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Marcus Curtius
Marcus Curtius is a mythological young Roman who offered himself to the gods of Hades. He is mentioned shortly by Marcus Terentius Varro, Varro and at length by Titus Livius, Livius. He is the legendary namesake of the Lacus Curtius in the Roman Forum, the site of his supposed self-sacrifice. Legendary biography After an earthquake in 362 BC, a huge deep pit suddenly opened in the Roman Forum, which the Romans attempted to fill, but in vain. Despairing, they consulted an augur who responded that the gods demanded the most precious possession of Rome. The Romans doubted the warning, and struggled to think of what that was. However, a young soldier named Marcus Curtius castigated them and responded that arms and the courage of Romans were the nation's most precious possessions. Astride his horse, fully and meticulously armed and decorated, Marcus rode and leapt into the chasm. Immediately, the deep pit closed over him, saving Rome. The Lacus Curtius in the Forum was supposedly ...
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Veronese
Veronese is the Italian word denoting someone or something from Verona, Italy and may refer to: * Veronese Riddle, a popular riddle in the Middle Ages * Veronese (moth), ''Veronese'' (moth), a moth genus in the family Crambidae * Monte Veronese, an Italian cheese made from cow's milk * the Veronese embedding of a projective space by a complete linear system * Veronese (typeface), Monotype typeface series 59, cut in 1911 for publisher J.M. Dent Places * Velo Veronese, Italy * Cavaion Veronese, Italy * Povegliano Veronese, Italy People

* Angela Veronese (1778–1847), Italian poet * Bonifazio Veronese (1487–1553), Italian Renaissance painter * Paolo Veronese (1528–1588), Italian Renaissance painter in Venice * Giuseppe Veronese (1854–1917), Italian mathematician {{disambiguation, surname ...
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Hendrick Goltzius
Hendrick Goltzius (, ; born Goltz; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his sophisticated technique, technical mastership and "exuberance" of his compositions. According to A. Hyatt Mayor, Goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". In the middle of his life he also began to produce paintings. Biography Goltzius was born near Viersen in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the municipality Brüggen in North Rhine-Westphalia. His family moved to Duisburg when he was 3 years old. After studying painting on glass for some years under his father, he learned engraving from the Dutch polymath Dirck Volckertszoon Coornhert, who then lived in Cleves. In 1577 he moved with C ...
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Curtia (gens)
The gens Curtia was an ancient but minor noble family at Rome, with both patrician and plebeian branches. The only member of the gens invested with the consulship under the Republic was Gaius Curtius Philo, in 445 BC. A few Curtii held lesser magistracies during the Republic, and there were two consuls ''suffectus'' in imperial times. However, the gens is best remembered from a series of legends dating from the traditional founding of the city to the early Republic. Origin According to legend, Mettius Curtius was a leader of the Sabine forces who attacked Rome following the Rape of the Sabine Women. The first blows were exchanged between Curtius and the Roman warrior, Hostus Hostilius. After fierce fighting, Hostilius was slain and the Romans retreated, pursued by Curtius. Just then, the Roman King, Romulus, led his best troops against Curtius' advance. Pursued by the Romans, Curtius' horse was frightened by the shouting and plunged into the swamps, becoming mired in shal ...
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Curtius Leaping Into The Gulf
''Curtius Leaping into the Gulf'' is an 1842 history painting by the British artist Benjamin Robert Haydon. It depicts a scene from the early Roman Republic recorded by Livy. Marcus Curtius bravely leaps into a giant hole that had opened up in the Roman Forum in an act of self-sacrifice in order to save the city. The face of Curtius is a self-portrait of Haydon, while he used the Elgin Marbles as an inspiration for the horse. It was displayed at the 1843 Royal Institution exhibition in London. It was generally praised and was described by the '' Morning Chronicle'' as "the finest work of art in the exhibition". The painting is in the collection of the Royal Albert Memorial Museum in Exeter Exeter ( ) is a City status in the United Kingdom, cathedral city and the county town of Devon in South West England. It is situated on the River Exe, approximately northeast of Plymouth and southwest of Bristol. In Roman Britain, Exeter w ..., having been acquired in 1933. References ...
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Benjamin Robert Haydon
Benjamin Robert Haydon (; 26 January 178622 June 1846) was a British painter who specialised in grand historical pictures, although he also painted a few contemporary subjects and portraits. His commercial success was damaged by his often tactless dealings with patrons, and by the enormous scale on which he preferred to work. He was troubled by financial problems throughout his life, which led to several periods of imprisonment for debt. Early years Childhood Haydon was born in Plymouth, the only son of another Benjamin Robert Haydon, a prosperous printer, stationer and publisher, and his wife Mary, the daughter of the Rev. Benjamin Cobley, rector of Kingsbridge, Dodbrooke, near Kingsbridge, Devon. At an early age he showed an aptitude for study, which was carefully fostered by his mother. At the age of six he was placed in Plymouth Grammar School, and at twelve in Hele's School, Plympton Grammar School, where Sir Joshua Reynolds had received most of his education. Reading Bernha ...
