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Mathura Herakles
The Mathura Herakles is a famous statue found in the city of Mathura, India, thought to represent the Greek hero Herakles fighting the Nemean lion. History The statue was discovered at the end of the 19th century by Alexander Cunningham in Mathura. It depicts a defaced male strangling a lion. It has been interpreted as a sculpture created by a foreign artist that shows Herakles strangling the Nemaean lion. However, the male is wearing lion's skin, the legs of which are tied around his neck, which has been interpreted as proof that the foreign artist lacked full knowledge of the Greek mythology, because he is shown already wearing the skin of the lion he is fighting. The man fighting the lion in the scene is very generally considered as being Herakles, but some authors have suggested that an Indian sculptor, influenced by western art, could have meant to represent Krishna for example. It may also be connected to the cult of Vasudeva, who is thought to have been corresponded to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herakles
Heracles ( ; ), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of ZeusApollodorus1.9.16/ref> and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a descendant and half-brother (as they are both sired by the god Zeus) of Perseus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. Details of his cult were adapted to Rome as well. Origin Many popular stories were told of his life, the most famous being the twelve Labours of Hercules; Alexandrian poets of the He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha
Siddhartha Gautama, most commonly referred to as the Buddha (),* * * was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist legends, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic. After leading a life of mendicancy, asceticism, and meditation, he attained nirvana at Bodh Gayā in what is now India. The Buddha then wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. Buddhist tradition holds he died in Kushinagar and reached ''parinirvana'' ("final release from conditioned existence"). According to Buddhist tradition, the Buddha taught a Middle Way between sensual indulgence and severe asceticism, leading to freedom from ignorance, craving, rebirth, and suffering. His core teachings are summarized in the Four Noble Truths and the Noble Ei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statues In India
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size. A sculpture that represents persons or animals in full figure, but that is small enough to lift and carry is a ''statuette'' or figurine, whilst those that are more than twice life-size are regarded as ''colossal statues''. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Colors Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Men In India
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indo-Greeks
The Indo-Greek Kingdom, also known as the Yavana Kingdom, was a Hellenistic-era Greek kingdom covering various parts of modern-day Afghanistan, Pakistan and northwestern India. The term "Indo-Greek Kingdom" loosely describes a number of various Hellenistic states, ruling from regional capitals like Taxila, Sagala, Pushkalavati, and Bagram. Other centers are only hinted at; e.g. Ptolemy's '' Geographia'' and the nomenclature of later kings suggest that a certain Theophilus in the south of the Indo-Greek sphere of influence may also have had a royal seat there at one time. The kingdom was founded when the Graeco-Bactrian king Demetrius I of Bactria invaded India from Bactria in about 200 BC. The Greeks to the east of the Seleucid Empire were eventually divided to the Graeco-Bactrian Kingdom and the Indo-Greek Kingdoms in the North Western Indian Subcontinent. During the two centuries of their rule, the Indo-Greek kings combined the Greek and Indian languages and symb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the Roman Greece, conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Kingdom, Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Dying Gaul'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Ancient Greek art, Classical Greek art, while the succeeding Roman art, Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhutesvara Yakshis
The Bhutesvara Yakshis, also spelled Bhutesar Yakshis, are a series of yakshi reliefs on a railing, dating to the 2nd century CE during the time of the Kushan Empire. The reliefs were found in the Bhuteshwar mound, around the remains of a Buddhist stupa, outside Mathura, and are now located in the Indian Museum in Kolkata,''The Culture of India'', Kuiper, Kathleen, Britannica Educational Publishing, 201p. 209/ref> with three pillars, and three more pillars and one fragment (half of a pillar) in the Mathura Museum. They are an important example of Mathura art, of which these and other yakshi figures are "perhaps the best known examples". The backs of the pillars contain reliefs with scenes from the life of the Buddha, and from Jataka tales about his previous lives. The Bhutesar mound is one of a row of large mounds originally just outside the city of Mathura, but now well within the modern city. The important, mostly Jain, site of Kankali Tila was two mounds down. Front of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Megasthenes' Herakles
