|
Mandapa
A ''mandapa'' or ''mantapa'' () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture and Jain temple architecture. ''Mandapas'' are described as "open" or "closed" depending on whether they have walls. In temples, one or more ''mandapas'' very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other ''mandapas'' may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's '' sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple Architecture
Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the ''Garbhagriha, garbha griha'' or womb-chamber, where the primary ''Murti'' or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like ''shikhara'', also called the ''Vimana (architectural feature), vimana'' in the south. ''Gopuram'' gateways are elaborate in the south. The shrine building often includes an circumambulatory passage for circumambulation, parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedding Mandapa
A Vivaha Mandapa (), also referred to as Kalyana Mandapa () or simply Wedding mandapa is a mandapa (pavilion) temporarily erected for the purpose of a Hindu or Jain wedding. It is the term used for the ''wedding canopy'' in Dharmic religions. The main wedding ceremonies take place under this mandapa. Vivaha Mandapas have historically also been featured adjacent to Hindu temples to commemorate the wedding of Hindu deities, such as Rama and Sita. Description A Vivaha Mandapa is traditionally made of wood, although in the contemporary period, modern materials are sometimes used. It is often set up as an arrangement that includes pillars supporting a frame, royal chairs for the bride and the groom, side chairs for parents, and a pedestal for the sacred fire. It is often rented from businesses that specialise in renting items for an Indian wedding. Its use is common among overseas Indians as well. The use of a mandapa is an ancient custom, and is described in texts like Ramacharitam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garba Griha
A ''garbhagriha'' () is the innermost sanctuary of Hindu and Jain temples, often referred to as the "holy of holies" or " sanctum sanctorum". The term ''garbhagriha'' (literally, "womb chamber") comes from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. The garbhagriha is the location of the ''murti'' (sacred image) of the temple's primary deity. This might be a murti of Shiva, as the lingam, his consort the Goddess in her consecrated image or yoni symbol, Vishnu or his spouse, or some other god in symbol or image. In the Rajarani temple in Bhubaneswar, near Puri, there is no symbol in that lightless garbhagriha. Architecture A garbhagriha started with a circular architecture like at Gudimellam temple (3rd century BCE). Later it evolved as a square (though there are exceptions), sits on a plinth, and is also at least approximately a cube. Compared to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' () is the innermost sanctuary of Hindu and Jain temples, often referred to as the "holy of holies" or " sanctum sanctorum". The term ''garbhagriha'' (literally, "womb chamber") comes from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. The garbhagriha is the location of the ''murti'' (sacred image) of the temple's primary deity. This might be a murti of Shiva, as the lingam, his consort the Goddess in her consecrated image or yoni symbol, Vishnu or his spouse, or some other god in symbol or image. In the Rajarani temple in Bhubaneswar, near Puri, there is no symbol in that lightless garbhagriha. Architecture A garbhagriha started with a circular architecture like at Gudimellam temple (3rd century BCE). Later it evolved as a square (though there are exceptions), sits on a plinth, and is also at least approximately a cube. Compared ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple
A Hindu temple, also known as Mandir, Devasthanam, Pura, or Kovil, is a sacred place where Hindus worship and show their devotion to Hindu deities, deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated.; Quote: "The Hindu temple is designed to bring about contact between man and the gods of Hinduism religion" (...) "The architecture of the Hindu temple symbolically represents this quest by setting out to dissolve or decrease the boundaries between man and the divine". Hindu temple architecture, which makes extensive use of squares and circles, has its roots in later Vedic traditions, which also influence the temples' construction and symbolism. Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the Microcosm–macrocosm analogy, equivalency of the macrocosm and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Havelaar
''Max Havelaar; or, The Coffee Auctions of the Dutch Trading Company'' () is an 1860 novel by Multatuli (the pen name of Multatuli, Eduard Douwes Dekker), which played a key role in shaping and modifying Dutch Ethical Policy, Dutch colonial policy in the Dutch East Indies in the nineteenth and early twentieth century. In the novel, the protagonist, Max Havelaar, tries to battle against a corrupt government system in Java, which was then a Dutch East Indies, Dutch colony. The novel's opening line is famous: "Ik ben makelaar in koffie, en woon op de Lauriergracht, Nº 37." ("I am a coffee broker, and live on the Lauriergracht, Nº 37."). Background By the mid-nineteenth century, the colonial control of the Dutch East Indies (present-day Indonesia) had passed from the Dutch East India Company (VOC) to the Dutch government due to the economic failure of the VOC. In order to increase revenue, the Dutch colonial government implemented a series of policies termed the Cultivation Sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roof
