher pitch than unflared in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandeiro
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term '' adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ; ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal Tine (structural), tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right Index finger, forefinger (most mbira), and sometimes the left Index finger, forefinger. Musicology, Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho (instrument), hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Intangible Cultural Heritage Lists#Representative list of the Intangible Cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanjira
The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used in the Indian subcontinent for many centuries. The Kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the ''mridangam''. Construction Similar to the Western tambourine, it consists of a circular frame made of the wood of the jackfruit tree, between 7 and 9 inches in width and 2 to 4 inches in depth. It is covered on one side with a drumhead made of monitor lizard skin (specifically the Bengal monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jingle Bell
A jingle bell or sleigh bell is a type of bell which produces a distinctive 'jingle' sound, especially in large numbers. They find use in many areas as a percussion instrument, including the classic sleigh bell sound and morris dancing. They are typically used as a cheaper alternative to small 'classic' bells. The simplest jingle bells are produced from a single piece of sheet metal bent into a roughly spherical shape to contain a small ball bearing or short piece of metal rod. This method of production results in the classic two- or four-leaved shape. Two halves may also be crimped together, resulting in a ridge around the middle. A glass marble may also be used as the ringer on larger bells. History Bells of this type were developed centuries ago from the European crotal bell for fastening to harnesses used with horses or teams of horses. Typically they were used for horse-drawn vehicles, such as carriages and sleighs. The bell was designed to make a jingly sound wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Drum
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater. Types The following descriptions allude to traditional versions of the drums. Modern synthetic versions are available for most if not all of the drums listed through various manufacturers. Middle and Near East *The tar is a frame drum common in Middle Eastern music. *The tambourine is a frame drum with jingles attached to the shell. *The daf and the dayereh are Iranian frame drums. *The ghaval is the Azerbaijani frame drum. *The tonbak is the Persian goblet drum. *The doumbek is a goblet shaped drum used in Arabic, Jewish, Assyrian, Persian, Balkan, Greek, Armenian, Azeri and Turkish music. * Mirwas Africa *The most common African drum known to westerners is the djembe, a large, single-headed drum with a goblet shape. *The Ashiko is another African drum in the shape of a truncated cone. Similar to the Djembe it is rope strung. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Cuban, Puerto Rican, and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Cabo Verdean ferrinho, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güira
The güira () is a percussion instrument from the Dominican Republic used in merengue, bachata, and to a lesser extent, other genres such as cumbia. It is made of a metal sheet (commonly steel) and played with a stiff brush, thus being similar to the Haitian graj (a perforated metal cylinder scraped with a stick) and the Cuban guayo (metal scraper) and güiro (gourd scraper). Güira, guayo and güiro all have a function akin to that of the indigenous native maracas or the trap-kit's hi-hat, namely providing a complementary beat. Performers on the güira are referred to as ''güireros'' and in merengue típico ensembles they often co-lead percussion sections along with tambora-playing ''tamboreros'', due to the significance of their African-derived interlocking rhythms in providing a basic musical foundation for dance. Usage The güira is most often found in merengue típico where it serves as one of multiple percussion instruments, most usually interlocking with the rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I Dong son drum, bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