Porus or Poros ( ; 326–321 BC) was an ancient Indian king whose territory spanned the region between the Jhelum River (Hydaspes) and Chenab River (Acesines), in the Punjab region of what is now India and Pakistan. He is only mentioned in Greek sources. Said to be a warrior with exceptional skills, Porus unsuccessfully fought against Alexander the Great in the Battle of the Hydaspes (326 BC).Fuller, pg 198 In the aftermath, an impressed Alexander not only reinstated him as his satrap but also granted him dominion over lands to the south-east extending as far as the Hyphasis ( Beas).p. xl, ''Historical Dictionary of Ancient Greek Warfare,'' J. Woronoff & I. SpenceArrian, ''Anabasis of Alexander,'' V.29.2 Porus reportedly died sometime between 321 and 315 BC. Sources The only contemporary information available on Porus and his kingdom is from Greek sources, whereas Indian sources do not mention him. These Greek sources differ considerably among themselves. Identification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathura Art
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving Sculpture in the Indian subcontinent, in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, Uttar Pradesh, Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths",Srinivasan, 4 and the pre-eminent center of religious artistic expression in India at least until the Gupta art, Gupta period, and was influential throughout the sub-continent. Chronologically, Mathuran sculpture becomes prominent after Mauryan art, the art of the Mauryan Empire (322 and 185 BCE). It is said to represent a "sharp break" with the previous Mauryan style, either in scale, material or style. Mathura became India's most important artistic production center from the second century BCE, with its highly recognizable red s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huvishka
Huvishka ( Kushan: Οοηϸκι, ''Ooēški'', Brahmi: 𑀳𑀼𑀯𑀺𑀱𑁆𑀓; ', '; Kharosthi: 𐨱𐨂𐨬𐨅𐨮𐨿𐨐 ', ') was the emperor of the Kushan Empire from the death of Kanishka (assumed on the best evidence available to be in 150 CE) until the succession of Vasudeva I about thirty years later. His rule was a period of consolidation for the Empire. Huvishka's territory encompassed Balkh in Bactria to Mathura in India, locations where it is known that he minted his coinage. Gold coins and amulets in his effigy were found as far as Pataliputra and Bodh Gaya, including one such amulet as an offering under the Enlightenment Throne of the Buddha in Bodh Gaya, suggesting with other finds of Kushan coins in the area that Kushan rule may have extended this far east. His reign seems to have been essentially peaceful, consolidating Kushan power in northern India, and moving the centre of the Kushan Empire to the southern capital city of Mathura. Religion Huvi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kushan Empire
The Kushan Empire (– CE) was a Syncretism, syncretic empire formed by the Yuezhi in the Bactrian territories in the early 1st century. It spread to encompass much of what is now Afghanistan, Eastern Iran, India, Pakistan, Tajikistan and Uzbekistan. Kushan territory in India went at least as far as Saketa and Sarnath, now near Varanasi district, Varanasi in Uttar Pradesh, where inscriptions have been found dating to the era of the Kushan emperor Kanishka the Great. The Kushans were most probably one of five branches of the Yuezhi confederation, an Proto-Indo-Europeans, Indo-European nomadic people of possible Tocharians, Tocharian origin, who migrated from northwestern China (Xinjiang and Gansu) and settled in ancient Bactria. The founder of the dynasty, Kujula Kadphises, followed Iranian and Greek cultural ideas and iconography after the Greco-Bactrian tradition and was a follower of the Shaivism, Shaivite sect of Hinduism. Two later Kushan kings, Vima Kadphises and Vasudeva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrapani
(Sanskrit; Pali: Vajirapāṇi, 'holder of the thunderbolt', lit. meaning, "Vajra in ishand") is one of the earliest-appearing bodhisattvas in Mahayana Buddhism. The personification of Indra, the King of the Devas in the Hindu order, he is the protector and guide of Gautama Buddha and rose to symbolize the Buddha's power. Vajrapāni or Indra, is also called Chana Dorji and Chador and extensively represented in Buddhist iconography as one of the earliest three protective deities or bodhisattvas surrounding the Buddha. Each of them symbolizes one of the Buddha's virtues: Manjushri manifests all the Buddhas' wisdom, Avalokiteśvara manifests all the Buddhas' immense compassion, and Vajrapāni protects Buddha and manifests all the Buddhas' power as well as the power of all five tathāgatas (Buddhahood of the rank of Buddha). Vajrapāni is one of the earliest Dharmapalas of Mahayana Buddhism and also appears as a deity in the Pali Canon of the Theravada school. He is worshiped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