A roof (: roofs or rooves) is the top covering of a building, including all materials and constructions necessary to support it on the walls of the building or on uprights, providing protection against rain, snow, sunlight, extremes of temperature, and wind. A roof is part of the building envelope. The characteristics of a roof are dependent upon the purpose of the building that it covers, the available roofing materials and the local traditions of construction and wider concepts of architectural design and practice, and may also be governed by local or national legislation. In most countries, a roof protects primarily against rain. A verandah may be roofed with material that protects against sunlight but admits the other elements. The roof of a Conservatory (greenhouse), garden conservatory protects plants from cold, wind, and rain, but admits light. A roof may also provide additional living space, for example, a roof garden. Etymology Old English 'roof, ceiling, top, summ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multatuli
Eduard Douwes Dekker (2 March 182019 February 1887), better known by his pen name Multatuli (from Latin ''multa tulī'', "I have suffered much"), was a Dutch writer best known for his satirical novel ''Max Havelaar'' (1860), which denounced the abuses of colonialism in the Dutch East Indies (today's Indonesia). He is considered one of the Netherlands' greatest authors. Family and education Eduard Douwes Dekker was born in Amsterdam, the fourth of five children of a Mennonite family: the other children were Catharina (1809–1849), Pieter Engel (1812–1861), Jan (1816–1864), and Willem (1823–1840). Their mother, Sietske Eeltjes Klein (sometimes written "Klijn"), was born on Ameland. Multatuli’s father, Engel Douwes Dekker, worked as a sea captain from the Zaan district of North Holland. Engel inherited the surnames of both his parents, Pieter Douwes and Engeltje Dekker, and Multatuli’s family retained both names. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendhapa
A pendhapa or pandhapa ( Javanese: ꦥꦼꦤ꧀ꦝꦥ or ꦥꦤ꧀ꦝꦥ, Indonesian spelling: pendapa, nonstandard spelling: pendopo or pěndåpå) is a fundamental element of Javanese architecture unique in the southern central part of Java; a large pavilion-like structure built on columns. Either square or rectangular in plan, it is open on all sides and provides shelter from the sun and rain, but allows breeze and indirect light. The word ''pendhapa'' is cognate to the Sanskrit word ''mandapa'' ("hall"). The Dutch writer, Multatuli, in his colonial reformist novel, ''Max Havelaar'', described the ''pendhapa'' thus: "After a broad-brimmed hat, an umbrella, or a hollow tree, a 'pendoppo' icis certainly the most simple representation of the idea 'roof'." Derived from ancient Javanese architectural elements, pendhapa are common ritual spaces primarily intended for ceremonies and also for purposes such as receiving guests in the compounds of wealthy Javanese and even as cottage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khmer Language
Khmer ( ; , Romanization of Khmer#UNGEGN, UNGEGN: ) is an Austroasiatic language spoken natively by the Khmer people. This language is an official language and national language of Cambodia. The language is also widely spoken by Khmer people in Eastern Thailand and Isan, Thailand, as well as in the Southeast (Vietnam), Southeastern and Mekong Delta regions of Vietnam. Khmer has been influenced considerably by Sanskrit and Pali especially in the royal and religious Register (sociolinguistics), registers, through Hinduism and Buddhism, due to Old Khmer being the language of the historical empires of Chenla and Angkorian Empire, Angkor. The vast majority of Khmer speakers speak ''Central Khmer'', the dialect of the central plain where the Khmer are most heavily concentrated. Within Cambodia, regional accents exist in remote areas but these are regarded as varieties of Central Khmer. Two exceptions are the speech of the capital, Phnom Penh, and that of the Khmer Khe in Stung Treng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Javanese Language
Javanese ( , , ; , Aksara Jawa, Javanese script: , Pegon script, Pegon: , IPA: ) is an Austronesian languages, Austronesian language spoken primarily by the Javanese people from the central and eastern parts of the island of Java, Indonesia. There are also pockets of Javanese speakers on the northern coast of western Java. It is the native language of more than 68 million people. Javanese is the largest of the Austronesian languages in List of languages by number of native speakers, number of native speakers. It has several regional dialects and a number of clearly distinct status styles. Its closest relatives are the neighboring languages such as Sundanese language, Sundanese, Madurese language, Madurese, and Balinese language, Balinese. Most speakers of Javanese also speak Indonesian language, Indonesian for official and commercial purposes as well as a means to communicate with non-Javanese-speaking Indonesians. There are speakers of Javanese in Malaysia (concentrated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thingyan
Thingyan (/sɛŋkəmɑ/ ; , Old Mon language, Old Mon: သင်ကြာန် ), also known as the Myanmar New Year, is a festival that usually occurs in middle of April. Thingyan marks the transition from the old year to the new one, based on the traditional Myanmar lunisolar calendar. The festival usually spans four to five days, culminating in ''New Year’s Day'', and is one of the most anticipated public holidays across the country. The highlight of the celebration is the symbolic throwing of water, representing the washing away of sins and bad luck from the previous year. People engage in water fights using buckets and water guns, especially during the first four days. Streets become lively with music, dance troupes, and temporary stages called pandal (မဏ္ဍပ်'',mandat''). Thingyan is not only a joyful festival but also a time for ''merit-making''. Many people practice religious observances such as almsgiving, releasing fish and birds, and visiting monasterie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