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Forum Romanum
A forum (Latin: ''forum'', "public place outdoors", : ''fora''; English : either ''fora'' or ''forums'') was a public square in a municipium, or any civitas, of Ancient Rome reserved primarily for the vending of goods; i.e., a marketplace, along with the buildings used for shops and the stoas used for open stalls. But such fora functioned secondarily for multiple purposes, including as social meeting places for discussion. Many fora were constructed at remote locations along a road by the magistrate responsible for the road, in which case the forum was the only settlement at the site and had its own name, such as Forum Popili or Forum Livi. Functions In addition to its standard function as a marketplace, a forum was a gathering place of great social significance, and often the scene of diverse activities, including political discussions and debates, rendezvous, meetings, et cetera. In that case, it supplemented the function of a '' conciliabulum''. Every municipality () had ...
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Hartmann Schedel
Hartmann Schedel (13 February 1440 – 28 November 1514) was a German historian, physician, humanist, and one of the first cartographers to use the printing press. He was born and died in Nuremberg. Matheolus Perusinus served as his tutor. Schedel is best known for his writing the text for the ''Nuremberg Chronicle'', known as ''Schedelsche Weltchronik'' (English: ''Schedel's World Chronicle''), published in 1493 in Nuremberg. It was commissioned by Sebald Schreyer (1446–1520) and Sebastian Kammermeister (1446–1503).Hartmann Schedule, Weltchronik, Kolorierte Gesamtausgabe von 1493, Einleitung und cementer Stephen Füssel, Weltbild Verlag Maps in the ''Chronicle'' were the first ever illustrations of many cities and countries. With the invention of the printing press by Johannes Gutenberg in 1447, it became feasible to print books and maps for a larger customer basis. Because they had to be handwritten, books had previously been rare and very expensive. Schedel was al ...
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Nuremberg Chronicle
The ''Nuremberg Chronicle'' is an illustrated encyclopedia consisting of world historical accounts, as well as accounts told through biblical paraphrase. Subjects include human history in relation to the Bible, illustrated mythological creatures, and the histories of important Christian and secular cities from antiquity. Finished in 1493, it was originally written in Latin by Hartmann Schedel, and a German language, German version was translated by Georg Alt. It is one of the best-documented early printed books—an incunabulum—and one of the first to successfully integrate illustrations and text. Latin scholars refer to it as the ''Liber Chronicarum'' ('Book of Chronicles') as this phrase appears in the index introduction of the Latin edition. English language, English-speakers have long referred to it as the ''Nuremberg Chronicle'' after the city in which it was published. German-speakers refer to it as ''Schedelsche Weltchronik'' ('Schedel's World History') in honour of its au ...
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Lucas Cranach The Elder
Lucas Cranach the Elder ( ;  – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther, and Portrait of Martin Luther (Lucas Cranach the Elder), eleven portraits of that reformer by him survive. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. Cranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successfu ...
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Nuremberg Chronicles F 70r 1
Nuremberg (, ; ; in the local East Franconian dialect: ''Nämberch'' ) is the largest city in Franconia, the second-largest city in the German state of Bavaria, and its 544,414 (2023) inhabitants make it the 14th-largest city in Germany. Nuremberg sits on the Pegnitz, which carries the name Regnitz from its confluence with the Rednitz in Fürth onwards (), and on the Rhine–Main–Danube Canal, that connects the North Sea to the Black Sea. Lying in the Bavarian administrative region of Middle Franconia, it is the largest city and unofficial capital of the entire cultural region of Franconia. The city is surrounded on three sides by the , a large forest, and in the north lies (''garlic land''), an extensive vegetable growing area and cultural landscape. The city forms a continuous conurbation with the neighbouring cities of Fürth, Erlangen and Schwabach, which is the heart of an urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metro ...
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Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ...
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Augur
An augur was a priest and official in the ancient Rome, classical Roman world. His main role was the practice of augury, the interpretation of the will of the List of Roman deities, gods by studying events he observed within a predetermined sacred space (''templum''). The ''templum'' corresponded to the heavenly space above. The augur's decisions were based on what he personally saw or heard from within the ''templum''; they included thunder, lightning and any accidental signs such as falling objects, but in particular, birdsigns; whether the birds he saw flew in groups or alone, what noises they made as they flew, the direction of flight, what kind of birds they were, how many there were, or how they fed. This practice was known as "''taking the auspices''". As circumstance did not always favour the convenient appearance of wild birds or weather phenomena, domesticated chickens kept for the purpose were sometimes released into the templum, where their behaviour, particularly h ...
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